创作作品

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness. Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex. Because of the southern Americans special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life.

第二章从福克纳创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所。

I will start from Koan drama, the history of law shows, and describe its present conditions of development in short, and divide law shows into such three types as police TV, anti-corruption TV, and law court TV for expedite argumentation, find its problem. Then I will point out playwright had better possess social responsibility because of popular communication characteristic, fully considering the responsibility in social influence and commercial factors, playwright of law and police shows will finish a good works of art that merges common sense, artistic quality and legal principle into an organic whole. By doing so, more and more law and police shows which can be succeeded in both economic profits and effect upon society.

我将先从法制题材电视剧的历史渊源——公案戏说起，然后会简要描述法制题材电视剧发展的状况，为了便于论述，我将法制题材电视剧分解为公安剧、反腐剧、和法庭剧三种类型；并指出其存在的问题，之后再从电视的传播特性探讨法制题材电视剧编剧的社会责任，以及因此法制题材电视剧编剧在创作时最好能在充分考虑到电视剧作品的文化商品属性的基础上，做到作品情理、艺理、法理的有机结合，从而创作出经济效益和社会效益取得双赢结果的法制题材电视剧作品来。

Being an exploration tentation, this national China opera was displayed by the represention means same as that of western opera.

歌剧《伤逝》创作于20世纪80年代初，是用西洋歌剧创作手法创作的中国民族歌剧的代表作品之一，是一部具有探索意义的实验性作品。

The proposal of"womanism"represents the maturation of her black female consciousness, which is embodied both in the ideology and in the art of her writings.

这种意识一方面体现在作品的创作思想中，另一方面体现在作品的创作艺术中，沃克文学创作的特征就在于她致力于表达的黑人女性意识和与此相关的文学表达方式。

It is divided into three parts to discuss: In chapterⅠIt discusses the Yang Yazhou's film and teleplay creation of civilians orientation from the perspective of choose topics, all the film and teleplay of Yang Yazhou have chosen the pipsqueak for the main represent targets, focused on the demonstrating the state of survival and psychological changes of these figures in a Time of Change when the living conditions of China changed. Obviously, it accords with popular culture for publicity awareness of the requirements of the civilian population, and the current aesthetic habits of the civilians, at the same time, the consciousness of the topic choice made a tacit understanding with the reactive tendencies of reality of the world, and Chinese film movies, television dramas, and it is an excellent creative concept of inheritance and development in the Yang yazhou film and teleplay works. Stories often start around the family, family members and the major social relation of family members are described in detail. And the vicissitudes of life are similar to Motif of many folktales.

论文分为三章加以论述：第一章从题材选择的角度探讨了杨亚洲影视剧创作的平民化取向，杨亚洲的所有影视剧作品都选择了小人物为其表现对象，着力于展现这些人物在变革时代的中国当生活境遇发生改变时的生存状态和心理变化，这显然符合大众文化对于宣扬平民意识的要求，符合当下老百姓普遍的审美习惯；同时，这一题材选择上的自觉性也与世界电影史和中国电影、电视剧发展史中的现实主义创作倾向形成了难得的默契，是对一种优秀创作理念的继承和发展；在杨亚洲的影视剧作品中，故事往往围绕家庭展开，对家庭成员和家庭成员的主要社会关系进行了细致地刻画，并且他们之间的悲欢离合与我国民间故事中的诸多母题颇为相似。

The eco-feminism redefines and illustrates the literary creation which possesses the quality of eco-feminism through literary creation, thus widens the perspective of literary criticism and the confines of women's literary creation, and rescans and criticizes the whole human culture on this basis.Since the 1990s, there have been considerable works with some obvious features of the eco-feminism in the female literature of Guangxi.

生态女性主义通过文学批评对具有生态女性主义特质的文学创作进行重新理解与阐释、拓宽文学批评的视野、扩展女性文学创作的边界，并将在此基础上对整个人类文化进行重新审视和批判。20世纪90年代以来，广西女性文学已经出现了一批具有明显的生态女性主义色彩的作品，这些作品都在一定程度上印证了生态女性主义所倡导的文学创作思想。

This paper attempts to excavate comprehensively the musical works of Shostakovich and the concept of this master's comp...

本文试通过研究肖斯塔科维奇的创作历程、创作思想背景、风格特征及对其钢琴作品包括《第二钢琴奏鸣曲》曲式、和声、技法等方面详尽、透彻的分析，从而能进一步全面地挖掘和了解肖斯塔科维奇的作品，掌握其创作理念。

The first chapter is a brief introduction of Poulenc's life and works , including the character of the composer, large vocal works, instrumental works and art song. The second chapter is an overall analysis of Poulenc's art songs. It is summed up in five areas around the second chapter of detailed introduction and analysis as well as serious d...更多iscussion. They are about the creative conception of the composer, art song and human voice, art song and poetry, art song and piano. And the last one of the five areas is the total conclusion.

第一章普朗克的生平与创作概况：通过对作曲家生平性格、大型声乐作品、器乐作品、艺术歌曲四个方面对普朗克所涉及的音乐创作领域进行了概述；第二章普朗克艺术歌曲的总体分析：通过作曲家自己的创作观、作曲家艺术歌曲与人声、作曲家艺术歌曲与诗歌、作曲家艺术歌曲与钢琴和对作曲家艺术歌曲的总结共五个方面围绕第二章节进行了详细介绍、仔细分析、认真论述。

The first chapter is a brief introduction of Poulenc's life and works , including the character of the composer, large vocal works, instrumental works and art song. The second chapter is an overall analysis of Poulenc's art songs. It is summed up in five areas around the second chapter of detailed introduction and analysis as well as serious discussion. They are about the creative conception of the composer, art song and human voice, art song and poetry, art song and piano. And the last one of the five areas is the total conclusion. The third chapter is about the case study of Poulenc's classics and the suggestions for singing.

第一章普朗克的生平与创作概况：通过对作曲家生平性格、大型声乐作品、器乐作品、艺术歌曲四个方面对普朗克所涉及的音乐创作领域进行了概述；第二章普朗克艺术歌曲的总体分析：通过作曲家自己的创作观、作曲家艺术歌曲与人声、作曲家艺术歌曲与诗歌、作曲家艺术歌曲与钢琴和对作曲家艺术歌曲的总结共五个方面围绕第二章节进行了详细介绍、仔细分析、认真论述。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。