散文的

Lily Fairy lyrical prose read the entry, Yizhou Ren Shi of ancient poetry recited the refrain, wandering rabbits photography museum hosted a very impressive and good mood of realism makes the small text on the ground, Nini's happy to fertile farm cultivation of Dohi , there are many remarkable people and things, there can not elaborate.

百合仙子的散文读起来抒情入境，懿州人氏的古诗词琅琅上口，流浪兔主办的摄影馆有声有色，好心情的写实小文让人身临其境，妮妮的开心农场耕耘的土肥地沃，还有许许多多可圈可点的人和事，这里不能一一详述。

For a bold writer full of creativity, the future undoubtedly will bring the readers more surprises and fresh feelings, but if the relationship of the old characteristic and the changing characteristic, or the changing characteristic and the flubdub can not be clearly and correctly divided, the brilliant time of prose producing can hardly be recreated and even can be immersed into the flickleness of changes.

对于一个勇于求新，敢于突破的作家来说，未来无疑将会带给读者更多的惊喜和新鲜感受，但如果不能很好处理坚守固有风格与求新求变的关系，如果不能很好的区分创新求变与哗众取宠的关系，甚至陷入为变化而变化的浮躁心态中，散文创作的再辉煌局面将很难实现。

J Jeremias, The Eucharistic Words of Jesus; AJB Higgins, The Lord's Supper in the NT; G Wainwright, Eucharist and Eschatology; IH Marshall, Lord's Supper and Last Supper; FJ Leenhardt and O Cullmann, Essays in the Lord's Supper; JJ von Allmen, The Lord's Supper; M Thurian, The Eucharistic Memorial; E JF Arndt, The Font and the Table; M Marty, The Lord's Supper; E Schillebeeckx, ed., Sacramental Reconciliation.

j jeremias ，圣体圣事的话，耶稣； ajb希金斯，主的晚餐在新台币100 wainwright ，圣体圣事和末世；中转房屋马歇尔主的晚餐和最后的晚餐； FJ的伦哈特和O cullmann ，散文在主的晚餐；的JJ冯allmen时，主的晚餐；米thurian ，圣体圣事的纪念；电子怡富arndt ，字体和表；米马蒂时，主的晚餐；电子施雷贝克，版，圣和解。

His novel does not arrest methodicalness, narrate and light the plot. the novel has the intense prose tendency. the novel language is aways the short phrase, the spoken language, but actually has accomplished one kind of fresh plain atmosphere; the characterization are ordinary unimportant person, but on their body completely has the noble sentiment, the fine mind.

汪曾祺打破了诗、散文、小说的界限，创作不拘章法，不重视叙事，轻故事情节，有强烈的散文化倾向；小说的语言多为短句，口语化，但却造就了1种清新质朴的氛围；人物塑造都为平凡的小人物，但在他们身上充满高尚的情操，有着美好的心灵。

Wang Zengqi has broken the poem, the prose and the novel boundary. His novel does not arrest methodicalness, narrate and light the plot. The novel has the intense prose tendency. The novel language is aways the short phrase, the spoken language, but actually has accomplished one kind of fresh plain atmosphere; The characterization are ordinary unimportant person, but on their body completely has the noble sentiment, the fine mind.

汪曾祺打破了诗、散文、小说的界限，创作不拘章法，不重视叙事，轻故事情节，有强烈的散文化倾向；小说的语言多为短句，口语化，但却造就了一种清新质朴的氛围；人物塑造都为平凡的小人物，但在他们身上充满高尚的情操，有着美好的心灵。

Webster, the lexicographer; Prescott, Motley, Bancroft, Parkman, the historians; Longfellow, Edgar Allan Poe, James Russell Lowell, William Greenleaf Whittier, Walt Whitman, the poets; Washington Irving, Fenimore Cooper, Nathaniel Hawthorne, Charles Brockden Brown, JK Paulding, Bret Harte, the novelists; Oliver Wendell Holmes, Ralph Waldo Emerson, the essayists and philosophers; Mark Twain and Artemus Ward, the humorists--these made up a glorious company that shed lustre on American literature wherever the english tongue was spoken.

韦伯斯特的词典编纂，普雷斯科特，莫特利，班克罗夫特，巴克曼，历史学家，诗人朗费罗，爱伦坡，詹姆斯拉塞尔洛威尔，威廉绿叶蒂尔，沃尔特惠特曼，诗人，华盛顿欧文，库柏，霍桑，查尔斯布罗克登布朗，JK保尔丁，布雷特哈特的小说家；奥利弗温德尔霍姆斯，爱默生的散文作家和哲学家，马克吐温和阿蒂默斯区的幽默大师-这些行动的光荣公司，阐明美国文学的光泽哪里是讲英语的舌头了。

Of the illustrious circle of literati which surrounded him may be mentioned Pietro Bembo (d. 1547)-- famous as a writer of prose and poetry, as a Latin and Italian author, as philologist and historian, and yet, in spite of his high ecclesiastical rank, a true worldling.

其中杰出的文人圈的包围了他可能会提到彼得本博（草1547 ）-作为一个著名作家的散文和诗歌，作为拉美和意大利的作者，作为philologist和历史学家，然而，尽管他的教会的排名，一个真正的俗人。

Over the past decade, scholars in academic fields worked to explore KANG's works in the literature-oriented way instead of the dogma theory of the Soviet Union, and gained extraordinary achievements in positioning KANG's prose status in literature, in estimating aesthetic value of his poetry, in academic contention on three "Legendary Books", and in its effect on the construction and development of modern literary aesthetics theory, but question of simplicity and absoluteness still exist in analysis of the specific text.

近十年来，学术界在探讨康有为学术著作的过程中，打破了苏联的教条理论，回归文学本位，树立以作品为中心的研究格局。在康有为的散文文学定位、诗歌创作的审美价值、关于三大"奇书"的学术争鸣和对近代文艺美学理论的构建和拓展等方面，都取得了不凡的成果，但对具体文本的分析依然存在简单化和绝对化的问题。

The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of the early English Symbolists, especially Arthur Symons.

的根源英语诗歌现代主义可以追溯到作品的一些较早的作家，其中包括沃尔特惠特曼，他的长期接触线的一种自由诗，散文诗歌的王尔德，罗伯特勃朗宁的颠覆诗意的自我，艾米莉狄金森的压缩和著作的早期英语Symbolists ，特别是阿瑟西蒙斯。

The first principle of an empiricist philosophy of mind is often illustrated by the notion of a Tabula Rasa, or a blank slate (an illustration Locke himself made famous in the Essay ): at birth, our minds arrive into this world completely empty, like a pure white sheet of paper, and it is only as experience "writes" on this paper that ideas and thoughts begin to form.

第一项原则的经验主义哲学的心态往往是说明了这一点的概念，维客，或空白石板（插图洛克在他著名的散文）：在出生时，我们的脑海到达这个世界完全空的，像一个纯白色的纸，它只能作为经验"写道："关于这个文件，意见和想法开始形成。

If you are unfortunate enough to the lovelorn, please tell me, I will help you out, really, please contact me!

如果你不幸失恋了，请告诉我，我会帮助你摆脱困境，真的，请联系我啦！

China's plan to cut energy intensity by 20 percent and pollutant discharges by 10 percent between 2006 and 2010 is a case in point.

中国计划在2006年到2010间降低20%的能源强度和减少10%的主要污染物排放，就是一个这样的例子。