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中国艺术风格

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Extensive and profound Chinese cu lture breed and perfect but original Chinese aesthstic theory, the calligraphist has used these to accumulate , fully show their peculiar aesthetic consciousnes s in the artistic expression of the calligraphy, have formed the unique artistic style of calligraphies .

博大精深的中国文化孕育了完善而独到的中国美学理论,书法家运用了这些蕴含辩证思想的美学原理,在书法艺术表现中充分地展示出他们特有的审美意识,形成了书法独特的艺术风格。

Alastair Sooke, the art writer for The Daily , says the work reflects a trend of contemporary Chinese artists adopting Western styles and subjects.

阿尔斯泰苏克,《每日电讯报》的艺术编辑说,这幅油画反映出了当代中国艺术家适应西方艺术风格和主题的趋势。

Qiu's made-up term of "fissuring" is at the core of his art production, and can best be described as an artistic style that he has laboriously cultivated over the past 15 years, which is comprised of the painstaking process of tearing and ripping and repainting and relayering traditional Chinese Xuan paper into a final collage-like painting of multi-layered texture and expression.

仇所制定的术语&裂变&就占据着他的艺术2艺术的核心,最好把它描述为过去15年来所精心栽培的艺术风格,其中包括煞费苦心的撕开、划破、重缓及再分层工序,使传统中国宣纸最后成为拼贴画一般具有多层结构和表达方式的画作。

Rather newer is the cultural discovery by the West and by the richer parts of Asia of a certain "China chic": the lush, epic cinematography of Zhang Yimou; the hyper-hip nightlife of a reborn Shanghai; and the Western infatuation with modern Chinese art, whose prices now leave a cynical smile on many a painter's face.

西方和带有一定&中国风格&的亚洲富国又有了新的文化发现:张艺谋豪华、壮丽的电影艺术;复兴上海的繁华夜生活;令西方人着迷的现代中国艺术,其价格现在令许多画家的脸上挂着愤世嫉俗的微笑。

China art song pays great attention at the same time with our country's national language, the national makings and the national emotion expression agrees with, chinese poetry literature, chinese folk song tune sentiment fusion, on the other hand, foreign art songs from the performance of the approach, which has formed a chinese national and the characteristics of foreign-style in the form of rich and colorful.

中国艺术歌曲一方面注重与我国的民族语言、民族气质和民族情感表达相契合,将中国诗歌文学、中国民歌曲情融合,另一方面则借鉴外国艺术歌曲的表现手法,从而形成了具有中国民族特色和外国风格的丰富多彩的形式。

Putting Chinese dress style and Chinese arts under big cultural background,this paper points out that the dress style is consistent with paiting art in certain extent through two kinds of direct relationship between dress and arts,such as draping and Cao clothing out of water,elegant and Wu belt used as wind,the consistent is culture reflection in image.

将中国服饰风格与中国美术置于文化大背景下,通过悬垂与曹衣出水、飘逸与吴带当风两种服饰与美术最直接的联系,阐述服饰艺术与绘画艺术的某些一致性。而这种一致性正是文化的形象反映

Putting Chinese dress style and Chinese arts under big cultural background,this paper points out that the dress style is consistent with paiting art in certain extent through two kinds of direct relationship between dress and arts,such as draping and Cao clothing out of water,elegant and Wu belt used as wind,the consistent is culture reflection in image.

将中国服饰风格与中国美术置于文化大背景下,通过悬垂与曹衣出水、飘逸与吴带当风两种服饰与美术最直接的联系,阐述服饰艺术与绘画艺术的某些一致性。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a profound impact.

它以施用化妆土为基本特征,创造了丰富的装饰技法,即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花,又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种;尤其是铁锈花技法突破了五大官窑单色釉的局限,具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来,创造了新的综合艺术,开拓了古代陶瓷美学的新境界;为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩,别具一格,画师们以极其潇洒的手法和高妙的画技,将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器,保留了大量古代民间绘画、书法及反映民俗民风的实物资料,形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色,对国内乃至世界陶瓷产生了深远的影响。

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花,突破了五大官窑单色釉的局限,具有传统水墨画的艺术效果,把中国的传统绘画、书法技艺与陶瓷工艺结合起来,创造了新的综合艺术,开拓了古代陶瓷美学的新境界,并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩,别具一格,画师们采用极其潇洒的手法和高超精湛的画技,将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上,保留了大量古代民间绘画、书法及反映民俗民风的实物资料,形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色,对国内及世界陶瓷产生了深远而巨大的影响,成为声震古今、享誉中外的一代名窑。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a far-reaching implications.

它以施用化妆土为基本特征,创造了丰富的装饰技法,即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花,又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种;尤其是铁锈花技法突破了五大官窑单色釉的局限,具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来,创造了新的综合艺术,开拓了古代陶瓷美学的新境界;为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩,别具一格,画师们以极其潇洒的手法和高妙的画技,将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器,保留了大量古代民间绘画、书法及反映民俗民风的实物资料,形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色,对国内乃至世界陶瓷产生了深远而巨大的影响。

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