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This record is a best collection of maestro Li Guangliu with both his experienced performances and some masterpieces. Music compositions involved here are plenty in expressions, some pieces sound like Nocturne, others like Barcarole or even fluent as flowing spring. His major masterpiece, named Fantasia on A Legend of White-Snake, which is about 30 minutes in length. It depicted well the famous legend for the Dragon Boat Festival. Another piece 'Capriccio to the Swan' depicted the gracefully flying of swan vividly with fresh modern composing manner.

专辑中长达三十分钟的笙协奏曲《白蛇传幻想曲》由他参与创作并演奏,成功地刻划出民间传奇人物白娘娘的音乐形象;曲风清新的《天鹅畅想曲》选用别具时代气息的曲调描摹天鹅优美轻盈的体态,抒发对天鹅之城哈尔滨的热爱;其他多首乐曲都是李光陆大师二十余年演奏之精华,有的乐曲好似宁静的夜曲、优美的船歌,更不乏淙淙的流泉;精彩绝伦的笙语,由李光陆大师演来是一种美的、温馨的,甚至是动人心脾的享受。

The wind whispers them the birds whistle them, the corn, barley, and bulrushes brassily rustle them; nay, the music boxes at Geneva are framed and toothed to play them; the hand organs of the Sao yards in all cities repeat them, and the chimes of bells ring them in the spires.

风儿在哼着这些诗歌,鸟儿在唱着这些歌,谷物、大麦及芦苇在大声吟唱这些诗歌。不仅如此,设计精妙的日内瓦音乐盒在演奏这些诗歌,各城市萨瓦人的手风琴在不停地演奏这些诗歌,塔顶排钟在和谐地吟唱这些诗歌。

The wind whispers them the birds whistle them, the corn, barley, and bulruITs brassily rustle them; nay, the music boxes at Geneva are not framed and toothed to play them; the hand organs of the Sao yards in all cities repeat them, and the chimes of bells ring them in the spires.

风儿在哼着这一些诗词,鸟儿在唱着这一些歌,谷物、大麦及芦苇在大声吟唱这一些诗词。不仅如此,设计精妙的日内瓦音乐盒在演奏这一些诗词,各都市萨瓦人的手风琴在不停地演奏这一些诗词,塔顶排钟在和谐地吟唱这一些诗词。

Learning from Soviet Union policy of China have funded the present system of developing talented children and eventually trained piano instructors with ideas of the school of Russian piano, which is a critical element of the reason why China's piano performing is cynosure nowadays.

中共「学习苏联」的政策,奠定了现今培养具有音乐天赋儿童的制度,并培养出以俄国钢琴学派的演奏观念为教学依据的钢琴教育家,是中国钢琴演奏现今受到国际舞台上肯定的一个重要因素。

The write–up in the HAMBURGER ECHO(No.37,Year 73,Saturday 8th May)was even more effusive:"Ginette Neveu,the young French violinist,indisputably of international calibre,played the Brahms Violin Concerto with a consummate genius,the key to which lies in concentration and absolute discipline.She performed it with an unsurpassed capacity for graphic declamation combined with rare musical passion and feeling for rhythm."

HAMBURGER ECHO(第73卷第37期,5月8日星期六)里面一篇文章赞美之情更是溢於言表:「年轻的法国小提琴家吉涅特努娃完美的天才演奏的布拉姆斯小提琴协奏曲,明显地具有国际水平,秘诀在於全神贯注地投入与严格的训练,她的演奏是生动的吟唱,以无比的能量,结合难得的音乐热情与节奏感。

I had this little thing with a double bass player and we played a lot of that kind of music.

我与两个贝司手演奏这些小东西,演奏大量此类音乐。

She led the students to experience the beauty of music, to have concrete and abstract imagination through music and drawing, to feel the tension of the body in music movement, and to recognize their growth in aesthetic learning.

她带领学生从演奏中体会音乐的美,从音乐与绘画的结合中做具体与抽象的想像,从音乐律动中感受身体的张力,并从美感学习中体验自己的成长。

Many performers have such feeling and the experience, namely understanding music is much more difficult than the training technology skill, but this is also precisely in the musical show must solve, therefore, regardless of being playing any program, not only need have the technical skill shoring of foundation, can more importantly the understanding and the technical skill concrete application unifies to music.

好多演奏者都有这样的感觉与体会,即理解音乐比训练技术技巧困难得多,而这又正是音乐表演中必须解决的,所以,无论在演奏什么曲目,不但要有技术技巧的基础支撑,更重要的是能把对音乐的理解和技术技巧的具体应用结合起来。

Li Biao has given many recitals during music Festivals such as: the Schleswig-Holstein Music Festival, Sommerkonzert zwischen Donau und Altmuehl, Festival der Nationen, Fuji Music Festival and Bela Bartok Festival, Bad Kissingen Music Festival,Music Biennale Zagreb,Night of percussion in berlin philharmonic, Music Viva.

作为优秀的职业打击乐团之一,他们的演出遍及世界的许多著名艺术节和音乐活动中,许多著名的作曲家们为乐团谱写音乐作品,其演奏的音乐风格涵盖五个大陆,古典、爵士、现代、流行,使用乐器近一百种,重量近5吨,这使得他们的音乐会色彩斑斓,耀人耳目。

Auer is remembered as one of the most important pedagogues of the violin, and was one of the most sought-after teachers for gifted pupils. Many famous virtuoso violinists were among his pupils, including Mischa Elman, Jascha Heifetz, Nathan Milstein, Efrem Zimbalist, Georges Boulanger, Benno Rabinof, and Oscar Shumsky.

奥尔诞生在匈牙利的维斯普雷姆,在布达佩斯以及维也纳的音乐学院学习小提琴演奏,后在德国汉诺威师从小提琴演奏家约瑟夫·约阿西姆。1868年到1917年间,奥尔在俄国圣彼得堡音乐学院执教。1918年俄国十月革命之后,他移居美国,在费城科蒂斯音乐学院执教。

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