一件作品

Two of her related works underscore this: one is a series of portraits titled Self Portrait as Marcus Fischer (2000) where Ashery is performing a kind of transvestitism that broaches not only gender categories, but also cultural and religious ones.

她的两件相关作品就强调了这一点，其中的一件是名为《作为马科斯·费希尔的自画像》（2000）的系列肖像作品。其中，阿瑟瑞的易装不仅是逾越了性别的界限，也逾越了文化和宗教的界限。

An interactive artwork does not so much respond to the viewer as form a double system with him or her in which both the work and the viewer can change (unlike noninteractive art, in regard to which it is thought that only the viewer can change).

一件互动的艺术品并不是将观者本身的互动感受加注於作品中，单纯地以作品回应观者本身的互动感受，因为无论是作品或观者在互动的当时，感受都会改变(非互动艺术作品中，只有观者改变)。

From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance.

除7l临摹卢浮宫的先辈大师作品外，她也到巴黎沙龙学习同时代艺术家的作品。1867年她参观了库尔贝和马奈的画展，对马奈作品很有兴趣。1872年春，卡萨特向巴黎沙龙送的第一件作品《狂欢节日之前》被接受，其后两年她都送作品参加沙龙的展览。1874年她的一幅妇女肖像画在沙龙展出，受到德加的高度评价。1879年，应德加的邀请，卡萨特参加了印象派画展，直到l船6年这段时间，她始终是印象派的活跃成员。1879年展出的《蓝色扶手椅中的小女孩》和作于1883年的《穿黑衣的妇女》是她的代表作品。

Compared to my previous exhibition Prayer Beads and Brushwork, his work are even less painting, less feeling from brushworks, and hard to enjoy. It is hard to find a single painting in traditional meaning.

与前几年我做的《念珠与笔触》中的作品相比较，关奉东的作品更没有绘画性，更不具有笔触意味，更难有观赏性，几乎不产生任何一件传统意义上的，耐人寻味的，被称为作品的独幅画。

His works,sculpt,color and process are so nonotone, even simply repeating the briefness. Compared to my previous exhibition Prayer Beads and Brushwork, his work are even less painting, less feeling from brushworks, and hard to enjoy. It is hard to find a single painting in traditional meaning.

与前几年我做的《念珠与笔触》中的作品相比较，关奉东的作品更没有绘画性，更不具有笔触意味，更难有观赏性，几乎不产生任何一件传统意义上的，耐人寻味的，被称为作品的独幅画。

He was from in a stonemason family.

他的传世作品并不多，其中最重要的两件，一件是佛罗伦萨圣十字架内的一组陵墓雕刻，另一件在佛罗伦萨的圣洛伦佐教堂。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is somethingthat happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves,which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly,altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

Qing Jin - a site specific project by Dutch artist Peter Vink specially conceived for Platform China Contemporary Art Institute space A, is an installation which situated in the entrance hall of main space A. In this room the artist decides to show the audience the symmetric quality of this particular space.

请进》是荷兰艺术家彼得·温克专为站台中国A展厅量身打照的艺术项目，整个展览只有一件装置作品，这件作品被设定在A展厅的入口处，艺术家希望展现给观众这个特殊空间的对称特点。

Such a sweet gift - a piece of handmade writing, in an envelope that is not a bill, sitting in our friend's path when she trudges home from a long day at work, a day our words will help repair.

一件多么甜美的礼物啊！----一篇手写作品，装在信封里而并非是帐单(通常信封里装的都是催款的帐单)，当我们的朋友工作了一天后筋疲力尽往家赶的时候，在路上看到这样的作品将有助于她很快驱逐一天的疲倦。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。