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When you are making the choice for the Voice for Truth , it does not appear to be a choice for That which You Are . But it is a choice for that which inescapably provides the experience of Integrity and Peace and invulnerability , which the choice for the ego and the dream never did provide—which gives you a clue that you are on the right track .

虽然选择真理之声看起来并不像是选择了你的真相，但这个选择必会让你体验到你里外一致的圆满、真实的平安、以及百害不侵的本质，这是选择小我与梦境絶对无法带来的效果，这样的经验会让你知道自己已经上道了。

There are more than 15,000,000mu plowlands in Ningxia, 2.5mu per capita; The lands in Ningxia Plains are fertile, Huanghe River passes through Ningxia for 397km, which provides convenience for irrigation, we have over 6,000,000mu irrigable high yields, it is one of the four irrigated area and 12 significant commodity grain production bases in China; Besides, there are plenty areas of uncultivated lands waiting for reclamation, one of 8 provinces in china which holds thousands arable land; the beef and mutton which are Islamic Muslim, and wolfberry, the grapefruit which can planted for making red wine, watermelon with Si and sand, potato, liquorice, and high quality of rice, etc.

第三，旅游资源丰富而独特，既有边塞风光的雄浑，又有江南景色的秀丽，被称为&中国西北的盆景&，中国10大类95种基本旅游资源中，宁夏就占有8类46种，自然风光旅游热线有沙坡头、沙湖、青铜峡、六盘山、星海湖等，历史人文景观有西夏王陵、华夏西部影视城、以及回族伊斯兰风情等。

The city of GuangZhou began to plane to set up forest fire prevention system which covered the whole city in 2002, which kerneled portion is what the paper study. The GIS platform which is used in the project is ArcGIS8. 3 provided by ESRI in USA, and the Database used in it is ORACLE which take Solaris as operation system.

该系统所使用的GIS平台为美国ESRI公司提供的ArcGIS8.3，数据库为建立在Solaris操作系统中的ORACLE，采用面向对象的设计方法，以VC++6.0、VB为开发具，结合广州市卫星影像数据、数字化地形图与专题图件，研究期间，调查、收集了大量的属性数据与空间数据，进行了近三年的研究开发工作，目前项目已开发完成并得到了用户和有关专家的肯定。

In the Sufei shop, has chocked up the belt tassels' Chinese type back cushion, silk fabrics wallet which the edge plate buckles, colored, has nearby the fine decoration meal the cloth, the plum blossom design assorted door knob sheath, embroiders the snowflake to decorate the heart shape Christmas which China ties to hang the decoration, the thick cotton material is the thick silk bolting spring teapot wrap, has the collar to have the gauze which or silk fabrics beverage bottle clothes the plate buckles, wraps in the fine gauze bag's lavandula spica, to scatter the plate which the candy resembles in the tray to take away the chopsticks wrap, has an unconventional idea paper matsyasana sunlight chimney, but also has each use attractive glassware, both tradition and modern age, is also antique warm refinedly.

苏菲的店里，摆满了带流苏的中式靠垫，滚边盘扣的绸缎钱夹，彩色的，有着精致饰边的餐布，梅花图案的各色门把手套子，绣着雪花缀着中国结的心形圣诞挂饰，厚厚布料系着粗丝绳的茶壶套，有领子有盘扣的纱或绸缎的酒瓶衣服，包在轻纱袋子里的熏衣草、撒在托盘里糖果似的盘扣筷子套，别出心裁的纸质鱼形日光灯罩，还有各种用途的漂亮玻璃器皿，既传统又现代，古香古色又温馨雅致。

Now Friday, says I, laying down the discharg'd Pieces, and taking up the Musket, which was yet loaden; follow me, says I, which he did, with a great deal of Courage; upon which I rush'd out of the Wood, and shew'd my self, and Friday close at my Foot; as soon as I perceiv'd they saw me, I shouted as loud as I could, and bad Friday do so too; and running as fast as I could, which by the way, was not very fast, being loaden with Arms as I was, I made directly towards the poor Victim, who was, as I said, lying upon the Beach, or Shore, between the Place where they sat, and the Sea; the two Butchers who were just going to work with him, had left him, at the Suprize of our first Fire, and fled in a terrible Fright, to the Sea Side, and had jump'd into a Canoe, and three more of the rest made the same way; I turn'd to Friday, and bid him step forwards, and fire at them; he understood me immediately, and running about forty Yards, to be near them, he shot at them, and I thought he had kill'd them all; for I see them all fall of a Heap into the Boat; though I saw two of them up again quickly: However, he kill'd two of them, and wounded the third; so that he lay down in the Bottom of the Boat, as if he had been dead.

我把放过了的鸟枪放下来，把那支装好弹药的短枪拿在手里，对星期五说

As communicating madia is power line ,which needn't the extra line , and not take in the existing frepuncy resource.In the power system ,the power line is using steadily and reliable high press power line as the signal's trans madia,which may save a great deal of the building investment,in additional to the route is suitble ,scurity and may reuse the far away mobile signal ,of which makes this power system develop a particular communicating way ,while in number micro-wave,one point more address,optical fiber,super-high frequency repeatly renew today ,which also last developing.

由于电力线载波在电力系统中使用坚固可靠的高压电力线作为信号的传输媒介，可节省大量的通道建设投资，再加上电力线载波信息传输稳定可靠，路由合理，安全保密以及能够同时复用远动信号等特点，使得这种电力系统独有的通信方式在数字微波，一点多址，光纤，特高频等通信方式相继出现的今天仍得到持续的发展。

Composers of the period alternated florid and discant organum (more note-against-note, as opposed to the succession of many-note melismas against long-held notes found in the florid type), and created several new musical forms: clausulate, which were melismatic sections of organa extracted and fitted with new words and further musical elaboration: which was a song for more voices to be sung rhythmically, most likely in a procession of some sort; and trops, which were rearrangements of older chants with new words and sometimes new music. All of these genres save one were based upon chant: that is ,one of the voice,(usually three, though sometime four) nearly always the lowest sung a chant melody, though with freely composed note-lengths, over which the other voice sang organum.

这个时期作曲家的作品中华丽的奥尔加农和迪斯康特交替出现note-against-note(应该是自由奥尔加农，与由许多连续的装饰音组成的旋律对抗，这些装饰音对应在华丽部分中出现的长音，他们还开创了几个新的音乐形式：clausulae，来自于奥尔加农的拖腔片段，并配以新的词和更富悦耳的细节；conductus，孔杜克图斯，一种基于圣咏之上的有节奏性的单声或者多声歌曲，很有可能是用于礼拜的行列。

The evolution of philosophical discourse has experienced four periods from ancient to present-day:the preli minary philosophical discourse of human being was the "children discourse",which marked a "fairy tales"times of philosophy;later emerged the"myster ious discourse",which brought into the "myth"times of philosophy;the"phi losophical discourse"during the period of European Renaissance was the"hum ane discourse",which was also called the"humane"times of philosophy;from modern times,philosophical"power discourse"became popular,it tried to judg e and control people's spirit life,which was"official jargon"times of phil osophy.

从古代到现代，哲学话语的演变大致经历了四个时代：人类的早期哲学话语是&儿童话语&，以&儿童话语&为主流的时代是哲学的&童话&时代；随后出现的是&神秘话语&，以&神秘话语&为主流的时代是哲学的&神话&时代；欧洲文艺复兴时期的哲学话语是&人文话语&，这一时代可以称为哲学的&人文&时代；从近代哲学开始，&权力话语&泛滥，哲学力图裁判和主宰人们的精神生活，这一时期是哲学的&官话&时代。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The thought process which underpins this new minimal invasive approach can be organized into three main categories:(1) Recognize, which means identify patient caries risk,(2) Remineralize, which means prevent caries and reverse non-cavitated caries, and (3) Repair, which means control caries activity, maximize healing and repair the damage.

微创牙科学的处理方法可概括为3个步骤：(1)判定患者的患龋风险；(2)再矿化，即防止龋损形成并逆转未形成&洞&的浅龋；(3)修复，即控制龋活性，使愈合潜能最大化并修复龋损。

The system can be widely used in belt weighing and batching process control,etc.

介绍了基于智能模糊控制的嵌入式配料系统的设计方法，对模糊PID控制过程和系统调零作了重点的讨论，同时给出了PID控制的程序流程图和系统定长调零子程序。

"I dunno," she answered,"but if you show me aroun', I'll recognize it from the lighthouse just outside the porthole."

"我不知道，"她回答说，"如果你能带我转转，我能认出来的，因为灯塔就在舷窗外。"