弥撒

My interest went beyond politics; I would come to love the Mexican and Puerto Rican sections of the city—the sounds of salsa and merengue pulsing out of apartments on hot summer nights, the solemnity of Mass in churches once filled with Poles and Italians and Irish, the frantic, happy chatter of soccer matches in the park, the cool humor of the men behind the counter at the sandwich shop, the elderly women who would grasp my hand and laugh at my pathetic efforts at Spanish.

我关心的不仅是政治；我渐渐喜欢上了城市里的墨西哥裔和波多黎各裔社区——在燥热的夏天夜晚，从公寓中传出萨尔萨舞曲和梅伦格舞（海地和多米尼加的一种交际舞）的有节奏的音乐；在肃穆的教堂中做弥撒时，有时会坐满波兰裔、意大利裔和爱尔兰裔；在公园里，足球比赛时的非常快乐的闲聊；在三明治商店里的柜台后的一个伙计讲的冷笑话；老年妇女拉住我的手，笑话我对西班牙裔做出的少的可怜的帮助。

Put me in another car and give Ken better missals?

把我放入另一辆汽车和弹性肯恩较好的弥撒用书？

Those enshrined in French homes, or on prayer-cards stuffed into the missals of elderly churchgoers, are usually St Anthony carrying the child Jesus, or smiling St Thérèse of Lisieux with a bouquet of flesh-tinted roses.

那些法国百姓家里供奉的圣像，亦或是年长信徒弥撒用书里夹着的祈福卡上的画像，通常都是怀抱纪年耶稣的圣徒安通尼，或者是手捧一束鲜艳玫瑰、面带微笑的圣女德兰（St Thérèse of Lisieux）。

Principal liturgical forms which endured throughout the entire Renaissance period were masses and motets, with some other developments towards the end, especially as composeres of sacred music began to adopt secular forms for their own designs.

在整个文艺复兴时期贯穿发展的主要宗教形式是弥撒和经文歌，而后期则趋于一些其他的发展，尤其是宗教音乐作曲家开始把宗教形式为自己的创作所用。

Owing to distinct conception of visual imagery, the methodologies for studying Pre-Reformation and Post-Reformation art history as well as for the studies of Catholic and Protestant art history vary quite a lot.

一如宗教改革史学者Peter Blickle直截当所提的问题：「为何1515的人想要『望』弥撒；到1525，他们却变得想『听』上帝真实的话语？

"In church, they preach , wear their priestly vestments or conduct Mass."

他们在教堂里，只传道，穿牧师的制服、或望弥撒。

The rest of the Mass was sung, in Mozart's characteristic composition of majesty alternating with sweetness: Sanctus, Sanctus, Sanctus ...

弥撒剩下的部分，以莫扎特极富特征性的雄伟与甜蜜交相辉映的曲风来咏唱，&圣，圣，圣……&

And calling himself a Frenchy for the shawls, Joseph Manuo, and talking against the Catholic religion, and he serving mass in Adam and Eve's when he was young with his eyes shut, who wrote the new testament, and the old testament, and hugging and smugging.

他对那两个&披肩&说，自己是名叫约瑟夫。马努奥的法国佬，并且大骂天主教。扬言自己年轻时在亚当与夏娃教堂当过弥撒的助祭，闭着眼睛也能说出《新约全书》是谁写的，《旧约全书》又是谁写的。

His chief works include symphonies, concertos, string quartets, a Requiem mass and a multitude of other forms of chamber music.

他的主要作品包括交响乐、协奏曲，线四重奏、一个追思弥撒和其他形式的室音乐的多数。

He taught that the Body of Christ is truly present in the Eucharist, and that the believer partakes of it that the elements are unchanged, and that the Catholic Mass was idolatry.

他告诉我们，基督的身体是真正的，目前在圣体圣事，并认为信奉参与大的，它说，分子不变，并认为天主教弥撒是偶像崇拜。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。