和

The mortality and control effect are all over 99% after 7d,15d and 30d respectively, a small number of trees were infected coconut leaf beetle again after 90d and 120d respectively, most trees were found eggs and pupas after 150d , and the control effect had a slight decline, but will not cause a substantive impact on growth of center coconut leaves.

施药后第7天、15天、30天和60天害虫虫口减退率和防效均大于99%，第90天和120天个别植株重新感染少量的椰心叶甲成虫和幼虫，第150天后有一半以上的植株感染椰心叶甲成虫和幼虫，其中个别植株已经产生卵和蛹，防效产生轻微下降，但不会对椰树心叶的生长造成实质性的影响。

But, however, that some may not colour their spirit of persecution and unchristian cruelty with a pretence of care of the public weal and observation of the laws; and that others, under pretence of religion, may not seek impunity for their libertinism and licentiousness; in a word, that none may impose either upon himself or others, by the pretences of loyalty and obedience to the prince, or of tenderness and sincerity in the worship of God; I esteem it above all things necessary to distinguish exactly the business of civil government from that of religion and to settle the just bounds that lie between the one and the other.

但是，一些人不可以用关心公众福利和法律的借口来粉饰他们迫害和反基督的残酷行为；另一些人，在信仰的借口下，不可以为他们的放荡和毫无约束寻求赦免；一句话，没有人可以用忠诚和服从地上的王，或者温顺和诚挚的敬拜上帝为借口来强迫自己或他人；我认为在一切必要性之上的，是精确的区分宗教信仰的事务和世俗政府的事务，解决两者之间恰当的边界问题。

D its lonely hours and dreary, When we Close the aching sight, Musing sadly, lorn and weary, Trusting that tomorrow's light May reveal a day more cheery; Amid affliction's darker hour, When no hope beguiles our sadness, When Death's hurtling tempests lower, And forever shroud our gladness, While Grief's unrelenting power Goads our stricken hearts to madness; When from friends beloved we're parted, And from scenes our spirits love, And are driven, broken-hearted, O'er a heartless world to rove; When the woes by which we've smarted, Vainly seek to melt or move; When we trust and are deluded, When we love and are denied, When the schemes o'er which we brooded Burst like mist on mountain's side, And, from every hope excluded, We in dark despair abide; Then, and ever, God sustains us, He whose eye no slumber knows, Who controls each throb that pains us, And in mercy sends our woes, And by love severe constrains us To avoid eternal throes.

小时的孤独和凄凉，当我们关闭疼痛视觉，沉思可悲的是，洛恩和厌倦，相信明天的光线可能揭示出一个更愉快的一天；一片痛苦的黑暗时刻，当我们不希望翻滚的波涛上面悲伤，当死亡的飞驰暴风雨低，我们永远裹尸布高兴，虽然悲伤的不懈动力Goads我们灾区的心以疯狂；当从我们可爱的朋友分手，从场面我们的精神的爱，并驱动，伤心，O'er是无情世界的罗夫，当其中我们元气疾苦，妄想寻求融化或移动，当我们的信任和迷惑，当我们爱和被剥夺，当计划o'er 像我们反复思量山区一边薄雾破灭，从每一个希望排除，我们在黑暗的绝望遵守，那么，和以往任何时候都维持我们的上帝，他的眼睛没有沉睡知道，谁控制每一个跳动的痛苦我们，在我们的困境发出慈悲，爱和严重制约我们避免永恒的阵痛。

Pull off my blindfold and you just too cold you show me true friend baby i was so so you might as well call me up physically you know, you got me only into extremes and i can't believe it and don't know what to think sometime around it was so love-sick now it's so sick cause they ain't doubt love your hint is apart and the day between us wasn't enough and i know i feel good time's come i thought they stay, things are done and become word-made angels came but they left you day had you slip away listen now burning empty still this can't be but even now we're not that happy hotel motel it's hot in hell free from myself but now left with no home i want you to know i never would have all figure out that when you came now it could have been forever now it does bring me down the high now the low up and down we go put myself too close got burnt night tones it feels like i'm sinking in the dead sea don't we care the space inside us so empty it's like it's over before be gone this song is over now so was i want

拉动离开我的蒙眼的布和你仅仅也寒气你展示我真实朋友当作婴儿般对待i是那样那样你是有能力也打电话我沿着按自然规律你知道你得到我仅有变为极端和i不能相信它和做不知道什么向思考某个时候四周它是非常害相思病现在它's非常生病原因他们ain't不能肯定爱你的作暗示是分开和白天在中间我们是还不多和i知道i感觉减免的刑期's来i认为他们留下东西被做和成为作词，天使来，但是他们，左边，你，白天富人，你离开偷偷溜走，现在，听燃烧，仍然把这个倒空不能是但是至今，我们是并不是说愉快饭店，汽车旅馆，它，s热在中地狱免费从我自己但是现在离开用它感受到的烧过晚上音调就象我正使死了大海陷进去，我们不对就象它的在上方以前不在了，在我们里面空间那样把它的倒空介意结束现在这歌曲肯定对的，我是英语老师，有事找我

Its special features are Marble and gold staircase, leopard print tufted carpets, Carrarra marble flooring and mahogany furniture Lower level – Dining area, Arabic majlis style lounge and library Upper level – Master bedroom with rotating four-poster canopy bed and second bedroom, each with adjoining marble bathrooms with spa bath, walk-in shower, fine porcelain fittings and full sized Hermes 24 – Faubourg fragrances and body products Occupancy – 4 Adults and 2 Children below the age of 12, or 5 Adults.

它的特点是大理石和黄金楼梯，豹纹簇绒地毯，Carrarra大理石地板和红木家具低层-餐饮区，阿拉伯议会风格的休息室和图书馆上水平-旋转四柱架子床和一间卧室主卧室，与毗邻温泉浴每个大理石浴室，步入式淋浴，精细陶瓷设备和全尺寸的爱马仕24 -新市区香水和护肤产品占用- 4成人和2个低于12岁，或5成人儿童。

"That the doctrine of the Reformed churches concerning predestination, and the points annexed to it, by its own genius and necessary tendency, leads off the minds of men from all piety and religion; that it is an opiate administered by the flesh and by the devil, and the stronghold of Satan, where he lies in wait for all; and from which he wounds multitudes, and mortally strikes through many with the darts both of despair and security; that it makes God the author of sin, unjust, tyrannical, hypocritical; that it is nothing more than interpolated Stoicism, Manicheism, Libertinism, Turcism; that it renders men carnally secure, since they are persuaded by it that nothing can hinder the salvation of the elect, let them live as they please; and therefore, that they may safely perpetrate every species of the most atrocious crimes; and that, if the reprobate should even perform truly all the works of the saints, their obedience would not in the least contribute to their salvation; that the same doctrine teaches, that God, by a mere arbitrary act of his will, without the least respect or view to sin, has predestinated the greatest part of the world to eternal damnation; and, has created them for this very purpose; that in the same manner in which the election is the fountain and cause of faith and good works, reprobation is the cause of unbelief and impiety; that many children of the faithful are torn, guiltless, from their mothers' breasts, and tyrannically plunged into hell; so that, neither baptism, nor the prayers of the Church at their baptism, can at all profit by them;" and many other things of the same kind, which the Reformed Churches not only do not acknowledge, but even detest with their whole soul.

"该学说的革新教会联谊会关于宿命，并分附在它，由它自己的天才和必要的倾向，导致起飞的头脑男子从所有虔诚与宗教；这是一个鸦片类由血肉所魔鬼和据点撒旦，在那里他是在等待所有；从他的伤口众多，而致命打击，通过许多与飞镖都绝望与安全；因为它使上帝的作者单，不公正，专横，虚伪的，即它只不过是多插生活俭朴，摩尼教，放纵， turcism ；这使得男性的肉体关系稳固，因为它们是说服它说，没有任何东西可以阻碍救赎的选举，让他们住，因为他们请；因此，他们可以安全地胡作非为，每一个物种的最残暴的罪行，并认为，如果reprobate甚至应该真正履行全部工程的圣人，他们的服从，将不会在至少贡献出他们的救恩，即同一教义教导说，上帝，由一个单纯的任意行为，他的意志，如果没有起码的尊重，或以单，有predestinated最大的是世界的一部分，以永恒damnation ，并且创造了，他们为了这个目的，即在同一何种方式选举是喷泉和事业的信念和良好的工程， reprobation ，是导致不信者和不虔诚；说，许多儿童的教友们被拆除，无罪，从他们的母亲的乳房，并tyrannically陷入地狱，因此，既不洗礼，也没有祷告的教会，在他们的洗礼，能在所有利润由他们来主宰；"和许多其他东西的同类，而改革教会不仅不承认，但即使是讨厌自己的整个灵魂。

Other critics-raving recordings include the Walton Concerto and Britten's Cello Symphony with the Academy of St Martin in the Fields under Sir Neville Marriner released in 1997 (the Britten being described by Edward Greenfield in Gramophone as "beyond any rival"), the complete works for cello and piano by Grieg and Delius with pianist Bengt Forsberg in 1998, and the "Cello Moods", a collection of favourites and rarities with the Royal Philharmonic Orchestra under James Judd.

韦伯其它深得好评的唱片还有：1997年发行的和马里纳爵士指挥的圣马丁室内乐团合作录制的沃尔顿的协奏曲、布里顿的《大提琴交响曲》，（爱德华·格林菲尔德在《留声机》杂志上称赞其中的布里顿被演奏得无与伦比）；1998年和钢琴家本格特·福斯伯格合作录制的格里格和戴留斯的大提琴和钢琴全部作品；以及和詹姆斯·加德指挥的皇家爱乐乐团录制的唱片《大提琴情调》，其中收录了人们最喜爱的和一些生僻的作品。

The campuses have specific academic focuses: City West and Magill focus on architecture, the arts, humanities and social sciences; City East specialises in health, biomedical, pharmaceutical and nursing programmes; Mawson Lakes teaches technical and scientific disciplines; and Whyalla has programmes reflecting the needs of rural and regional society.

在校园有具体的学术重点是：城市西部和麦吉尔集中在建筑，艺术，人文和社会科学；市东卫生，生物医学，制药和专门护理方案；莫森湖教技术和科学学科，和外阿拉港的方案反映了需要的农村和区域的社会。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

In this paper, searching technology of product information based on knowledge was researched. On the aspect of cognition, we researched the relation between user\'s cognition and designer\'s cognition, explored the knowledge flow in the process of product development, set up a matching model between user\'s knowledge and designer\'s knowledge, brought forward a modeling method based on users\' cognition, and set up a measurable model of product feature; coded and decoded product form element, set up a computer aided product form design system and image evaluating system based on the result of measurement. Accordingly, the product style and product image were systematically discussed, the recognition space of product style and image was constructed, the factors that affect product style and image were put forwards and analyzed, and the relation between product image and form elements was tested by experiments. Furthermore, the product automatic recognition technologies were discussed.And then, with the media of concept model and the kernel of parameter technology, a mathematic model that describing product layout design by constraints and rules was presented. Furthermore, a product design integration system based on imagery thinking including product fonii base system based on imagery thinking, product form design system based on imagery thinking and product form intelligent design system based on space layout were set up, which tested the system and provided a new way for product innovative design.

本文以产品特征描述目标对象——产品，研究一种基于知识的产品信息检索技术，在对产品的认知方面，研究了用户认知和设计师认知之间的关系，研究了产品开发过程中的知识流传递过程，建立了用户知识和设计知识之间的匹配模型，提出了一种基于用户知识的产品建模方法，它不但提取了产品的特征，还建立了产品特征量化模型，从而实现了产品知识的量化描述；对产品造型元素进行分解和编码，利用实验量化结果构造计算机辅助产品形状设计系统和心象评价系统；使用量表分析造型元素的心象尺度，构造输入、输出系统，建立了产品设计知识库咨询系统，可以方便用户和设计师来导入或查询产品设计方案；实现了对产品造型心象的分类知识库系统，便于设计师存储或查询，辅助设计师进行产品创新设计；通过实验量化了产品造型参数和产品心象参数之间的关系，并在此基础上建立了基于心象的产品形状设计系统，为产品空间布局方案智能生成系统奠定基础；在基于知识库的基础上建立了产品空间布局方案智能生成系统，通过更改概念产品造型参数，实现了产品设计方案的智能生成，使系列化的设计工作变得十分方便；将产品的心象运用到实际设计过程中，能够引导流行趋势，创造出产品无形的设计价值。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。