创作作品

There are three features can be summed up from it: Firstly, all of the three chapters follow the tradition style. Secondly, the topic of each piece originates from the abundant folk music collection. Thirdly, concertina, the classic folk musical instrument, is used in the works.

作品在材料使用上具有一定的层次性与逻辑性，结构布局和创作细节上都比较详尽的体现出作曲家传统创作的特点：1、作品的三个乐章都具有传统结构的特征；2、每个音乐主题的创作，都呈现出俄罗斯丰富的传统民间音乐素材；3、作品的创作手法赋予了巴扬手风琴这一俄罗斯传统民间乐器发挥和表现的空间。

This article chooses the most prevailing authors as object from France, Britain, Germany, and Russia, including Jean-Jacques Rousseau, the Sentimentalism in Britain, William Wordsworth, Thomas Hardy,"The Yellow Book" Writers＆Ernest Dowson, Johann Wolfgang von Goethe, the Romanticism in Germany, Theodor Storm, Rudolph lindau, Ivan Sergeyevich Turgenev. In order to expound content arising and influence from European literature, this article demonstrates Yu Da-fu's preference to them, the factual relationship between Yu Da-fu and their productions, the choosing and accepting for their creativity style, the representation of sentiment in his creativity, and the guidance to his aesthetics and creativity from European authors and creations……Meanwhile, it is indicated that Yu Da-fu's sentiment is not simply duplication of European literature, but had its unique characters.

对郁达夫创作的感伤风格构成影响的欧洲作家有很多，本文着重选取最为明显的四国——法国、英国、德国与俄国的一些代表性作家作为论述对象，包括卢梭、英国感伤主义、华兹华斯、哈代、"黄面志"作家群及道森、歌德、德国浪漫派、施笃姆、林道、屠格涅夫，论证了郁达夫对他们的偏爱，郁达夫与他们的作品之间发生的事实联系，郁达夫对他们的创作风格的选择和接受，郁达夫的感伤风格在创作中的表现，欧洲作家作品如何指引郁达夫的审美与创作……由此得出本文的主要结论：郁达夫创作的感伤风格深受欧洲文学的影响。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

His artworks have won Yulon First Gold Prize, the Second Place in the 29th National Annual Technical Competition, Second Prize at the Love at Okinawa Woodcarving Competition, and Number one in the 2007 National Woodcraft Creativity Competition. His works are highly recognised. In July 208, he was invited to participate in the International Summer Creativity Inn organised by Hungary National Artists Foundation, Hungarian Department of Culture and Tatabanya City Culture Foundation. That visit has a profound impact on his artwork. The artwork he completed during the camp was immediately requested to become one of the collections in Tatabanya City Museum.

作品曾荣获裕隆木雕金质奖首奖、全国木雕创作比赛第二名、小琉球漂流木艺术创作比赛第二名、森雕诸罗2007年全国木雕艺术创作比赛第一名等殊荣，颇获各界肯定。2008年7月更受邀参加由匈牙利国家艺术家基金会和匈牙利文化部赞助，以及塔塔班牙市文化基金会行政支持的塔塔班牙市夏季国际创作营，这一次的出访对他的创作有更进一步的影响，在创作营完成的作品立即获得「塔塔班牙市立美术馆」的收藏。

William Schimmel is good at using "Musical Reality" carrying out the work conception and creating practice,"Music reality " is one philosophy theory but does not create a technical skill. It requires that the composer gains new creation inspiration behind the external implication taking work seriously more much,but really not that the inherent implication basis in some volume work goes up carrying out treating and adapts. Therefore, guided by "real music" thought theory work all is new work, but be not arrangement. This work the main body of a book is analysed , the work it is a volume to have real thought of music.

威廉·史迈尔善用&音乐现实&的思想进行作品的构思与创作实践，&音乐现实&是一门哲学理论而并非创作技法，它要求作曲家在更多的重视作品的外在涵义之后获得新的创作灵感，并不是在某一部作品的内在涵义基础上去进行加工与改编，因此，在&音乐现实&思想理论指导下的作品都是新作，而非改编曲，本文分析的这部作品，就是一部具有音乐现实思想的作品。

This paper tries to grasp Chopin"s creation methods of his four works from macroscopic angle, and discuss his creation thoughts concretizing scherzo"s creation characteristic from microscopic angle, and last hold the profound contents of these works from performance, based on the analysis of the following aspects: expanding of scherzo by Chopin, works creation and performance.

本文从肖邦对谐谑益的拓展、作品的创作和演奏三方面，尝试先从宏观角度去把握肖邦这四首作品的创作思路，继而从微观角度具体到谐谑曲的创作特征来展开论述肖邦创作思维，最后从演奏实践去进一步把握这些作品的深刻内涵。

Chapter three analyzes one of his works—Good-bye Kinmen, whereas chapter four gives analysis on his other work Sunset red tile house.

本文章节安排分别为：第一章为绪论，叙述本文的研究动机、目的与方法；第二章为作者介绍，透过本章了解陈启淦在儿童文学创作上的想法与活动历程，并透过整理，了解陈启淦累计至目前的创作成就；第三章为《再见金门》作品分析、第四章为《日落红瓦厝》作品分析、第五章为短篇小说作品分析，各章分别就「题材选取与情节铺陈」、「主题探析」与「人物刻画」等各种面向，为作者的少年小说作品进行深入剖析，并透过第六章依据创作形式与内容两部份，分别整理、归纳陈启淦少年小说的创作特色，并提出笔者的个人评价；第七章则为本文结论，并提出笔者的意见，做为后进研究者的研究参考。

The piano...更多 divertimento "Xiangtu Jieling Shi (poems of rural seasonal phenomena)" was one of the most important representatives of his later musical creations. This thesis has come up with ths stylistic features embodied by combining the Chinese national styles with Western composing techniques. At the same time, by comparing with Jiang Wenye's former homogeneous works "Five pieces of sketch", this thesis has drawn the conclusion that Chinese style was rooted more deeply in his later works as well as that the "Xiangtu Jieling Shi(poems of rural seasonal phenomena)" has historically and realistically played an important role in his entire musical creation

钢琴套曲《乡土节令诗》是江文也后期音乐创作的重要代表作之一，本文通过对钢琴套曲《乡土节令诗》的创作技法的分析，总结出这部作品在中国民族风格与西方作曲技法结合时体现出来的风格手法的特点；同时通过对这部作品与江文也前期的同类作品《五首素描》等的比较研究，总结出江文也在创作后期作品的中国化风格的深入的特点，同时也充分说明了《乡土节令诗》在江文也音乐创作中的历史意义和现实价值。

This article illustrates the art characteristic of Fu Gengchen, researching on his music works in his creating career, through carrying on the systemic, concrete discussion to the music creation and representative works of various types.

本文以傅庚辰创作的音乐作品为研究对象，从探究其创作历程出发，对各种体裁的音乐创作及其代表性作品进行系统、具体的讨论后，又总结出傅庚辰音乐创作的艺术特征：从题材的广度看，抒写军队和人民的社会生活，使作品中蕴涵了革命军人的&大我&精神，同时，他以这种精神表达一种对党和军队、人民的&大爱&；从风格上看：豪情、激情随处可见，大志、壮志贯穿始终，形象、意象生动鲜明。

This article illustrates the art characteristic of Fu Gengchen, researching on his music works in his creating career, through carrying on the systemic, concrete discussion to the music creation and representative works of various types. For example,in view of the extent of the subject matter , he described the army and social life of people , endowing works containing " Self " spirit of the revolutionary armyman. Meanwhile, he expressed a kind of " Great love " on the party , army and people with this kind of spirit . In view of the style: Lofty sentiments and passion are seen everywhere, high aim and lofty ideal are carried throughout, and the visualization and imageination are vivid and distinct.

本文以傅庚辰创作的音乐作品为研究对象，从探究其创作历程出发，对各种体裁的音乐创作及其代表性作品进行系统、具体的讨论后，又总结出傅庚辰音乐创作的艺术特征：从题材的广度看，抒写军队和人民的社会生活，使作品中蕴涵了革命军人的&大我&精神，同时，他以这种精神表达一种对党和军队、人民的&大爱&；从风格上看：豪情、激情随处可见，大志、壮志贯穿始终，形象、意象生动鲜明。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。