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中国艺术风格

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Bank of China Tower - Hong Kong, a place to stay to the modern architecture of Shanghai has been selected, the China Jin Mao high-rise on the first not be considered, the Bank of China Tower - Tony秉铭masterpiece, artistic value, even in the gold Mao-on top, as everywhere in Hong Kong are no rarity of high-rise, it can be regarded as avant-garde style, unique, a symbol of Hong Kong.

8银行,中国大厦-香港,住宿地点的现代建筑的上海已被选中,在中国靳贸高层第一不能被视为,中国银行大楼-托尼秉铭杰作,艺术价值,即使是在黄金茂上方,因为各地在香港没有罕见的高增长,它可被视为前卫的风格,独特的,象征着香港。

It has the architectural features of distinctiveness, steadiness and continuousness, and is regarded as a reference frame carrying on the traditional Chinese culture.

该建筑形态早期呈现中西合璧式风格,并逐渐导致中国传统建筑艺术的复兴,具有建筑学上的特异性、稳定性和连续性特征,被视为弘扬中国传统文化的表象参照物。

Mainland experiences made Taiwan writers absorb more nutrition from May Fourth New Literature, what promoted the rising and development of Taiwan New Literature. Zhou Ding-shan agreed with the three main themes of modern Chinese literature and Lu Xun's style. Wang Bai-yuan finally selected the latter between "art" and "revolution", and this was the same foreordination of many modern Chinese literature writers.

大陆经验使台湾作家更多从五四新文学中吸取营养,促进了台湾新文学的兴起和发展,如周定山与中国现代文学三大主题和鲁迅风格有相当的契合;王白渊在"艺术"和"革命"之间最终选择了后者,而这是诸多中国现代文学作家的共同"宿命"。

Afterwards, the novel of Mandarin Duck and Butterfly School sent the movie a comprehensive contact, making an important influence to the development of the Chinese movie art. It not only promoted the formation of the narrative model of the popular literature, but also established the style of the cinema.

后来,鸳鸯蝴蝶派电影浪潮兴起,鸳鸯蝴蝶派小说与电影有了全面接触,对中国电影艺术发展产生了重要影响,不但促进了中国电影通俗文学叙事模式的形成而且确立了文学化的影像风格。

The thesis is written on the theme of the nationalized accordion creation characteristic of Li Yuqiu, taking several of his representative works as the point of tangency. The thesis also integrates its creating background, analysis and inducts the special creating methods of Li Yuqiu and his individual art philosophy view point expressed during his creation, and exposes the special contribution Li Yuqiu made to the constructing of the accordion music system of Chinese national characteristic. The thesis has the aim of guide the coming generations to make efforts for opening the expressing method of accordion national style and creating the accordion music with Chinese aesthetic ethos.

本文以李遇秋的民族化手风琴音乐创作特色为主线,以他具有代表性的几部作品为切入点,并结合其创作背景,分析归纳出李遇秋独特的创作手法及其在创作中表现出来的独具个性的艺术哲学观,揭示李遇秋为建立具有中国民族特色的手风琴音乐体系所做出的特殊贡献,旨在引导后人为开拓手风琴民族风格的表现手法,创建具有中国审美格调的手风琴音乐而努力奋斗。

The article is based on the consumptive culture and aesthetic theory. It studies the literature and art since the 1990s and analyses the literary aesthetic characteristics in the domain of consumptive culture.The aesthetic rationality of daily taste mode, lure randan style and style in patch-up...

论文以消费主义文化及其美学特征为学理依托,以中国90年代以来的文学艺术为研究对象,分析在消费主义文化语境中的文艺审美特征——日常审美方式,欲望狂欢风格,时尚拼贴文本的"美学合理性",及其人性诉求的弱化,文明价值底线的失守,艺术审美自律的缺失的"功能悖论"。

Mr. Li, born in 1982 in Chongqing, China, has been a precious antidote to the wildly popular, although crassly unidiomatic and unmusical Lang Lang, also a Deutsche Grammophon pianist.

李云迪1982年出生于中国重庆市,相对于同样签约在Deutsche Grammophon门下的另一位中国钢琴家郎朗那种取悦大众、但却极为平庸粗糙、毫无艺术感可言的风格,李云迪的演奏一直都在维系一块宝贵的净土。

Besides, he also added more or less something abstractive in his works. It is one masterpiece of Chinese earliest modern art works.

这是在中国现代艺术早期阶段明确具有西方艺术观念和风格形态的为数不多的一件典型性作品,价值不言而喻。

Www.baiaogu.hb.cn 也为您提供了英语的内容,希望对您有帮助:Wu Rujun, an artist in Japan, the current president of Japan's Beijing Opera, Chinese Opera Institute Visiting Professor, Institute of Jinan art special artistic advisor, is currently active in the arena once the only male actors, from performing to writing and swordsmen, has self-compiled, self-guided, self-acted in sensational,"Empress Wu" and "Royal Dongdu" and other opera drama, but he was still living in Japan more than ten years, successfully for hundreds of years has been in a position Jinghu accompaniment of musical instruments and the most fashion mastery of musical elements, original style, distinctive tones of a light music for the opera to the world towards young people, had rendered meritorious service.

吴汝俊,旅日艺术家,现任日本京剧院院长、中国戏曲学院客座教授、济南艺术创作研究院特邀艺术顾问,是目前活跃在舞台上的唯一男旦演员,从表演到创作,样样精通,曾自编、自导、自演过轰动一时的《武则天》及《贵妃东渡》等京剧大戏,而且他还在旅居日本的十余年中,成功将数百年来一直处于伴奏乐器地位的京胡和最时尚流行的音乐元素融会贯通,独创出风格鲜明的京胡轻音乐,为京剧走向世界、走向年轻人,立下汗马功劳。

This paper traces the migration of the Chinese garden pavilion to the West during the seventeenth and eighteenth centuries, as part of the European passion for "things Chinese" that came to be called Chinoiserie.

17—18世纪期间,由于欧洲人对&中国事物&的热情,中国的园亭作为中国风格的艺术建筑出现在了西方。

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