[INGMAR BERGMAN:] [英格玛·伯格曼： ]

I’ve often portrayed nightmares in my films. 我经常做恶梦描绘在我的电影。

But this is a nightmare of a different sort. 但是，这是一个不同类型的噩梦。

I have to escape this nightmare. I must return to where I came from. 我一定要逃出这个噩梦。我必须回到我从哪里来。

I’ve often portrayed hopelessness in my films. 我经常描绘的绝望在我的电影。

But this is a hopelessness of a different sort. I must escape here and return home. 但是，这是一种不同的绝望。我必须逃离这里，回到家里。

This Hollywood is not a place, it’s a sensibility, a sensibility at 这是好莱坞不是一个地方，它是一个感性一个感性的

complete odds with my sensibility. 完全违背了我的情感。

I’ve often portrayed loss of identity in my films, but I’ve never felt 我经常描绘我的电影的身份损失，但我从来没有觉得

that loss of identity myself. I must escape. 这一损失的身份自己。我必须逃脱。

They admire what I represent too much to cause me any bodily 他们很佩服我代表太多导致我身体的任何

harm if I try to escape. 伤害，如果我试图逃跑。

Still, I don’t even know what escape means when the place you 尽管如此，我什至不知道什么是越狱是指当你的地方

are escaping from is more of an idea than a physical location. 从被转义更多的是一种观念不是物理位置。

Escape is too logical of a concept. Escape是太合乎逻辑的一个概念。

Perhaps if I go downstairs without being seen and just continue 也许，如果我去楼下不被人发现，只是继续

walking, escape may come as quickly as this form of 走，逃跑会尽快来作为这种形式的

imprisonment has come. 入狱已经到来。