模仿

Many artists study their craft by imitating the masters. In this lesson, students reproduce the pattern of one of Shakespeare"s soliloquies, but use their own ideas and words to replace the character"s. This "emulation" is not a paraphrase or parody, but a unique composition inspired by the form of the original.

许多艺术家都是通过对他们老师的模仿学到本领的，在这一课中，学生将对莎士比亚的一个独白进行再创造，但是要用他们自己的理念和语言来重新演绎角色，这种仿效不是进行意译，也不是滑稽模仿，而是在原作形式的启示下的独特创作。

In addition, this swimsuit is also the full integration of the bionics principle: in the joints mimic human tendon, back paddle for the athletes to provide power; in fabric on the mimic human skin, elastic.

此外，这款泳衣还充分融合了仿生学原理：在接缝处模仿人类的肌腱，为运动员向后划水时提供动力；在布料上模仿人类的皮肤，富有弹性。

As for the Sardinians, who are not Italian but may be associated with Italians for our purposes, out they must go, because they alone seem to lack a vernacular of their own, instead imitating gramatica as apes do humans: for they say 'domus nova' and 'dominus meus'.

至于撒丁话，它不是意大利语，但我们出于自己的目的把它们联系起来，它也必须被清除出去，因为他们看上去缺乏自己的方言，而是像大猩猩模仿人一样模仿文法：因为他们说&domus nova&和&dominus meus&。

Employed in particular strands of postcolonial critical discourse and developed specifically from the work of Homi Bhabha,ambivalence in this context signifies the condition produced through the discourse of mimicry, whereby in the process of imposing on the colonial subject the desire to render that subject the same as the coloniser (for example, through the coloniser's language),there is produced,says Bhabha,a defference,slippage or excess.

这个词最早被殖民后期批评文学的某些流派使用，尤其是从Homi Bhabha的作品中发展而来的。在当时的语境中这个词意指模仿殖民者的方式，这是殖民者强加在被殖民者身上的，让他们有模仿殖民者的愿望。最终的结果，Bhabha认为，就是导致顺从，比预期少或是过多。

These are beings of the great neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分；不事生产，食人之力，一无所长，有一点地产，一点戆气，一点小聪明，在客厅里是乡愚，到了茶楼酒馆又以贵人自居，他们的常用语是&我的草场，我的树林，我的佃户&，在剧场里叫女演员们的倒彩，以图证明自己是有修养的人，和兵营中的官长争辩，以图显示自己深通韬略，打猎，吸烟，打呵欠，酗酒，闻鼻烟，打弹子，看旅客们下公共马车，坐咖啡馆，上饭店，有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇，一毛不拔，奇装异服，幸灾乐祸，侮蔑妇女，使自己的旧靴子更破，在巴黎模仿伦敦的时装，又在木松桥模仿巴黎的时装，顽冥到老，游手好闲，毫无用处，但也不碍大事。

These are beings of the GRE at neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分；不事生产，食人之力，一无所长，有一点地产，一点戆气，一点小聪明，在客厅里是乡愚，到了茶楼酒馆又以贵人自居，他们的常用语是&我的草场，我的树林，我的佃户&，在剧场里叫女演员们的倒彩，以图证明自己是有修养的人，和兵营中的官长争辩，以图显示自己深通韬略，打猎，吸烟，打呵欠，酗酒，闻鼻烟，打弹子，看旅客们下公共马车，坐咖啡馆，上饭店，有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇，一毛不拔，奇装异服，幸灾乐祸，侮蔑妇女，使自己的旧靴子更破，在巴黎模仿伦敦的时装，又在木松桥模仿巴黎的时装，顽冥到老，游手好闲，毫无用处，但也不碍大事。

The key to successful creative emulation is to emulate the successful people, the doers of the world.

para.5 创造性模仿的成功秘诀在于模仿世上那些成功的人和实干的人。

Cummings poetic forms iconically represent the concrete objects in the world as well as his personal emotion and experience in order to achieve a harmonious unity between the poetic form and theme.

肯明斯诗歌的语言形式既模仿现实世界中具体的事物，又模仿诗人的经验和思想情感，以实现诗歌形意和谐一体的艺术追求。

The rotation of the motor makes drives the crank-link mechanism to make the massaging head press mammas while completing circular motion, simulating manual massaging action.

模仿手工按摩的&揉&动作。同时按摩头抬起落下，铰接在按摩头上的按摩杆似伞架做打开收起动作。模仿手工按摩的&抓&&放&动作。

Further ahead, by a combination of the great wealth this new age will bring and the technology it will provide, the construction of a vast, man-created world in space, home to thousands or millions of people, will be within our power.

一切尝试对多话的小孩的发展追踪从他们说的第一句话开始…… 169、这种自我模仿使他们故意模仿别人对他们说话的声音。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。