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人物描写

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This paper discusses the eight ways in which artistic invention is made in biography,concerning the subject matter,the biographee s personality,the textual structure,the reasonable imagination and fiction,the description of details ,the mental activities,the design of dialogues,and the use of language skills.

本文从主题的确立、人物特点的把握、传记的布局谋篇、合理的想象和虚构、细节描写、心理活动描写、对话语言的设计、语言技巧的运用等八个方面全面论述了传记文学进行艺术加工的方法,认为传记文学在坚持真实性的前提下,是可以进行艺术加工的。

Among these halls, the "Buddha Hall" demonstrates the artist's attempt most directly. In the Orient, artworks regarding religious themes usually will be presented with perfection and heavenliness, but such characteristics are not seen in Liu Dahong's work at all. Instead, the artist has calculatedly created chaos by placing parallel elements in his painting. Images of the frequently waged crusades in the history of the West, the horrifying witchcraft and the rigid statues of westerners have changed the Tibetan Buddha hall into a theater of the absurd. In the center an innocent girl struggling to get away from the stake is the most dramatic spectacle, and the giant, puppet-like Buddha along the people standing or sitting around constitute the scene of trial. In the backdrop, the landscapes and atrocities of wars often seen in western religious paintings are a keen contradiction to the people piously praying in the front. Their belief looks so hopeless.

佛堂是最具代表性的一件,在东方,宗教或描述宗教的艺术作品多倾向完美性和超世性的描写,但这些描写,在刘大鸿的佛堂中被完全破除,取代的是(刘大鸿此处以「置入」、「并列」为取代手法,达到了文本的交叉混乱,实为妙笔)西方宗教中频繁出现的宗教战争、巫术等负面形象,这些雕塑般的西方人物将西藏佛堂变化成荒诞舞台,画面中央一纯洁少女转身挣脱火刑的动作构成最强烈的力度焦点,众角色环状排列并点出审判的基本架构,且和背后如同宠物般拉扯的大佛形成呼应;佛堂后景重迭起西方宗教画内常见的风景描绘,黄土石间宗教战火连连,前景藏人和民众的诚心歌颂反而显出信仰的愚昧。

Characters in the image-building,"Chunhyang" and a large number of literary works, the appearance of the characters, psychological, environmental description of people, is the plot of the novel and closely integrated with the development.

在人物形象塑造方面,《春香传》和许多民间文学作品一样,对人物外形、心理、人物环境的描写,是和小说情节的发展紧密结合在一起的。

The vivid pictures of a leading jurisconsult''s daily practice which abound in Latin literature —— the clients from the country flocking to his antechamber in the early morning, and the students standing round with their note-books to record the great lawyer''s replies —— are seldom or never identified at any given period with more than one or two conspicuous names.

在拉丁文学中,有大量的关于著名法学专家日常活动的生动描写——从全国各地蜂拥而来的当事人在清晨到达他的接待室,他的学生环立在周围,手里都拿着笔记簿,记录着这伟大法学家的回答——但这样描写的著名人物在任何既定时期内,很少或从来没有超过一个或二个人的。

Furthermore, this article redefinites the Chinese narrative definition, which lays the foundation for the narrative research of quatrain; Second, the author unfolds this theory from three aspects: first, based on the integrity of the plot, it divides quatrains into two parts: narration for integrated plot and incomplete plot.

第二,笔者又从三个方面展开论述:一是基于故事情节完整性,给绝句划分为叙述完整的故事情节和叙述故事片段两大的类别;二是基于绝句的叙事结构模式,给绝句划分为叙事与议论结合、叙事与描写结合、叙事与说明结合和通篇叙事四类;三是从标题、借梦、意境、意象、用典、咏物、人物语言、人物动作、人物心理九方面对绝句的叙事途径进行了细致的阐述。

In view of this point, Lu Ling's novels are of value, because strong intellectual complex is embedded in his novels describing either workers or peasants, in which the character's spiritual dynamics receives utmost concernViewing from the perspective of the intellectual quality-freedom, enlightenment and reflection, this dissertation seizes up the traits of intellectual character of Lu Ling's novels in 1940's, in an attempt to reproduce the sheen of his novels, and also to take a glimpse at the psychological journeys of the youth generation at that ageThose characters in Lu Ling's novels behave unbridledly all the way through their life journeyo They rebel against all the absurd things, declare war on tradition, family and newly rising authority, also anatomize themselves They resort nowhere Their life is closely linked to tramp It is right during the course of tramp and rebellion that they realize themselves, look for freedom and luminosity, and achieve real contact with people; they have enjoyed the unrestraint to their heart's content as well as experience torture from various forces in heartLu Ling's novels are affluent in connotation This dissertation only studies from the perspective of intellectual, the topics among which like: freedom, tradition, individual and collective are still worthwhile studying up to now.

从这一点出发,路翎的小说很有价值。他的小说不管是描写工人还是农民,都带有浓重的知识分子情结。他的关于知识分子的小说,更是极力关注人物的精神动态。本文从现代知识分子品质的角度——自由、启蒙与反思,打量路翎四十年代小说中的知识分子人物的特质,企图在这种论说中使路翎小说的光彩重现,也从中窥视那一代青年在那个时代的心路历程。他小说中的那些人物,在人生的道路上一路狂飙过去。他们反叛一切不合理的东西,对传统、家庭、新生的权威开战,也对自己身上旧的、暧昧的因子毫不留情。他们在哪里也停留不下,他们的人生和流浪紧密地联系在一起。在这个不断的流浪和叛离中,他们认识自己,追寻自由、光明,力求与人民的真正接触。也正是在这个背叛—寻找的过程中,他们享受了狂飙的酣畅淋漓,也体会到了内心各种力量撕裂的痛苦。路翎小说的内涵很丰富,本文只是抽取了知识分子这个角度进行研究。当中的一些命题:自由、传统、个人与集体在今天还是很有研究价值的。

He commiserated these people\'s place, and comprehended their heart, then he achieved realistic request.

红楼梦》的写实主义成就不是有意识的理论指导的结果,因此,当作者失去了对人物原型的依托,或者失去了对人物的同情,他就不能从人性的角度如实描写出典型人物,所以,《红楼梦》也存在着写实主义的不足。

Forst divides characters into two types: flat character, which is presented without much individualizing detail; and round character, which is complex in temperament and motivation and is represented with subtle particularity.

福斯特把人物划分为两类,扁平型人物和圆型人物。扁平型人物往往缺乏个人化的细节描写而圆型人物则在性格和行为动机上较为复杂。

Another Chinese influence is his portrayal of humas as secondary players, here, even in a city that is clearly a product of humanity's desires.

另一大看点就是受到中国文化影响之后的人物肖像描写。人物肖像描写即使在繁华的都市中也是一个清晰的人性渴望的产物。

The patients I write about are composite creations, actual patients sometimes serving as springboards for fictional portraits that may include auto-biographical takes on the poet and his own family.

我在诗中所描写的病人都是创造出来的复合型人物,有时候我也把真实的病人当作进行诗歌人物创作的出发点。这种虚构人物身上也往往存在诗人及其家人的影子。

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