空间与时间的

Mechanical materialism While acknowledging that space and time are independent of the objective existence of people outside, but it will be the movement of phase separation and material that are not dependent on the motion of matter of" absolute space "and "absolute time."

机械唯物主义尽管承认空间和时间是独立于人之外的客观存在，但却将之与物质的运动相分离，认为有不依赖于物质运动的"绝对空间"和"绝对时间"。

In the second place, the migration of industrial population resulted in social vicissitudes of the life style; the daily life was put double marks of immigration and migrancy; the inhabiting style of the apartment made the working places and time separated from the living places and time, strengthening the sense of time of the inhabitants.

第二，工业移民导致了洛阳城市生活方式的社会变迁，日常生活中不仅打上了移民移居的生活烙印，更反映了工业生产方式对生活方式所产生的影响与改变。公寓房的居住方式导致了工作场所和时间与生活场所和时间的分离，这种时间、空间的"二分"提高了居民的时间观念。

It provides a way to find optimal lower dimensional approximations of the given data, and It enormously reduce the storage of the data which is needed when the physical processes is recurred. The physical process can be described in series expansion function that only is related to the time and space. It is optimal approximation of the given data in a certain least squares optimal sense. The most obvious advantage of the method is that it reduces the computation cost and computation time markedly.

它提供了一种描绘物理过程的有效方法，该物理过程可以写成一个只与时间相关的函数和一个只与空间相关的函数的展开式序列，且它们在均方意义上是最优的，在展开式中只需要少量的项数就可较准确地描述该物理过程，因此降低计算维数、减少计算量和节省计算时间是这个方法最明显的优点。

It studies taxi passenger's daily travel behavior feature: first, it analyzes temporal distribution of them and proposes the solution of dynamic management of taxis by limiting operation period; second, through investigating the uneven spatial distribution of taxi travel demand and nonlinear correlation of travel density and population density, it reveals the shortcoming of linear matching transportion facility with population number in traditional urban transport criterion, also it questions the limited effect of the licence management for taxis, and it proposes dynamically determing taxi scale according to different traffic zones; third, through exploring the taxi travel patterns in special zones, it reveal Hong Kong citizens travel behavior in Shenzhen, which could analyze the impact of demographic feature to the travel behavior and provide scientific testimony for designing transportion service for the special group; fourth, through accurately grasping the spatial-temporal distribution of taxi travel demand, it could provide innotiative and efficient transportion service at different time and in different place, such as taxi-sharing and flexible shuttle to meet the travel demand; through pervasive data, we could inspect urban expansion and sprawl, monitor the separation of inhatitantion center and employment center and reflect the variation of population centriod and distribution; finally, it reveals how to use digital feature of inhabitant daily travel to detect abnormal condition in the city.

对出租车乘客的日常交通行为特征进行了研究：通过对出租车出行时间分布特征的把握，提出采取限时营运的方法来对出租车进行动态管理的思路；通过分析出租车出行空间分布不均匀的特征以及出行密度与人口密度之间非线性的关系，揭示了传统城市交通规范中按人数来线性配套交通基础设施的缺陷以及牌照管理对于出租车管理的有限效果，提出按照区域动态确定营运出租车规模的思路；通过特定区域出租车出行特征的分析，揭示香港居民在深圳的交通行为特征，从而分析不同人口统计特征对于交通行为的影响，为设计这个特殊群体的交通服务提供科学依据；通过对出租车出行时空分布特征精确的把握，使得我们可以在不同时间、不同地点采用创新、高效的交通服务，如合乘出租车，高级穿梭巴士来满足出行需求；通过普适数据可以监测城市的扩张和蔓延、居住中心和就业中心的分离程度以及反映人口重心与分布的变化；最后探讨了如何利用居民日常出行的数字特征来检测城市异常状态。

"Up to the limit" is an art work about time. On the surface, this art work tests people's tolerance of extreme tedium of endless routine labor and unbearably apathic physical space where one can hardly stay long. But the concept of time emerges during the process of close references with the formation of the work; moreover, a hidden craziness opposite to the apathy of the work sharply stabs into the viewers' eyes and further thrusts into their hearts; and it is exactly during the process of watching, that time settles down and achieves its existence.

极限》则是一组以时间为题的作品，表面看作品是在考验一种无穷尽的忍受，一种冷漠无比的枯燥，一种不能存留的短暂的物理空间，一种样式化的不断重复的工作，时间之概念恰在这一系列与作品形成密切相关的制作当中浮现出来，并以一种与作品的冷漠完全相反的隐藏起来的疯狂，尖锐地插进观看者的双眸，并延伸到其内心，时间恰好在这观赏的过程中得以落实，而成为一种实存。

Four chapters in the first volume, including "The Origin of Movement","Thinking of Effort","Movement Space" and "To Find Body", develop the theoretical structures of body language in western modern dance, analyze elements of movements and their semantic characters, reveal the conceptual transformation in the science of modern human movements and science of body language, and discover the re-interpretation through modern dance about the essence of movement and space and time of movement Another four chapters in the second volume including "Feminized Body""Masculine Body""Sex-confused Body" and "Body's Origin", study respectively features of body language in the field of ballet, modern dance and post-modern dance, provide a chronicle embodying the form variation of body language through lineal comparison, and exposit spiritual pursuit and value preference of modern choreographers and their relationship with history and culture. Therefore, effective body strategy of "Back to Body's Origin" in today's human existence is offered and teaches us how to keep our own national culture in the times of cultural globalization and integration.

前者通过&动作的根源&、&力效思维&、&运动空间&、&发现身体&等4章，展开西方现代舞身体动作语言的理论构架，分析其动作语言要素和语义特征，揭示现代人体动作科学与身体语言科学的观念性变革，发现现代舞蹈对动作本质、运动空间和时间所做出的重新阐释；后者通过&女性化的身体&、&男性化的身体&、&性倒错的身体&及&身体的原点&等4章，研究芭蕾舞、现代舞、后现代舞的身体动作语言形态的各自特征，在纵向比较中，提供身体语言形态的&体现&变异的历史图表，在舞蹈本文的叙述和重新阅读中，提示现代舞蹈家的精神追求与价值取向，揭示其与历史文化之间的对应关系，提供现时代人类生存中所应采取的有效的身体策略——返回身体的原点，在全球文化大交流、大融合之中，保持民族文化的独立品格。

The temple of art is no longer limited to be inside museums. Since the year 2004, we have begun oue foundationless mobile public art, and have broken the limitation of public art's relation to time and space. Artists take on the role of Art Ambassadors and come into our daily lives with their creativities and affection. We anticipate the public to walk by and linger to feel the warmth of the city and to enjoy the encounters with art.

并於2004年起，我们开始了「无地基」移动式公共艺术，破除公共艺术对时间与空间占有的迷思，将艺术家充满想像与感受力的作品以「艺术大使」的身分走进我们日常的生活空间，期待行经作品的民众感受到都会的温度而驻足停留，随时随地与艺术品相遇。

By fitting the models of semivariogram of them and analyzing the patterns, it was found that the nugget range of macropterous SBPH and larval SBPH were approaching to that of spiders, as well as the range of structural intensity, but the nuggets of SBPH were not approaching to that of spiders, neither the structural intensity. The spatial pattern of larval SBPH and spiders were aggregation, but that of macropterous SBPH was random sometimes.

通过变差函数模型的拟合及空间格局的分析，得出灰飞虱长翅成虫、若虫与蜘蛛的变程范围相近，结构性强度的范围相近，但同一时间灰飞虱与蜘蛛的变程和结构性强度则均不尽相同；灰飞虱若虫与蜘蛛自始至终为聚集分布，但灰飞虱长翅成虫与蜘蛛的分布型则有差异，在某些时间为均匀分布。

Eschatology concerns antinomy in blessing and cursing, destroying and producing, and attributes the destructive time to man's original sin, which will lead to the end of the world. Meanwhile, eschatology combines the cyclical time with religious pilgrimage, thus bringing forth the function of production and creation, and moreover, assumes that time is in a state of spatialization during the chaotic period of creating a new world or a new age.

末世论&赋予时间以祝福和诅咒、摧毁和催生的基督教二律背反特征，将时间的线性运动所带来的摧毁性质归咎于人的原罪，并认为原罪所生发的邪恶时间导致了世界末日的来临；与此同时，&末世论将时间的圆形运动与宗教朝圣联系起来，形成了时间的催生和创世功能，而在创世的混沌时刻，时间的表现形态则是空间化的。

There third part analyses the esthetic characters of the intnel-game,including the dummy reality、the two dimensional time strcture、the time of the game and the time of the event、the conception of free patching space、the stress on subjectivity and the existent of self-imitation etc.

在这个虚拟、虚构出来的世界中，人们得到的是均等的机会，每个参与者都可以随意创造自己的形象和行为；&游戏时间&与&事件时间&的&两度&时间结构与&超级链接式&的自由拼接空间概念的显现；自身叙事过程中对互动性、主体性的强调以及自由而虚幻的&自我&存在与体验等。

If you are unfortunate enough to the lovelorn, please tell me, I will help you out, really, please contact me!

如果你不幸失恋了，请告诉我，我会帮助你摆脱困境，真的，请联系我啦！

China's plan to cut energy intensity by 20 percent and pollutant discharges by 10 percent between 2006 and 2010 is a case in point.

中国计划在2006年到2010间降低20%的能源强度和减少10%的主要污染物排放，就是一个这样的例子。