剧场

To the Oxford edition is written by a theater historian, and has the advantage of recording what has been done in some theatrical productions (see p.14 for a much younger ravishing--and in danger of being ravished--Vanessa Redgrave, playing our heroine Imogen).

牛津版本的导读为剧场历史学者所写，优点是纪录某些剧场的作品（在第14页可以看到一个比较年轻迷人、令人销魂的凡妮莎。

Fans can catch Hootie and the Blowfish At North Fork Theatre this November 11th at the North Fork Theatre in Rockaway, New York.

球迷可以捕捉hootie和daemon这11月11日在北剧场叉子叉在北剧场罗卡威，纽约。

As the theater developed, a skene structure of columns with three en.trance ways was added behind the acting and dancing space.

此后随着剧场的发展，在表演舞蹈区竖起了布景用的大柱子，同时为剧场提供三个进口。

Though the terms of hallucination and theatricality in theatrical performance system occurred comparatively late,they are very important in history in that all the efforts and disputes related to.

作为戏剧演出系统中的重要术语，幻觉性与剧场性出现得较晚，然而历史上关于戏剧演出的一切努力与争斗可以说都是围绕着幻觉性与剧场性而展开的。

Theatrical performance is practically the history of the understanding about hallucination and theatricality as the history of their ebb and flow.

一部戏剧演出史，几乎就是人们对幻觉性与剧场性的认识史，是幻觉性与剧场性相互斗争、相互消长的历史。

The relationships between hallucination and theatricality have undergone two main stages: the stage of pursuing hallucination and the stage of pursuing active theatrica...

戏剧演出中的幻觉性与剧场性的关系史主要经历了两个阶段：幻觉性的追求阶段与积极性剧场性的自觉追求阶段。

In "theatre", a virtual space, there is a conflict between the logical of surrealistic and the awareness of the author: to contract with his awareness, the original piece of the "caves" became bizarre, and he has shown this quality ceaselessly in his "theaters", making the original uncanniness.

在"剧场"这样一个原本充满虚拟性的空间里面，超现实主义的顺理成章与作者的清醒状态形成了一种微妙冲突：张业兴的清醒使原本平静的"洞穴"变得怪异，他在他所描画的"剧场"中不停地展现这种怪异，使原本的"真实影像"具有了滑稽的成分。

However companies like the Natural Theatre Company have staged many successful interventions in public places all over the world and the spectacle of artists like Neighbourhood Watch Stilts International, the Whalley Range Allstars Emergency Exit Arts and IOU Theatre have attracted followings internationally.

然而公司喜欢，天然的剧场公司已经在全世界的公共场所中举行许多成功的干涉和像附近手表高跷一样的艺术家的值得看的东西国际的， Whalley 范围 Allstars 紧急出口艺术和 IOU 剧场已经国际性地吸引下列各项。

Later by chance he was exposed to the more alternative world of music including John Zorn, Tom Waits as well as the disbanded local group The Box, that opened up his ear to a greater music language. For the last 10 years he had been more inclined in exploring sound for media such as theatres and video art until early 2003, with the help of a friend, he released his first solo CD "Stuck in Traffic" and since then he became more focused on making songs and music that he could "play on stage".

在1993 年，曾创作及演出首个个人音乐会"热壼仔音乐故事"，作为当年艺穗节节目之一；于95年，曾与本地作家小西及朗天合作，创作"给阿米巴节信"——一个结合舞台，音乐及动作之剧场；在97年，曾与另一本地音乐人潘德恕合作，举行多媒体音乐舞蹈剧场"极乐世界一九九七"，并邀请日本编舞者松岛诚进行创作，曾亦於此演出中同时以乐手及演员身份出现，於年末，其音乐部份亦以 CD 形式公开发行。98年初曾再度参与艺穗节，并进行其第二个个人音乐创作剧"卵石屋之歌"，并请来本地录影人卢燕珊负责视像及服装设计；由'00年至'02年间，曾亦3度被澳门石头公社邀请，参与当地之街头文化活动。

Woo joined Zuni Icoashedron in 1988, and has produced and directed more than 50 theater works. His multi-media architecture music theater series is the very first in Hong Kong, series titles include: Corbu(2005), Looking for Mies(2002), and The Life and Times of Louis I.

编导作品超过五十多出，首创「多媒体建筑音乐剧场」，透过剧场建构建筑空间和时间的情感经验，此系列的作品包括《 CORBU 》（2005）、《 Looking For Mies 》（2002）、《 The Life and Times of Louis I。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。