无意识

Realism has been improved to the realm of symbolism through creation of symbolic images, which in turn make the novels powerful and profound as well as realistic and natural. The stress laid on the settings helps get rid of trace of design in plots, and deepen the profound implications, which as a result, endow the works with particular profoundness, severity and significance. Through the analysis of the souls of the characters, a secret door deep in people's psyche has been opened and people's sub-consciousness, unconsciousness, abnormal consciousness and other complicated psychic phenomena have been revealed. Consequently a new and spacious aesthetic space is opened.

它通过象征意象的树立，"把现实主义磨练到了象征的境界"，使作品在真实可感、自然贴切之中显示出超常的力度和强度；它通过突出情境、淡化情节的设计，深化了作品广阔深厚的意蕴，赋予作品独到的深刻性、严峻性和巨大的意义；它通过心灵深处的剖析，打开了人们心理深层幽闭的大门，揭示出人们潜意识、无意识、变态意识之中种种复杂的心理现象，开拓出内心世界幽深廓大的审美视界。

Compassion does not mean however that one must role over like a doormat and take the blows or abuse of another, even in the form of unconscious harm; one may even shatter the abusiveness of another in one's own field; however one still recognizes that all humans are a part of one species and therefore are to be embraced.

但是，同情并不意味着一个人必须扮演擦鞋垫似的角色，接受他人的殴打或脏话，甚或是无意识的伤害。一个人甚至可以在自己的场中粉碎他人的咒骂，不过他仍然意识到，所有人是同一物种的一部分而要被包容。

These strategies are general, subconscious or semiconscious psychological programs that usually run on automatic pilot.

例如，对于每个人都不可避免的死亡，这种忽略或压制是一种普遍的、无意识或半意识的心理机制，它们通常自动发挥作用。

In reading, it devotes great attention to such intangible factors as caesura and interruption, and with regard to die function of literature, it holds that the value of literature lies in its inexhaustible freedom instead of its capacity for conveying truth.

解构诗学否定了语言工具论和意义预先存在的观念，将写作视为人与语言、意识与无意识互动的开放过程，在阅读中则注意"停顿"、"中断"等体现语言活力的无形因素，并且认为文学的价值不在于承载真理，而在于其充满无穷可能性的自由。

In addition, the researcher sees that in the evolution process of "Western art history," a serious awareness of common existence of "gender discrimination and inequality" issue in the past male dominated era, and also, by researching the profound relationship of the body image and gender consciousness, subconsciousness and unconscious of nude painting in "Western art history" and further explores the "image consciousness" and "body identity" conveyed by "body image."

另一方面研究者鉴於：在「西洋美术史」演进中，严重察觉到过去时代男性威权社会中普遍存在的「性别歧视及不平等」问题，亦藉著研究「西洋美术史」中人体画的身体图像与性别意识、潜意识、无意识记忆之奥妙关系，进而探索「身体图像」传达的「形象意识」与「身体认同」。

In a diagram of the Structural and Topographical Models of Mind, the ego is depicted to be half in the consciousness, while a quarter is in the preconscious and the other quarter lies in the unconscious.

在一张思维结构和托普模型图表中，自我被描述为意识中的一半。另外，有四分之一是"前意识"，四分之一是"无意识"

And passing out of the consciousness of no special object he fell into a state between consciousness and unconsciousness.

从没有特别目标的意识状态出来以后他进入了在意识和无意识之间的状态。

METHODS:Forty cases of traumatic optic neuropathy were analyzed retrospectively. Univariate analysis (Chi-square test) and logistic regression were performed to filter the risk factors to the visual prognosis of traumatic optic neuropathy. Eight variables were tested, including corticosteriod treatment in 2 days after trauma,no light perception,frontal or temple trauma,orbital hemorrhage and/or fracture,disturbance of consciousness,age ,other ocular trauma and presence of blood within the sphenoidal or ethmoidal sinus.

回顾分析40例外伤性视神经病变患者的临床资料，将伤后2d内是否接受激素治疗，伤后有无光感，有无意识障碍，是否有额颞部受伤，有无眶内积血和或眼眶骨折，患者年龄，是否合并其它眼外伤及是否有蝶、筛窦积血等8个变量纳入研究，通过单因素分析（χ 2检验）和多因素分析（Logistic回归分析），筛选出影响外伤性视神经病变视力预后的危险因素。

In chapter one,I willanalyse three methodological principles in Jameson's dialecticalcriticism,that is,totalization,mediation and historicization;in chaptertwo,I will discuss Jamesonian theory aboutf the political unconsciousand his Marxism hermeneutic system;and in the final chapter,I willexplain the various ways of Jamesonian narrarive analysis,and attemptto explore his unconscious of the cultural-political poetics by which anycultural text is read as both ideolegy and utopia.

在第一章，我们分析了詹姆逊的辩证批评的三大方法论原则：总体化、中介化和历史化，并依据他的元批评观点考察了他与当代西方的各种理论话语的关系。在第二章，我们主要介绍了他的政治无意识理论以及他的马克思主义阐释学体系，揭示了他的文学和文化批评的主要特征。在第三章，我们以詹姆逊本人的批评实践为例说明了他的叙事分析的基本理路，并对他的文化政治诗学——即把文化文本既看作是意识形态的，又看作是乌托邦的——本身的无意识进行了历史的分析。

These two major prototype image construct the key contents of make-up that indude individual unconscious and collective unconscious .

这两大原型意象构筑了人类在化妆层面的个人无意识和集体无意识的核心内容。

I'm strongly against the death penalty — it's an eye for an eye.

我不赞成死刑——这是以牙还牙的报复行为。

And to get you the support you need, we're enlisting all elements of our national power: our diplomacy and development, our economic might and our moral suasion, so that you and the rest of our military do not bear the burden of our security alone.

并给你们所须的支援，我们正徵召国家所有各种的力量：我们的外交及发展，我们的经济力量与道德劝说，所以你们与其他军人不须要孤独地负起国家安全的责任。