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笔下

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In this sense again, Guo Yan's figures are similar to Marc Chagall's angelical afterlife lovers: persistent pursuit is hidden under what seems to be casual carelessness.

在这样的意义上说,郭燕笔下的人物,与夏加尔笔下那些天使般的来世恋人有了相通之处:执着的追求,隐藏在不经意的潇洒和散漫中。

Tehir kunfu novels both are combination of errantry and humanity, tradition and modem, with different emphasis In spiritual connotation ,Jinyong seeks harmonious individualgroup relation,and animadverts hopelessly worldly disputation when processing history;Gulong canonizes individual life and makes up a utopian society with enthusiasm In images modeling,Jinyong's dramatis personae mature during frustrations and experiences ,and leam aboutChinese ...

在精神内涵上,金庸寻求个群关系的统一,在历史加工中表达对世俗纷争的批判和无奈,古龙强调个体生命意识,靠激情建构理想中的社会;在人物形象上,金庸笔下的人物在磨砺中成长,体现出中国传统的中庸之道,古龙笔下的人物一出场便是高手,他们寻求的是理解;在创作形式上,两者情节结构上的缜密架构与散文化取向、文体上的近视传统与聚焦西方、语言风格上的古雅典丽与飞扬灵动均形成鲜明对比。

The Renaissance is an age which calling and bringing up the giants, The hero motif in the literature of this age have also immediately taken place of tremendous change: The hero images in the literature at that times have break through the traditional molding pattern of divine nature hero , The angle of view has changed from the divine nature heros to giant heros:For example, Pantagruel writed by Rabelais, Hamlet writed by Shakespeare and Quixote writed by Cervantes, They are the outstanding delegates of he hero type of giants in the giant epoch.

文艺复兴时代是一个呼唤与造就巨人的时代,这一时期文学中的英雄母题也随之发生了巨大转变:这一时期文学中的英雄形象突破了传统神性英雄的塑造模(来源:ABCd8论文80网www.abclunwen.com)式,把视角从神性英雄转向了巨人英雄身上:比如拉伯雷笔下的庞大固埃、莎士比亚笔下的哈姆莱特以及塞万提斯笔下的堂吉诃德,他们是文艺复兴时期巨人式英雄的杰出代表。

Durbin described by Edgar Allan Poe is an amateur detective, and quebracho Collins described by a professional inspector is a detective; Dubin mystery solved only by virtue of imagination and reasoning, while the inspector is to investigate quebracho, tracking criminals through a variety of difficulties and dangers, but also readers of the image on the close.

爱伦·坡笔下的杜宾是一个业余侦探,而柯林斯笔下的克夫探长则是一个职业侦探;杜宾解开谜底只凭借想像与推理,而克夫探长则亲自调查,跟踪罪犯,历经种种艰险,这一形象就更令读者亲近了。

Being homesick is one of the foundation topics in his works. Countryside is the headspring of the poet"s inspiration and his mother in spirit. The villages in his writings are beautiful as poetry, with everything including the mountains and rivers having its spiritualism. So he creates an unpretending and deiform countryside world, which is the Utopia in writer"s heart.

乡土眷念是海子诗歌的基本母题之一,在海子笔下,乡土是诗人创作的源泉,精神上的母亲,海子笔下的乡村美丽如诗,他描写的山川万物皆有灵性,他通灵地创造了一个质朴的有着神性的乡土世界。

Like Coleridge's Ancient Mariner, Hemingway's Cuban fisherman is a character allowing the imagination of his creator to operate simultaneously in two different worlds of meaning and value, the one real and dramatic, the other moral and devotionally symbolic.

和柯勒律治笔下的&老水手&一样,海明威笔下的古巴渔民是这样一个角色,他容许作者的想象力同时在两个领域中活动,这两个领域具有不同的意义和价值,一个注意写实,有着动人的情节;另一个则侧重道德说教,充满象征的意义。

Like Coleridge's Ancient Mariner, Hemingway's Cuban fisherman is a character allowing the imagination of his creator to operate simultaneously in two different worlds of meaning and value, the one real and dramatic, the other moral and devotionally symbolic.

和柯勒律治笔下的&老水手&一样,海明威笔下的古巴渔民是这样一个角色,他容许的想象力同时在两个领域中活动,这两个领域具有不同的意义和价值,一个注意写实,有着动人的情节;另一个则侧重道德说教,充满象征的意义。

Like Coleridge's Ancient Mariner,Hemingway's Cuban fisherman is a chatacter allowing the imagination of his creator to operate simultaneously in two different worlds of meaning and value,the one real and dramatic,the other moral and devotionally symbolic.

和柯勒津治笔下的&老水手&一样,海明威笔下的古巴渔民是这样一个角色,他容许作者的想象力同时在两个领域中活动,这两个领域具有不同的意义和价值,一个注意写实,有着动人的情节;另一个则侧重道德说教,充满象征意义。

Like Coleridges Ancient Mariner, Hemingways Cuban fisherman is a character allowing the imagination of his creator to operate simultaneously in two different worlds of meaning and value, the one real and dramatic, the other moral and devotionally symbolic.

和柯勒律治笔下的&老水手&一样,海明威笔下的古巴渔民是这样一个角色,他容许作者的想象力同时在两个领域中活动,这两个领域具有不同的意义和价值,一个注意写实,有着动人的情节;另一个则侧重道德说教,充满象征的意义。

The ten-li-long-street","Oriental Paris" by modern school writer in last century; the large business world and war fields, which was full of fierce struggle, by Mao Dun;"the fabulous flowers rooted from ancient china ruins" by Zhang Ailing;"the time of peace and prosperity""romanceby the writer, who are mudded into the construction of Shanghai literature identity.

无论是上个世纪现代派笔下的&十里洋场&&东方巴黎&,还是茅盾笔下那阶级斗争如火如荼的大商场大战场,又或者是张爱玲笔下那&古中国废墟上的一朵奇葩&,还是如今深陷上海文学身份构建大潮中不可自拔的作家眼里那盛世繁华、风花雪月,都在诉说着上海长盛不衰的传说。

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