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人物描写

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Author's aestheticism, Hemingway was managed a traceless writing skill under the rigid discipline, he meticulously described character's behavior in his book, such as prepared for sailing, how to set the bait, how to deal with fish after it fell in to the trap, and eventually how to kill the fish and bind it at shipside, and the plot of whole fighting with the shark was inseparably closed and traceless.

作者的唯美主义,海明威在严格的训练中练就了不落痕迹的写作手法,他在小说中细致的描写了人物行动,诸如出海前的准备,出海后如何下饵,鱼上钩后如何跟它周旋,最后如何把它杀死绑在船边以及和一条条鲨鱼搏斗的整个过程都写的丝丝入扣,不露修饰痕迹。

I sort the functions of letters into three categories and choose some letters as examples to analyze.

我将书信就其功能分成了三种类型,第一种是,用以描写人物的书信。

Lyricism to lyric means of literature are diverse: one is willing to speak one's mind's made, the hero is the author's own, works directly express the hero's thoughts and feelings, showing the hero's personality characteristics; One is the care of things for Yan Zhi, the work is not that the author's own hero, but the author's thoughts and feelings of the sustenance of the objects, including figures, there are things, as well as by the negative objects; one is made by the King of the lyric, that is landscape features poetry, on the surface, written by the author saw and heard was not the hero tone of voice to express thoughts and feelings, but in fact the author is described by the mountain scenery to send Italian lyric, its hero is actually author.

抒情文学借以抒情的手段是多种多样的:一种是直抒胸臆之作,主人公就是作者自己,作品直接抒发主人公的思想感情,显示主人公的性格特点;一种是托物言志之作,作品的主人公并不就是作者自己,而是作者的思想感情所寄托的对象,其中有人物、有事物,还有作者否定的对象;一种是借景抒情之作,即山水景物诗文,表面上看,所写作者所见所闻并不是作者以主人公口吻来抒发的思想感情,但实际上作者是借山林景色的描写来寄意抒情,其主人公实际上就是作者。

There are many symbolic uses in this work, so here we make a deep and specific analysis of the use of symbols in setting and character description etc. We find the use of symbolist writing can make the idea and concept visualized and concrete and help the readers to understand the internal social meaning and the profound realistic meaning better.

本文就象征主义手法在作品的情景描写、人物形象等方面的运用进行了深入的分析和探讨,发现象征主义的手法在作品中的运用可使观念和哲理形象化和感性化,使读者能更好地理解作品内在的现实意义和深刻的社会意义。

Mao Dun absorbs Taine"s views of character and individuality to develop the theory of figuring typical character, and presents the view of " literature of Man is literature of the real to explain the relation between literature and man, that is he maintains describing typical character in the unity of individuality and commonness.

茅盾吸取了丹纳的特征说和个性论,发展了塑造典型人物的理论,提出了"人的文学即真的文学"的论点来阐释文学和人的关系,主张在个性和共性统一中描写典型性格。

Born Francoise Quoirez into a wealthy family in 1935, she wrote under the name of a character created by Marcel Proust and burst onto the literary scene with Bonjour Tristesse in 1954, a tale of spoilt children of the bourgeoisie.

莎冈本名为夸瑞,出生於1935年6月21日法国西南部一个富裕家庭,1953年她以6周的时间写完第一部著作《日安忧郁》,1954年发表,莎冈为她当时所用的笔名,取自法国作家普鲁斯特作品《追忆逝水年华》书中人物的名字,这本书是关於一个中产阶级家庭中被宠溺的孩子的故事,把上流社会人士充满诱惑和无信仰的生活描写的入木三分。

In their description, the"infatuation""foolishness"is the symbol of truth and purity, which reflected that the idea of"plainness and purity is the beauty"in Daoism aesthetics has influenced the art of literature a lot at that time.

三、"苦——乐"、"丑——美"的美感转化论在明清文学中也得到了艺术化的体现,四、明清时的文学思潮和文学作品对"痴"的人物形象的描写及推崇,将"痴"人形象作为真实无伪、纯真不俗的象征,反映了道教美学中以素朴为美的思想对明清文学艺术的影响。

Regarded as a national treasure in Australia, Mr Winton is skilful at conveying not only the thrill of surfing, but also its terrors.

在澳大利亚,温顿是国宝级的人物。她不仅擅长描写冲浪的刺激惊险,而且还很擅长表现冲浪的恐怖。

The vocabulary in portrayal of characters with the same designative meaning may have the same or partly same associative meaning in different nations.

指称意义相同的人物肖像描写词汇在不同民族中有些可以引起相同或部分相同的联想,有些则仅在一个民族中引起丰富联想,而在另一个民族中不能引起联想,因而造成了汉英翻译中其联想意义的亏损,导致貌合神离,为了将这种文化上的亏损程度降低,在翻译中应采取变通手段进行补偿。

The musical sensibility is apparent in the recurrence of certain locations, sounds, and camera setups; in the lightning-quick shot of the collapse of a tent, effected by Norbu's accomplice in the first horse theft that we see; in a remarkable sequence devoted to Norbu's extended praying and prostrations, which hypnotically combines camera movements and superimpositions with a use of other human figures that ambiguously alters our sense of his isolation; in the slow drip of water from melting snow that Norbu catches in a jug to bring to his ailing child; in the intricately structured sequence showing the clan's westward migration, as fine a piece of epic poetry as some of the grander collective movements in Ford; and above all, in the depictions of the Buddhist ceremonies and rituals, which are themselves patterned like musical structures.

在再现某些地点、声音和摄影机设置时,音乐感是显而易见的。快如闪电地拍摄一个帐篷的倒塌,这是我们所见 Norbu 参与到第一次盗马时所弄倒的; Norbu 长时间的祈祷和不断俯卧拜倒成就了一个标志性的场景,用了其他几个人物形象恍如催眠式地将摄影机运动和叠印一起使用,就这样含糊地改变了我们对他孤立的感受;Norbu用水壶接住融化的雪缓慢滴落下来的水,这是要带回去给他生病的小孩;复杂结构的场景展现了宗族的西迁,总之,佛教庆典和仪式的描写,其本身形式就很像音乐结构。

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