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演奏音乐

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To get to my question: I'm pretty familiar with music fundamentals and mostly I want to develop a beautiful tone and enough technique to play good music that's not overly technical - Bach transcriptions, duets and trios for clarinet and cello and/or oboe, and trios for the same instruments with bassoon thrown in.

我的疑问是:我是一个熟悉音乐基础的人,希望练习达到能够演奏较好音色和拥有足够技术演奏如巴赫作品等较简单乐章的水平,或者和朋友一起演奏一些木管小重奏。

Very important, you do not have to change your embouchure to single lip in order to play in the jazz style. And you simply just continue to do your regular so-called Classical training.

非常重要的一点:你无需改成单包来演奏爵士,同时你也只需要继续按照古典音乐的演奏训练即可,并不妨碍你演奏爵士。

The subject aesthesia of movement in erhu playing is an essential skill of noetic in performance. As a kind of music understanding activity, the subject aesthesia of movement in erhu playing not only had the some features with the other movement, but also possessed its individual characteristics.

内容提要:二胡演奏中的主体运动知觉是二胡演奏心智技能中最基本的一种心理能力,二胡演奏中的主体运动知觉作为一种音乐认识活动,与其它运动中的主体运动知觉既有相同之处,又有自身的特点。

Abigail writes songs heavily influenced by Old Time music, but adds a modern element that comes from her own experiences–her composition,"Rockabye Dixie", won an award for its contribution to the new sound of traditional American Music. Béla Fleck played bluegrass for many years, but then added jazz, rock, world music, pop and classical influences to create a new form of banjo-based music.

Abigail的歌曲创作中有着古老音乐的深重影响,但又通过她个人的经验加入了现代因素,她创作的歌曲《Rockabye Dixie》,因她为美国传统音乐注入新的声音而获奖。Béla Fleck多年演奏蓝草音乐,并且融入了爵士、摇滚和世界音乐,流行和古典音乐,从而创造了全新的班卓琴音乐。

Teaching contents in this stage include: one is to master scientific piano techniques .in This part, sight-reading, gesture for both hands , the three basic playing methods and the way to practice piano are included; the other is to cultivate students' interests in piano studying, connecting both interests and practice techniques organically ,in this part, teaching material s selection ,various form and contents in class are included ; last but not least to be a popular teacher with students, in this way , the solide basic special skill of teachers own, immidiate respondence to the questions for common knowledge,cordial attitude towards students and to convince them with truth.

然而,在实际的钢琴教学中,存在许多不重视基础训练而盲目拔高演奏程度的现象,从而提出基础教学在钢琴演奏中的重要地位。文章从学生以及老师两个角度进了思考和分析:对于学生来说,首先要认真读谱,其次要掌握钢琴的弹奏技术,再次要在钢琴演奏中有良好的乐感,把音乐弹得赋予表现力和生命力。对于老师来说,首先要培养学生的学习兴趣,使学生能够通过兴趣持久地学习钢琴,其次对待个性不同的学生要因材施教,进行启发式教学,充分发挥学生的主观能动性,最后要为人师表,做一个受学生欢迎的老师。

Teaching contents in this stage include: one is to master scientific piano techniques .in This part, sight-reading, gesture for both hands , the three basic playing methods and the way to practice piano are included; the other is to cultivate students' interests in piano studying, connecting both interests and practice techniques organically ,in this part, teaching material s selection ,various form and contents in class are included ; last but not least to be a popular teacher with students, in this way , the solide basic special skill of teachers own, immidiate respondence to the questions for common knowledge,cordial attitude towards students and to convince them with truth.

然而,在实际的钢琴教学中,存在许多不重视基础训练而盲目拔高演奏程度的现象,从而提出基础教学在钢琴演奏中的重要地位。文章从学生以及老师两个角度进了思考和分析:对于学生来说,首先要认真读谱,其次要掌握钢琴的弹奏技术,再次要在钢琴演奏中有良好的乐感,把音乐弹得赋予表现力和生命力。对于老师来说,首先要培养学生的学习兴趣,使学生能够通过兴趣持久地学习钢琴,其次对待个性不同的学生要因材施教,进行启发式教学,充分发挥学生的主观能动性,最后要为人师表,做1个受学生欢迎的老师。

A pioneer in this genre, Roberto Firpo, created the typical tango orchestra--rhythm played on piano and double bass; melodies played on the bandoneon and the violin, with strong counter melodies and variations.

探戈流派的先驱是Roberto Firpo,他创造出典型的探戈音乐,其中由钢琴和低音提琴演奏管弦节奏,旋律则由bandoneon琴和小提琴演奏,这样的音乐突出了强有力的切分节奏和富于变化的音色。

At these parks, musicians may play well-known classical music, like the Brahms symphony. Or they may play folk music, jazz or popular music.

在这些公园,音乐家们演奏久负盛名的古典音乐,如勃拉姆斯的交响乐;或者演奏民乐、爵士乐或者流行音乐。

By comparing with the ballets, this article has given the performing guideline for piano about how to apply different tone and accent; how to control the strike of the piano keys, and how to manage the pedal. Based on those, a profound view of this great piano work such as its performing skill, musical style, and expression method has been formed in the article. That is the purpose of the study, and also has great theoretical and practical value to todays piano performance and education.

在此基础上,本文又从该套曲与舞剧音乐的比较入手,从音色与触键方式、节奏重音处理、踏板用法等方面阐述了对作品演奏手法的建议,从而形成对该作品风格、形态、演奏技术、表现手法等要素的整体认识,这对于现今的钢琴演奏与教学有着重要的理论与实践意义,也是本文研究的目的之所在。

A brief biography will be included at the very beginning, followed by the investigation of the characteristics of Poulenc's piano music in three style periods. It is hoped that this paper may be a reference guide for piano instructors and/or students.

本文期能提供钢琴演奏及教学上之参考,盼能使演奏、教学者更进一步认识浦浪克及二十世纪法国钢琴音乐,并藉此研究抛砖引玉,促进研究现代钢琴音乐之风气,提升钢琴教育之质与量。

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