阴暗的

The historical account of the female that denies the historical generality and traditional hypocrisy is based on the negation of the gloominess of the male. However, the discussion of love affairs and the recognition of the female capacity always takes major part of the text.

女性历史叙事对历史的生成性及传统文化的虚假性的否定，建立在对男性阴暗性的否定上，而关于爱情的讨论和对女性身份的认证则占据了文本隐型结构的核心。

At the one end of the hall, the one where he was, were judges, with abstracted air, in threadbare robes, who were gnawing their nails or closing their eyelids; at the other end, a ragged crowd; lawyers in all sorts of attitudes; soldiers with hard but honest faces; ancient, spotted woodwork, a dirty ceiling, tables covered with serge that was yellow rather than green; doors blackened by handmarks; tap-room lamps which emitted more smoke than light, suspended from nails in the wainscot; on the tables candles in brass candlesticks; darkness, ugliness, sadness; and from all this there was disengaged an austere and august impression, for one there felt that grand human thing which is called the law, and that grand divine thing which is called justice.

在厅的一端，他所在的这一端，一些神情疏懒、穿着破袍的陪审官正啃着手指甲或闭着眼皮；另一端，一些衣服褴褛的群众，一些姿态各异的律师，一些面容诚实而凶狠的士兵；污渍的旧板壁，肮脏的天花板，几张铺着哔叽的桌子，这哔叽，与其说是绿的，还不如说是黄的；几扇门上都有黑色的手渍。几张咖啡馆常用的那种光少烟多的植物油灯挂在壁板上的钉子上，桌上的铜烛台里插了几支蜡烛，这里是阴暗、丑陋、沉闷的；从这一切中产生了一种威仪严肃的印象，因为就在这里，大家感受到那种人间的威力和上苍的威力，也就是所谓的法律和正义。

Even more remarkably, he is able to reach back into the totalitarian past and over the Berlin Wall into the grim, brutal absurdity of the late, unlamented German Democratic Republic, and lay bare the anxious, cruel psychology of socialism as it once existed.

更让人叹为观止的是，他居然能够回溯潜入那段极权主义过往的深处，越过高耸的柏林墙，从早已作古而无人惋惜的民主德国那段阴暗残忍的荒谬历史中挖掘出曾经的社会主义国家那焦虑而又悲惨的内心世界。

Therefore, they express their dissatisfaction with this world through their philosophy, laying a thousand blames on the intolerable tricks, vilely practiced among mankind and the aimless struggles during one's existence; and consequently, they hardly fail to imagine that the baby, thrown in the midst of these surroundings would be lamenting for its birth.

中译文］随着今日物质文明的跳跃式发展，社会的罪恶和人的阴谋手段都比过去更加普遍了。一个孩子，自出生起，就注定要在这个阴暗诡诈的社会中苦苦挣扎。看到如此可悲的情况，悲观者会产生一种与生俱来的忧虑。所以，他们就用他们的方式来表达对这个世界的不满。

Even in the still shadowed places, glowbirds nestled like Japanese lanterns above lighted walkways, glowing swingvines, and illuminated hanging bridges, while fireflies from Old Earth and radiant gossamers from Maul-Covenant blinked and coded their way through labyrinths of leaves, mixing with constellations sufficiently to fool even the most starwise traveler.

即使在那些阴暗依旧的地方，发光鸟就像日本提灯一样栖息在亮堂堂的走廊和闪光的摇摆藤蔓上，照亮了吊桥。旧地上的萤火虫和茂伊约的辐射蛛纱一闪一闪，导引进树叶的迷宫，它们和星群混杂在一起，甚至星际间久经风雨的旅行家也会被它们所瞒骗。

To illustrate there is a room in particular where many metal sinks are piled together. It is usally a dar and still toom but near sunset, its walls, floo and ceilling see themselves illuminated by mascarades of rays of sunshine that pierce through the obtuse pieces of glass where a window once was.

描述一下一个堆满了金属水槽的房间，这通常是一个阴暗寂静的房间，但是到了日落的时候，它的墙、地板以及天花板都被阳光的从一个曾经是一扇窗户的地方的一片毛边玻璃穿过的余辉所映射，看得清他们自己。

Written in the "Victoriandustrial", harpsichord-laden Gothic style of "Opheliac" but with a metal edge,"Laced / Unlaced" shows the evolution from child prodigy classical violinist to reigning queen of metal Gothic / Industrial violin, and beckons us ever deeper into EMILIE AUTUMN's strange world with a flick of her black-nail-polished fingers.

写于&Victoriandustrial&，其中满载着大键琴哥特风格的&Opheliac&更添一丝阴暗金属的风味。&Laced / Unlaced&向我们展示的是她从一个天才少年古典提琴手向一个哥特金属/工业提琴女王的蜕变，同时跟随着她那涂着黑色指甲油的手指在琴弦上的游动，我们也被深深吸引到EMILIE AUTUMN那神奇的世界中去。

I was very tired yesterday,i went to work a whole day.in the evening,wai wanted to teach paul and me how to relax,he took us to go to sanlitun bar,this bar is called tree,a very wried name.but i really had a wonderful night in there,lighted the candle,we were so funny in a dark setting,we drunk beer and juice and so on,i was a little drunk,i did not feel very high but wai thought he was high on alcohol,at last,some waiter who neared us laught at us.

昨天很累，忙了整整一天，晚上 wai 想教我和 paul 如何放松，他带我们去了三里屯酒吧，一个叫＂树＂的地方，一个很奇怪的地方。不过我们确实度过了一个很美好的夜晚，点上蜡烛，在阴暗中我们非常的搞笑，喝了啤酒，果汁酒等等，我有一点微醉了，我觉得还不够啊， wai 说他已经开心的够了，最后我们的行为把旁边的服务生都笑坏了。

I do remember some of my sick time,when i rested at home,got up in the afternoon,move to the gallery,watched sunny sun with my eyes narrowing,i must thought "what a boring afternoon" that time.maybe that's why i dislike a sunny day.and today,it's a sunny afternoon again,i sicked again,what's different is i can't enjoy such a comfortable afternoon just like when i was a children.i've got some duty,i had to work hard.

不小心离题千里了，呵呵。多数生病的午后，倒是阳光明媚的，自己一个人在家休息，闲来溜达到阳台，抬头就是刺眼的日头，让人平添些许烦恼。嗯，今天又是这样了，唯一不同的是，我没有休息的资格，而只能工作了，心情的阴暗也挡不住阳光的射入，烦啊。。。。。。。

Like Avril, Ashlee has a distinct arc to her three-act career, bouncing back from a dour and dumb second album with a return to the fizzy fun of her first (unlike Avril, Simpson seems like she would at least wait for you to leave the room before she started saying mean things about you).

。AS跟Avril一样的是，3张专辑变化有明显的特点，（three-act career），第二张似笑不笑，很呆的专辑，第三张回归第一张的很多嘶嘶声的音乐。AS跟Avril不同的是，至少AS会在你想走人的时候，才开始唱关于你阴暗一面的歌。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。