摹仿的

The second section mainly focuses on the initial stage of Chinese film, its imitation of foreign movies while showing distinctive inclination towards Chinese and Western styles. The early films by Commercial Press Film Studio, Shanghai Photoplay Company and Star Film Company will be discussed in this section.

第二部分《初始的模仿与选择》，讨论1920年代初期中国电影如何从仿制入手，开始了侦探片、爱情片和喜剧片的试验与探索，以《阎瑞生》、《红粉骷髅》、《海誓》和《劳工之爱情》等影片为例，探讨了中国试制电影与欧美影片的影响关系，在此部分还讨论了在"商务"、"上海影戏"和"明星"形成的竞拍态势中，初露端倪的"欧化"与"华式"两条发展路径，包括"商务"早期长片的国家意识和影像风格上"欧化"色彩；"上海影戏"对欧美儿童片的摹仿以及"明星"以《孤儿救祖记》为代表的比较民族化的创作方向。

Both dance and drama appeal to spectators' vision, but the movement of dance has the highly recapitulatory and general expressiveness of the subject, being good at emotion-expression and not expert at narration.

舞蹈是活动的雕塑，雕塑是舞蹈的&亮象&；舞蹈和戏剧都诉诸观众的视觉形象，但舞蹈的动作表演具有高度概括、宽泛的主观内在表现性，表现出长于抒情拙于叙事的特点；舞蹈的节奏感与韵律性与音乐有内在的联系，世界上有脱离舞蹈的音乐，却没有脱离音乐的舞蹈，由偏于客观，充满摹仿、再现因素，逐渐发展到借助形式美的程式化语汇，自由地表现主体内在的审美情感，是舞蹈艺术审美理想演化变迁的历史过程。

First, to take ideology as a weapon was the starting point of the revolutionary drama-"the Left Drama"while to pay attention to human and the conflict between human and the society, which led to the probation of the connotation of the conflict consciously was the core of sub-current realism. Second, the main current realism had a strong revolutionary"proletariat"aim and political sense-objective sense while the sub-current realism focused on people and setting up characters. Third the main current realism laid too much emphasis on the sense of mission of its time which led to the tendency of formulizing and generalizing while the sub-current realism paid attention to the firm objectivity and to imitate life as their aesthetic ideal, and as a result the sub-current realism produced vigorous works. CHAPTER 4 Realistic Chinese modern drama experienced a hard and winding way of development. It was even worse after the People Republic of China was established.

本章还从三个基本方面入手，论述了主流的现实主义与非主流的现实主义内质的差异与不同的发展趋向，即作为一种武器的思想是主流的革命现实主义中&左翼戏剧&的出发点，与注重人与命运、人与现实的冲突，从而自觉追求冲突内涵的挖掘是非主流现实主义的核心；主流的革命现实主义中&普罗列塔利亚式&强烈的革命目的&目的意识论&与非主流现实主义的倾心于人物、注重人物塑造的审美原则；主流的革命现实主义所强调的时代使命感而产生的公式化、概念化倾向与非主流的现实主义所注重的客观性、以摹仿生活真实为审美理想而产生的具有生命力的话剧剧作。

This paper, analyzing the influence and acceptation between three foreign writers and Yu Hua, depicting the inditing process from immitating to exceeding, tries to read the most hidden and deep heart reality in Yu Hua.

本文试图从影响余华至深的三位外国作家与余华间的影响与接受的关系中，从余华由摹仿到超越的创作历程中来读解余华最为隐秘与深切的内心真实。

The value of Modern art in exactly noble quality and values of innovation that query their, and then modern art imitate , just to " valued the view " query of innovation divert , means of plagiarizing etc..

现代艺术的价值所在正是其质疑的高贵品质和创新的价值观，后现代艺术的摹仿、挪用、剽窃等手段却正是对&创新的价值观&的质疑。

In classical literature a combat between amphibians and mice parodies those of Homeric heroes and in Aristophanes' famous comedy a chorus of croakers cries brekekekex ko-axh ko-axh to a passing Dionysus while striking up "joyous dances to the swishing of bubbles".

在古典文学中，有关青蛙和老鼠的战斗总是诙谐地摹仿荷马史诗的英雄故事。而在阿里斯托芬的著名喜剧《青蛙大合唱》中，狂欢活动一直伴着咕呱咕呱之声，演奏&欢乐的舞曲则跟着青蛙大气泡一翕一鼓的节奏&。

I'd say that "Cicadas" was written in loose iambics and irregularly dwindling lines, and that the feel of the stanzas is a repeated imitation of something described in the first stanza—a/running-down record, ground round/to full quiet.

我得说《蝉》是用宽松的抑扬格和不规则的减字句写成的，各节给人的感觉是在重复摹仿第一节中描述的某种东西——&一个/往低处流去的记录，环绕/饱满的宁静&。

A few months ago I visited the art museum they completed in 2006 in Dafen, a Shenzhen neighborhood where artists can be found in narrow alleyways painting kitschy reproductions of everything from contemporary Chinese works to old European masters.

几个月前我曾访问了他们2006年设计的大芬美术馆。大芬是深圳的一个社区，以其在狭窄的小街里聚集了大批的艺术家摹仿复制从现代中国到西方古典的名画著称。

The chapter of modern Chinese poets case study in symbolisms influence selected several poets to discuss some important sides they represented in seeking symbolism poetry art progress.

其三，它对古典主义的摹仿写实倾向与浪漫主义抒情的直露倾向的反拨，正适应了二三十年代中国新诗竞争发展的潮流，给在现实主义、浪漫主义之外的新诗，提供了新开一路的重要启示。

Among them, Auerbach's Mimesis, Brooks's The Well Wrouhgt Urn, Leavis' The Great Tradition, Wellek and Warren's Theory of Literaturcism are undoubtedly the very best of all classics, and represent the main trend of the literary criticsm history of that period.

而奥尔巴赫的《摹仿论》、布鲁克斯的《精制的瓮》、利维斯的《伟大的传统》、韦勒克和沃伦的《文学理论》，无疑堪称&经典中的经典&，代表了这段批评史的主导倾向。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。