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演奏音乐

与 演奏音乐 相关的网络例句 [注:此内容来源于网络,仅供参考]

The music itself consists of the melody, which is played on the chanter, backed by continuous and unvarying tones from the three drone pipes.

音乐由指管演奏的旋律和低音管演奏的不变的背景音乐组成。你知道它的英文吗?

I play the violin as well; I am the concertmaster of the senior division of the Delta Youth Orchestra, and also play in the Vancouver academy of music symphony orchestra and the Vancouver Philharmonic Orchestra.

我也会演奏小提琴;我在年青人管弦乐队里做高级音乐指挥,也在温哥华高等学校的音乐交响乐团和温哥华爱乐交响乐团管弦乐队艺术学校里演奏过。

To enhance dulcimer performance art results in the pursuit of the identity of music performance and music inner ear training capacity has become a symbol of dulcimer playing.

为了提高扬琴演奏的艺术效果,追求内在的对音乐本体的表现和培养音乐内心听觉能力已成为扬琴演奏的一种标志。

Either alone on stage, mixing world beats: Balkan, Oriental, Flamenco, Klezmer, Gyspy or Indian with electronic sounds, Theremin, beat box and scratches. Or together in hellos live band with Gypsy Maestro Tziganiada from Romania, at the violin, saxophone and flute, joined by the fantastic Klezmer clarinet player Merlin Shepherd, escorted by the 2 delightful oriental, balkanic and gypsy dancers Safi and Bmal, and the enchanting voice of Valentina Dasula at the mic, a beautiful and tasted postcard for your ears and your eyes to defend the message "Flavour" out of hellos latest album. Seven artists are gathered on stage, no less than four cultures for an innovating festive party without geographellocal and music borders.

他的音乐是东欧文化和DJ文化相联合,生成的非比寻常的产品又或是他独从容戏台大将各类世界音乐混淆,包孕巴尔干音乐、东方音乐、佛朗明哥、犹太音乐、吉普赛和印度音乐,再加以电子音效、太勒明琴、Beatbox和Scratchellong他的音乐还表此刻与他的不凡乐团一路现场即兴,其中提琴、萨克斯和长笛的演奏者是来自罗马尼亚的吉普赛奇才Tziganiada,两位令人喜爱的东方巴尔干吉普赛舞者Safi和Bmal一路陪伴犹太音乐家Merlin Shepherd演奏单簧管,另有Valentina Dasula献上她斑斓的歌声,如许的联合终极带来Dlick最新专辑所转达的"风情":共七小我私人的表演,不少于四种文化,没有地舆或音乐范畴界限,这是一场灵感的盛筵

Ryan Kisor, one of the best jazz trumpeters in the world, was born April 12th, 1973 in Sioux City, Iowa. He began playing in a local dance band by the age of ten, began classical lessons at 12, met and was inspired by Clark Terry at 15 (while attending the latter's summer jazz camp) and played with various high school all-star bands. In November of 1990 he won the Thelonius Monk Institute's trumpet competition at the age of just 17, beating out the likes of Nicholas Payton and Marcus Printup. After graduating from high school in 1991, he went to the Manhattan School of Music and later studied with Lew Soloff among others. He has recorded fairly extensively both as a leader and sideman and with small and large groups. Among the highlights; the Mingus Big Band (which still plays every Thursday night at "The Fez" under Time Cafe in NYC's east village), the Michel Camilo Big Band (which although only existed for the purpose of recording the album,"One More Once," was arguably one of the best latin big bands recorded in recent memory), the Lincoln Center Jazz Orchestra, Gerry Mulligan, Wynton Marsalis, Wycliffe Gordon, Horace Silver, and Walter Blanding.

Ryan Kisor,美国著名爵士小号演奏家,1973年4月3日生于美国爱荷华州,10岁开始学习小号演奏,1990年在美国竞争最为激烈的爵士乐比赛——Monk国际爵士乐大赛(International Thelonious Monk Jazz Competition)中击败像Nicholas Payton和Marcus Printup这样的高手获得优胜,当时年仅17岁。1991年中学毕业后,被著名学府曼哈顿音乐学院录取师从Lew Soloff先生学习小号,在学期间加入Mingus大乐队,年纪轻轻便以惊人的深厚实力成为独当一面的独奏小号手。19岁时以首张专辑《One For Miles》正式出道,而后自1994年至今一直为世界著名爵士小号演奏大师Wynton Marsalis领衔的林肯中心爵士乐团的常任小号演奏家,同时Kisor先生还受聘加入卡内基音乐厅爵士乐团以及David Matthews率领的曼哈顿爵士乐团,杰出的演奏技巧及艺术水准受到世界乐坛之瞩目,曾受邀多次出访全球各国,每次均毫无保留的展现了其精湛的演奏实力,让世界各地的广大乐迷感受到其小号的魅力。

The second is the analysis on music aesthetics. It summaries its esthetical characteristics in the following three ways:(1)The balance of subjective and objective;(2)The distance between the work style and his life vicissitudes;(3)The beauty of melancholy in adagio movement. The article explains unique musicle beauty that Mozart's sonata for two pianafortes KV448 includes, which exposes the value of this works deeply and it researches the composition's playing style from four aspects.(1)Musical balancement and sense of propriety;(2)The temperance of dynamic;(3)The appropriate measure of tempo;(4)Operetic elements in piano compositions.

更多(2)音乐作品风格与人生际遇的差异;(3)慢板乐章的惆帐美,从美学角度阐述《D大调双钢琴奏鸣曲KV448》蕴含的独特的音乐美,从更高层次揭示这部作品的价值所在,在此基础上在第二章演奏研究中从以下四个方面对作品的演奏风格进行研究:(1)音乐的均衡性与分寸感;(2)力度的节制感;(3)速度的适度性;(4)钢琴作品中的&歌剧因素&。

Either alone on stage, mixing world beats: Balkan, Oriental, Flamenco, Klezmer, Gyspy or Indian with electronic sounds, Theremin, beat box and scratches. Or together in hellos live band with Gypsy Maestro Tziganiada from Romania, at the violin, saxophone and flute, joined by the fantastic Klezmer clarinet player Merlin Shepherd, escorted by the 2 delightful oriental, balkanic and gypsy dancers Safi and Bmal, and the enchanting voice of Valentina Dasula at the mic, a beautiful and tasted postcard for your ears and your eyes to defend the message "Flavour" out of hellos latest album. Seven artists are gathered on stage, no less than four cultures for an innovating festive party without geographellocal and music borders.

他的音乐是东欧文化和DJ文化相联合,生成的非比寻常的产品又或是他独从容戏台大将各类世界音乐混淆,包孕巴尔干音乐、东方音乐、佛朗明哥、犹太音乐、吉普赛和印度音乐,再加以电子音效、太勒明琴、Beatbox和Scratchellong他的音乐还表此刻与他的不凡乐团一路现场即兴,其中提琴、萨克斯和长笛的演奏者是来自罗马尼亚的吉普赛奇才Tziganiada,两位令人喜爱的东方巴尔干吉普赛舞者Safi和Bmal一路陪伴犹太音乐家Merlin Shepherd演奏单簧管,另有Valentina Dasula献上她斑斓的歌声,如许的联合终极带来Dlick最新专辑所转达的&风情&:共七小我私人的表演,不少于四种文化,没有地舆或音乐范畴界限,这是一场灵感的盛筵

From the view of Chinese traditional music culture, the paper deeply researched the category, formation, style of the specific technique, and especially in the principle and practicing methods with the entrance of morphic character of Chinese traditional music.

特点在于从民族化作品所依存的中国传统音乐文化的观察角度,以传统音乐的形态特征作为分析和解决问题的切入点,对小提琴民族化演奏技法的种类、成因、风格把握、尤其是演奏技术原理、练习方法等问题进行了初步的研究。

As evening comes to Paris, enchantment rises with the mist over the riverfront You may hear music from an outdoor concert nearby: classical, jazz, opera or chansons, those French folk songs Parisians love their music The starry sky is their auditorium You can also hear concerts in the chateaux and cathedrals In Paris the Music never ends

巴黎到了傍晚时分,随着码头上的雾气升起,巴黎的诱惑力也随之而起。你也会听到附近室外音乐会所演奏的乐曲。古典、爵士、歌剧或是香颂、即法国的民歌。巴黎人热爱自己的音乐,繁星点缀的天空,就是他们演奏的大礼堂。你也可以在皇宫或教堂里聆听音乐会。在巴黎,音乐是不会停止的。

The paper tried to inspire more musicians and piano executants to research the piano works and do more musicalperformances, therefore making our piano executants inherit thetraditional way to perform, and interject the particular and novel tasteideas of modern people to the modern music performance at the sametime, then excitated more people to understand or perform Scraibin'spiano work and discover more modern oiano music

从而使我们钢琴演奏者在具备继承传统音乐演奏法的同时,将现代人的独特而新颖的审美观到现代音乐作品的演奏中,使更多的人去了解,去了解演奏斯克里亚宾的钢琴作品和发现更多更好的现代钢琴音乐。

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