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There are many research on Dvorak as the representative of national music, however, as a successful romantic composer was little. This article expatiated the successful reason of Dvorak from the aspect of music historiography and music sociology.

从文献搜集的情况来看,无论在我国还是在国外,关于德沃夏克作为民族乐派作曲家的研究非常多,但是关于德沃夏克为何能以浪漫主义作曲家的身份取得成功的研究却很少。

Mr wang is the famous educationist and composer who merely creates piano works in our country.

王建中先生是我国著名的作曲家、钢琴教育家,也是我国少数几个几乎只创作钢琴作品的作曲家之一。

George Gershwin is one of the most representative and the most distinguished composers.

乔治·格什温是美国最具代表性、最杰出的作曲家之一,是美国音乐界最突出、最具天分的作曲家之一。

Giuseppe Verdi (1831 - 1901), the Italian composer, reputes as one of the most important opera composers in the late 19~ century Europe.

伟大的意大利作曲家朱塞佩·威尔第(Giuseppe Verdi 1831—1901)是19世纪下半叶在欧洲的歌剧创作领域最重要的作曲家之一。

The United States composer Gershwin was well known far and wide, but he still traveled across the high seas to take Italian composer Giuseppe Verdi as his teacher.

美国作曲家盖什文闻名遐迩,可是他仍然远渡重洋,拜意大利作曲家威尔第为师。

Study,work is subjected to deeply edified by the clan folks music in much more interborough year in Inner Mongolia, being lucky followed behind some famous mavins in the meantime, listenning to their excellent work,.

作曲家辛沪光先生工作在内蒙古多年,深爱着这片土地,她的很多作品都具有鲜明的蒙古族风格,她也成为对后来蒙古族音乐创作者中较有影响的当代作曲家之一。

After playing Czech composer Antonin Dvorak's "New World Symphony", Philharmonic Conductor Lorin Maazel used humor to introduce a performance of George Gershwin's "An American in Paris."

纽约爱乐乐团音乐总监马泽尔在演奏了捷克作曲家德沃夏克的作品"新世界交响乐"之后,以幽默的口吻介绍美国作曲家格什温的作品"一个美国人在巴黎"。

Ohnson, a serious musician more experienced than most classical composers with jazz, blues, spirituals, and popular music, was particularly suited to expand Milhaud's and Gershwin's experiments. In 1927 he completed his first large-scale work, the blues- and jazz-inspired Yamekraw, which included borrowings from spirituals and Johnson's own popular songs.

,一个比到多数传统音乐作曲家在爵士,蓝调,灵歌和流行音乐上更有经验的严肃的作曲家,各加适合去扩张 M 和 G 的实验。1927年他完成了他第一个大规模的工作,受蓝调和爵士启发的 Yamekraw , Yamekraw 包含了灵歌和 J 自己拥有的流行歌曲。

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起,包括诗篇对唱式唱法的传统溯源;第二章讨论文艺复兴时期的威尼斯,包括政经情况,及艺术、玻璃工艺、马赛克艺术的简介;第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型,及盛期的主要作曲家,包括:威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利,及巴罗克早期的孟特威尔第…等复合唱作曲家的风格;第四章整合前三章的论述,由实际的复合唱作品,讨论「立体声」的音响效果、合唱团的编制、织度问题,以及诠释及指挥上会遇到的问题。

The studies of composition basically are the combination of two methods in terms of history. One is musicology, which is based on the analysis of the musical works. The other is history, which begins at the social environment in which the composer lived, and studies the impact of the social factors on the composer, further more, regards the impact as the basis of the analysis of the musical works.

历史上对音乐创作的研究基本上是两种方法的结合:一种是音乐学的方法,即以作品技术分析为中心的研究方法;一种是史学的方法,即从分析作曲家所处的社会环境入手,探讨各种社会因素对作曲家的影响,并以此作为对作品分析的基础。

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