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context-dependent相关的网络例句

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与 context-dependent 相关的网络例句 [注:此内容来源于网络,仅供参考]

Two, a Context-Dependent Weighting strategy for pronunciation lexicons.

第二,基于上下文的发音词典加权策略。

Lexical paraphrases should be context dependent since a word may have different paraphrases in distinct contexts.

词汇级复述是上下文相关的,即对同一个词在不同上下文中应获取不同的复述词。

In this paper, context dependent fuzzy operator is used to achieve this compromise, and a new formation of weights is proposed.

运用上下文依赖模糊算子实现这种折衷,对其加权因子的构造提出了新的设想和算法。

The causes that resulted in the phenomena had their complicatedly social-historical origins, which were closely related to the condition of the dependent modernity of postwar Taiwan. Under the structural context of geo-political dependency, so many different editions of the improved modernisms of the 'western' world had been imported into the academic world of Taiwan.

这种现象与台湾战后特有的依赖现代性情境脱不了关系:在国府地缘政治依赖脉络下,西方各种「改良」的现代主义陆续输入了台湾的建筑学院,从而开展了一段第三世界建筑学院藉由设计论述展露主体意欲的历史过程。

As Kaplan first explained it,"dthat" is not an operator on definite descriptions that turns them into rigid designators of the denotation of the description, but instead a semantically complete but context dependent referring term.

按Kaplan的第一次解释,&dthat&不是一个&把明确描述变成严格指示&的操作,而代之以是'语义完全但语境敏感的所指词'。

Using ontology and context knowledge in data mining is one of the effective waies to improve data mining accurateness,which can add general knowledge and certain knowledge in decision factors. How to apply ontology and context knowledge in data mining is discussed in this paper.

在数据挖掘中使用本体和上下文知识能够将普遍的知识和特定的知识引入数据挖掘的决策因素中,是增进数据挖掘准确性的有效手段,同时也是数据挖掘领域研究的热点和难点之一。

Tooby and Cosmides proposed some rules about functional analysis:①functional analysis should be expressed in adaptationist terms,②a set of phenotypic properties is not an adaptation if it is transient, varying from individual to individual,③adaptations should be distinguished from their expression (which may vary from context to context),④a set of phenotypic properties is not an adaptation if it was absent in the environment of evolutionary adaptedness,⑤a set of phenotypic properties is not an adaptation if it did not solve an adaptive problem in the environment of evolutionary adaptedness.

图比和考斯米戴丝提出了功能分析的原则:①功能分析应该用适应的术语来表达;②一系列表现型的特点如果是暂时的,在不同的个体身上发生变化,它并非是一种适应;③适应应该与它们的表现(在不同的情景中可能发生变化)区分开;④一系列表现型的特点如果在进化适应性环境中不存在,则不是一种适应;⑤一系列表现型的特点如果不能解决进化适应性环境中的一种适应性的问题,也不是一种适应。

The algebraic laws of InforSIB event algebra and its context consumption policy are discussed. Context consumption policy is very suitable for real-time monitoring applications and has good algebraic laws to ensure that the time and space complexity is bounded for composite event detection.

讨论了InforSIB事件代数的代数性质,提出的上下文策略非常适合用于实时监控等领域,且具有良好的代数性质,保证了复合事件检测的时间和空间复杂度是有界的。

In this paper we present a method we use to train context-independent phone models.On the basis of trained context-independent phone models,the training of allophone models and the output distributions generalizing of allophone models using binary decision trees can be accomplished.

在本文中,给出一种用于训练与发音语境无关音素模型的方法,然后利用这种音素模型完成对异音模型的训练、以及对异音模型的输出分布的二值决策树聚类。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台,张艺谋影片中的采用了时间的滞后性策略,影片中的故事本文时间均选择了过去:十九世纪三十、四十年代,抗战前期,六七十年代;影片中的本文空间均选择了远离文化中心的边缘地带,通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境;将处于社会边缘的女性放置在其中,利用观众位置的双重性认同结构,巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态:即重复再一次对女性的观看,满足东西方男性的窥视欲望。

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