作品

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, diffěrance, la dissěmination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance.

本文重点结合法国德里达的解构主义理论和前苏联巴赫金的狂欢化诗学理论，从&延异&、&播撒&等几个解构主义重要概念，以及作品的艺术思维、人物形象、体裁修辞、作品世界几方面的狂欢化特色来具体分析无厘头影片喜剧性的的解构与狂欢特征。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, diffěrance, la dissěmination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance.

本文重点结合法国德里达的解构主义理论和前苏联巴赫金的狂欢化诗学理论，从&延异&、&播撒&、&文字学&等几个解构主义重要概念，以及作品的艺术思维、人物形象、体裁修辞、作品世界几方面的狂欢化特色来具体分析无厘头影片喜剧性的的解构与狂欢特征。

Afterwards, around 1997 to 1999, I saw a number of works by then-web-pioneers such as Dextro , Lia , Antirom and Daniel Brown , which really pushed me to create something on my own.

此后，1997年至1999年，我看到了一些作品，像当时的网络先驱者Dextro ， Lia ， Antirom 和Daniel Brown，这些才真正推动我去创作一些自己的作品。

It is dialectically opposed to communication, so that one sustains and supports the other.

不喜欢看着艺术家们站在自己的作品面前的样子，说一些话来解释自己的作品。

The dialogic work carries on a continual dialogue with other works of literature and other authors.

在对话式作品中，与其他文学作品和其他作者持续不断地进行着&对话&。

The second part analyses the multi-dimensional digamist of the Award-wining works in spirit depth.Under the commercial impact , essayist focus on history and reflect on reality, expressing their exploration of life experience and the meaning of existence from many different aspects angles. The unique geographical characteristics indicate the different spirit of the authors.

第二部分分析获奖作品在精神深度上的多向进掘，在商业大潮的冲击下，散文家们关注历史，反思现实，从多方面、多角度表达自我对生命体验、生存意义的探索，散文作品独特的地域特色彰显出作者不同的精神空间。

Distinguishingly, they are conceptual art works with two superposed focuses and overlapped images.

与众不同的是其作品是两个透视焦点重合，双重图像重叠的观念化艺术作品。

Wind is a very important media in this work, but I present it in a documental way, what I wanna give to the audience is no longer the work itself but a transformed memory.

这一次我将用一种以文件的方式呈现作品，我要给观众的已不是这件作品本身，而是已转换过的记忆格式。

In chapter three, the artistic manner in the paintings of Dyce will be explored from the perspectives of his spirituality and aesthetics.

第三章的则探讨戴斯的艺术性，对戴斯的艺术观、创作美学和作品的精神特质作整体的分析，将戴斯的作品作较为完整的呈现。

The reason why The Entrance to a Mansion House and Big Dyehouse gain achievements is not only partly teleplay's art skill but also teleplay's hem intention and the way of expression of it.

电视剧《大宅门》、《大染坊》之所以引起轰动，并非完全取决于作品的艺术技巧，重要的是作品显露的英雄意蕴和对英雄意蕴的表达方式。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。