查询词典 vernacular

Crise awarenss is the precondition of ethnic culture renassance The motive power of innovation and the basic evaluation standard of design in contemporary China.come from the main crisis awareness on ethnic identity and the lationship between people and land.85years ago,the New Culture Movement,especially the revolution of vernacular Chinese,brought a lot of enlightenment on contemporary construction of Chinese city and landscape.

续唱新文化运动之歌：白话的城市与白话的景观危机意识是一个民族文化复兴的基本条件。在民族身份和人地关系这两方面的危机意识是当代中国设计创新的动力也是评价中国现代设计的根本标准。85年前的新文化运动，特别是白话文革命，给当代中国城市和景观建设以许多启迪。

Crise awarenss is the precondition of ethnic culture renassance The motive power of innovation and the basic evaluation standard of design in contemporary China.come from the main crisis awareness on ethnic identity and the lationship between people and land.85years ago,the New Culture Movement,especially the revolution of vernacular Chinese,brought a lot of enlightenment on contemporary construction of Chinese city and landscape.

本文《续唱新文化运动之歌：白话的城市与白话的景观》关键词：园林景观论文，免费论文危机意识是一个民族文化复兴的基本条件。在民族身份和人地关系这两方面的危机意识是当代中国设计创新的动力也是评价中国现代设计的根本标准。85年前的新文化运动，特别是白话文革命，给当代中国城市和景观建设以许多启迪。

Moreover, anything that is the best of its kind, if it be mixed with what is inferior to it, not only takes nothing away from the lesser material, but actually improves it; and therefore if poets, however crude the verses they write, mix the illustrious vernacular with their own crudities, they not only do the right thing but, it seems, are obliged to do so: those of limited ability stand much more in need of help than those with greater skill.

而且，任何出类拔萃的事物，如果与逊色于它的东西相混杂，它不仅不会削弱那低等的东西，反而会提升它；因此如果诗人把高贵的方言掺杂进他们鄙陋的作品中，那么无论他们的诗行如何粗野，他们都是在做正确的事情，而且似乎必须这样做：那些天资有限的人比禀赋卓绝者更需帮助。

First, narrated Liu Bannong's in new-vernacular literature theory construction folk field of vision, as well as his experimental nature folk poetry form construction develops folk words way;Next, elaborates "Raises Whip Collection* and "Tile Cauldron Collection" profits from the achievement which the Wu folk song obtains, has demonstrated to "the portrait the theory practice significance.

首先，叙述了刘半农在新文学理论建设上的民间视野，以及他试验性的民间诗体建设所开拓的民间话语方式；其次，论述《扬鞭集》和《瓦釜集》借鉴吴地民歌取得的成就，显示了对&写真&理论的实践意义。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Some areas of timber frame walls are clad in fibre cement sheet with aluminium cover battens recalling the beachside vernacular of Main Beach.

木材框架墙壁有些地方与铝复合纤维水泥板覆盖板条回顾滩海滨白话。

The beautifully hand-embroidered male wrestling costumes of Cumberland and Westmoreland, for example, with their curling images of dainty flowers and leaves, are often picked out by commentators as vernacular and culturally specific.

例如，坎伯兰和威斯特摩兰郡精美的男性摔跤服，有着手工刺绣的雅致卷曲花叶图案，经常被评论家挑选出来作为民俗文化的特别代表。

Even if the government one day chooses to heavy-handedly abolish vernacular schools, racial disunity would only manifest itself in other forms if there is no level-playing ground.

即使政府有一天下重手关闭母语学校，族群分裂仍会以其他形式出现。

There is a strong relationship between the various forms of Sanskrit and the Middle Indo-Aryan "Prakrits", or vernacular languages (in which, among other things, most early Jain and Buddhist texts are written), and the modern Indo-Aryan languages.

形形式式的梵语同中古时代印度雅利安人的&古印度语&，或者说本国语言（大多数耆那教和佛教文献也用这种语言书写），以及现代印度雅利安语有紧密的联系。

There is a strong relationship between the various forms of Sanskrit and the Middle Indo-Aryan" Prakrits", or vernacular languages( in which, among other things, most early Jain and Buddhist texts are written), and the modern Indo-Aryan languages.

形形式式的梵语同中古时代印度雅利安人的&古印度语&，或者说本国语言（多数耆那教和佛教文献也用这种语言书写）以及现代印度雅利安语有紧密的联系。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。