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Phoenix town is original and simple, which has much contradiction with the modern times. These boat trackers who still cry out belong Tuojiang River,these women who wrapped with coarse cloth and decorated with silver, these abrupt electric perches and swing wire in the sky of old town, these colorful cutain and bed sheet are optionally hanged on gate baluster of the town.

那些沱江上游依然吆喝着号子的纤夫们,那些吊脚楼前用银饰和粗布裹满全身的湘西女人们,那些沿着古街一字排开挤得密密的突向街道的吊脚楼,那些突兀在古镇当中在空中游走的电杆和电线,那些花花绿绿的随意搭在楼门栏杆上的印花布门帘床单,那些隔离了城市的喧嚣而依然热闹的杂吵吆喝与闲谈的声响,他们,她们,或者它们!

When concerned narration time, they predigested modern narration time of western novel to hyperbaton narration, and then focused on " the abrupt beginning", and never grasped the flexibility that western novel narration time can cut time according to expression requirements; when concerned the narration angle,"I" in the works of new-novel critics is only the thread to link the stories, and the works never cares about the idea and sensation of "I"; when concerned the narration framework, for the obstinacy of the tradition of Chinese novel preference in plot, it is the most difficult to take in.

在小说的叙事时间上,新小说家把西方小说的现代叙事时间简化成了倒装叙事,又把倒装叙事集中在"开局突兀"上,根本没有领会西方近代小说叙事时间根据表达需要进行剪辑的灵活性;在叙事角度上,"新小说"家作品中的"我"只是串连故事的线索,作品根本没有关注我心里的思想和情感;在叙事结构上,因为中国小说重情节传统的顽固性,对西方小说叙事结构的接受也最难。

When Horace Walpole in his "Preface to the Second Edition" of The Castle of Otranto claimed that his unprecedented literary attempt had been to "blend the two kinds of romance, the ancient and the modern," he was conscious of an anomaly with the results of this experimentation: i.e., although the settings and incidents in his narrative would be as quixotic and "unrealistic" as in the "ancient" courtly romance, the characters were supposed to be portrayed according to "realistic" conventions of the newly rising novel, reacting to these fantastic scenarios in such psychologically convincing manners as ordinary people would have done under the same situations.

中文摘要当瓦普在其小说《奥川多城堡》的第二版序言中声称他史无前例的文学创作是尝试要「结合两种传奇故事:固有与现代」时,他已然意识到这种实验所带来的突兀结果;换言之,虽然在叙事中的场景与事件如同「固有」浪漫传奇般天马行空且「不写实」,其中角色却又必须根据新兴小说的「写实」成规加以铺陈,对於身处的奇幻场景的反应必须如一般人面对同样情况时一样,在描绘上得令人信服。

There was some naff modern dance from British youngsters pretending to be standing at a bus stop, and a cute 10-year-old girl chosen by the viewers of Blue Peter appeared at the bus door to receive a football to deliver to David Beckham, who later kicked it into the crowd of massed athletes.

在成百上千的令人战栗的牛逼的中国舞者,杂技演员,歌手和焰火技师之中,一辆红色的,双层伦敦巴士突兀凶恶的开进鸟巢体育馆

After a brief instrumental drone interlude, Sin Nanna offers up another bizarre blast, the drums WAY up in the mix this time, the same sheet of hiss, and again the whirling ghostly keyboards, but this time, the sound is much more atonal, tense and jagged, an almost suspense full horror movie feel, a strange but sonically sound balance for the strange beauty of the first track.

在一首短小的纯氛围及音效构成的插曲之后,Sin Nanna献出了另一首怪异的曲子,鼓声瞬间加快了速度,同时嗡嗡作响的吉他和诡异邪恶的键盘紧跟其后,但这次,所有声音似乎显得更加无调性、紧张与突兀,一种类似恐怖电影般的恐惧感瞬间袭来,充满陌生感的声响仿佛与首曲如出一辙。

The chimneys towards the sky, electrical wires, cold concrete buildings and abrupt viaducts are all occupying our spaces.

高耸的烟囱和高架的电线、冰冷坚硬的水泥造型的社区、突兀而来的高架桥,极力压抑着我们人类生存空间的发展与危机。

The deserted mining village, protruding pitheads overgrown with tall trees and rustling refineries behind crumbling walls situated in valleys, were surrounded by thick wooded mountain slopes, hot springs gushing out here and there.

这个废弃的采矿村子四周群山环绕,山上树林密布,温热的泉水随处涌出;在山谷里面,突兀着的矿井口上长着参天大树,破败的屋墙后是锈迹斑斑的冶炼设备。

The deserted mining village, protruding pitheads overgrown with tall trees and rustling refineries behind crumbling walls situated in valleys, were surrounded by thick wooded mountain slopes, hot spring gushing out here and there.

这个废弃的采矿村子四周群山环绕,山上树林密布,温泉的泉水随处涌出;在山谷里面,突兀着的矿井上长着参天大树,破败的屋墙后是锈迹斑斑的冶炼设备。

Amid the cast of thousands of thrillingly well-drilled Chinese dancers, acrobats, singers and fireworks technicians, a red, double-decker London bus chugged ominously into the bird's nest stadium.

在成百上千的令人战栗的牛逼的中国舞者,杂技演员,歌手和焰火技师之中,一辆红色的,双层伦敦巴士突兀凶恶的开进鸟巢体育馆

Conversely, we can also connect fragmented space in our perception through the layout and organization of spatial sequences to come to a "discontinuous continuity".

反之,非连续的空间在人的知觉中则有可能是连续的,通过空间流线的安排和序列的变化,达成一种&非连续的连续性&,从而不使人感到断裂和突兀。

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