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harmony相关的网络例句

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与 harmony 相关的网络例句 [注:此内容来源于网络,仅供参考]

It is here that the Renaissance concept of an "ideal city" that re-creates celestial harmony on earth originated. As Leon Battista Alberti wrote in the De Re Aedificatoria (1450), a city is a site tobe designed, a space for living in harmony, a place for social encounters, political organization and economic planning.

文艺复兴时期,正是在意大利诞生了"理想城市"的概念——在大地上构建天堂般的和谐。1450年,莱昴·巴蒂斯塔·阿尔伯蒂在其《建筑论》一书中这样描述城市:它是一个需要规划的场地,一片宁静生活的空间,一个从事社交、政治、经济活动的场所。

Sustainable development emphasizes the economic development must be in harmony with the environment, and pursues the harmony between people and natural.

可持续发展强调环境与经济的协调发展,追求人与自然的和谐。

There is an original relationship between traditional hakka residential architecture and the social histories and the regional natural environments at that time. The traditional hakka residential architecture in Meizhou is established on Nature worship, and keep in harmony with natural environments. For examples, the locations of bildings are in line with local conditions; the layouts and styles are usually based on the rule of south exposure and central axis symmetry; the structures lay stress on functions and comfort and harmony with local environments. Unreasonable artificial alteration, for example, cutting slope and building house under the slope are usually triggers landslides, collapses and other geological disasters, and it has become the most dangerous and latent factor to the geological disasters. The ecological environment idea of the traditional hakka residential architecture in Meizhou region has still certain referential significance for modern residential architecture.

实证应用分析研究表明,梅州客家传统民居建筑与当时的社会历史背景、区域自然环境因素之间存在着密切关系;客家民居建筑渗透出尊重自然,与自然环境融为一体的生态环境理念,具体表现为选址上做到因地取舍与回归自然相统一,布局上讲究座北朝南与中轴对称相结合,建筑上注重实用舒适与环境氛围相融合;不合理削坡建房常常诱发崩塌、滑坡等地质灾害,成为地质灾害发生的最大潜在因子;梅州传统客家民居建筑的生态环境理念对现代民居建筑仍然具有借鉴与启示作用。

Harmony is a series of ratios, and harmony gives rise to the chromatic scale, which is a logarithmic equation.

很幸运的,钢琴天才们,看到直觉方法上的障碍,而发现这些更好的练习方法。

The quality of note relation in semitone and chords sequence has been changed during the course of harmony chromaticism, and compared with the subordination status in classical harmony, they used more initiative in the modern music and contained more elements of chromatic tonality.

与在传统和声中次要位置相比,近现代音乐中的半音中音关系和弦连接的应用更为主动,也包含了更多的半音调性的因素,并且有了自己的概念与名称,不再是根音四、五度和声序进的附属,真正成为了一种独立的和声序进。

The quality of note relation in semitone and chords sequence has been changed during the course of harmony chromaticism, and compared with the subordination status in classical harmony, they used more initiative in the modern music and contained more elements of chromatic tonality. With its own conception and titles, not the pertain to the roots fourth or fifth chords sequence, the chromatic turned into a individual harmonic sequence itself.

与在传统和声中次要位置相比,近现代音乐中的半音中音关系和弦连接的应用更为主动,也包含了更多的半音调性的因素,并且有了自己的概念与名称,不再是根音四、五度和声序进的附属,真正成为了一种独立的和声序进。

During the curing process, first,to inject the Harmony No.1 at focus of patient directly to let medicine go inside of tumour, and after 24hours, the medicine will damage and dissolve the tumour cells; second, prick the area has been injected and make it as cinquefoil, use minus-pressure puller to drain gore of dead tumour cell out of body; third,to inject Harmony No.1 at focus again, then inject in mainline to clear virus and tumour cells haven't been formed in blood.

在对病人治疗过程,首先对肿瘤癌症病灶部位直接注射和谐一号核子注射液,使药物直接进入肿瘤内部,经过24小时药物对肿瘤细胞的杀死破坏及溶解;第二步,对注射处扎针,使其呈梅花状,用负压吸引器把含有坏死肿瘤细胞的瘀血排出体外;第三步,给病人病灶部位注射和谐一号注射液,再对病人注射静脉针液,用来清除血液中的病菌病毒及杀死血液中未形成的肿瘤细胞。

This paper argues that Bartók s use of harmony and his musical style are close to modal harmony featuring Chinese traditional music and that his music deserves serious study in an effort to promote the nationalization of Chinese music.

在和声运用方面,为了突出匈牙利民族音乐特征,巴托克力图摆脱严谨的传统和声条框的束缚,探索新的和声表现手法,他将匈牙利民族调式和大小调体系有机的结合起来,在和弦构成的三度叠置原则、和弦外音的观念、调关系的理解、转调及扩展半音的方法等方面进行了突破与创新。

Kundera pay serious attention to this problem, the using of contraposition is for the harmony of all voice parts – it's the inter – harmony of polyphony.

昆德拉一开始便严格注意这个问题,对位也是为了小说种种声音的和谐统一,即为复调的"内谐性"原则。

Students without suicidal tendency vary from those with suicidal tendency in the following aspects: endocentric character and the exocentric character of the individual, emotional stability, psychological character, unharmonious self-experience, self-flexibility, self-inflexibility, self-harmony, trouble in communication, trouble in social contacts and making friends, trouble in socialization, trouble in communicating with the opposite sex, harmony in interpersonal relationship and social adaptability.

无自杀倾向组在内外向、情绪稳定性、精神质、自我与经验的不和谐、自我的灵活性、自我的刻板性、自我和谐程度、交谈方面的行为困扰程度、交际与交友方面的困扰程度、待人接物方面的困扰程度、与异性交往方面的困扰程度、人际关系和谐程度以及社会适应能力上与自杀倾向组存在显著性差异。

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相关中文对照歌词
Harmony
Endless Harmony
Biz In Harmony
The Future Thugs-N-Harmony
Harmony
Harmony
Natural Harmony
In Harmony In Silver
Hear Me In The Harmony
Harmony
推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。