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不像真实的

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Cheri Cheri Lady Modern Talking Oh, I can't explain Every time it's the same Oh I feel that it's real Take my heart I've been lonely too long Oh, I can't be so strong Take the chance for romance, take my heart I need you so There's no time I'll ever go Cheri cheri lady Going through a motion Love is where you find it Listen to your heart Cheri cheri lady Living in devotion It's always like the first time Let me take a part Cheri cheri lady Like there's no tomorrow Take my heart - don't lose it Listen to your heart Cheri, cheri lady To know you is to love you If you call me baby I'll be always yours I get up - I get down All my world turns around Who is right ?

新奥尔良新奥尔良市长夫人现代谈噢,我不能解释每次它的同哦,我觉得它是真实的我的心我已经孤独太久哦,我可没有那么强烈借此机会浪漫,我的心我需要你这样有没有时间,我会去新奥尔良新奥尔良市长夫人经历议案爱情里,你会发现它听你的心新奥尔良新奥尔良市长夫人住在奉献它永远像是第一次举一个组成部分新奥尔良新奥尔良市长夫人像有没有明天我的心不失去它听你的心新奥尔良,新奥尔良市长夫人要知道,你是为了爱你如果你叫我宝宝,我将永远与你我起床,我坐下我所有世界翻脸谁对谁错?

This set of unplugged time, although the house like the two men into their world, but this is the music he most truly side, each musician is not necessarily bright luster present in front of you, perhaps re - This course of time the state, the audience unknowingly became the music of the burden, perhaps to herself, could not see so clearly is not absolutely not what we want, than generous to show the real side of it, there is no burden exists, in the milli - No binding of the state, are more likely to inspire boundless creativity, imagination in the music.

这集的不插电时间虽然像是两个宅男陷入他们的世界里,不过这就是音乐人他最真的那一面,每个音乐人不见得都是光彩亮丽的在你面前呈现,或许再这种久而久之的状态下,观众不知不觉成为了音乐人的包袱,或许到最后自己也看不清自己,这绝对不是大家所要的,不如大方的展现真实的一面吧,没有包袱存在,在毫无束缚的状态下,更可能激发出无限的创作、想像力在音乐上。

Maybe later, I would draw an image of an animal neither fish nor fowl. I have always respected my own true feelings in the process. I will not draw something without truly experiencing it.

可能下一步,我会画一个四不像的动物形象,在这个过程中我始终是尊重我自己的真实感受,没有真实体会过的东西我是不会画的。

I always hope that my camera and me will become simpler and not carry any sense of suffering. In this age, there are no longer any pedestalled icons. The so-called realism of photography becomes suspicious when contrasted with this unreal world. That means, no matter how pretentiously I view my own photography, in the end my pictures are just little fables, or parts of an inexperienced performance.

常希望我自己和我的照相机都更加纯真一些,不必承载什么苦难的意义,这个时代已经不再有高高在上的圣像了,所谓摄影的真实存在感在这个不真实的世界的反衬下,早就变得面目可疑了,所以,无论我怎么自负地自认为师出有名,我的照片最后也只能成为一个小小的寓言,或者说是一场草台班子的演出而已,仅止于此!

You are quite triumphant This very moment mood Real own because I very much treasureour meeting one another very very much, that has the certain fate, Ireally did not hope because of me the impulse idea, can cause oursentiment for a while to go bad Causes our friendship to change isnot good I really very much blame oneself, because own are the Chinese China'smatter manages again not not well also wants a type foreign countryold person to worry for me, I really very much do not have useful hereme only to be able with you to say again the sound sorry friend ofmine Hoped you can forgive my I since knew I have owed you to be very many always all do not have tobe able also to give you However this I have the difficulty to havein turn said with you, actually again I and you said previous two daysI had thought are very many, should I say with you, but when I makethe phone call for yours time I on regret But or said with you Againhere I hoped you do not blame me, I already very much to regret Triumphant I did not know I this action can let between us nearby thefriendship not be good Triumphant I knew the dissimilarity which weare the heart have cleverness but looked like you before to say,between us the communication really was very difficult to be verydifficult, but was in is difficult I also to hope which country nomatter you were at, perhaps worked I in there all to hope we couldhave the relation Between each other friendship is invariable, knewfinally is good..............

你很得意这一刻的心情真实的,因为我很treasureour会议的另一项极大,有一定的命运, ireally不希望因为我的冲动想法,可造成oursentiment了一会儿变坏,导致我们的友谊改变isnot好,我真的很责怪自己,因为自己是中国china'smatter管理又不是没有好,也想一类外商countryold人担心对我来说,我真的很没有有用hereme唯一能与你再次要说声对不起朋友ofmine希望你能原谅我,因为我知道我欠你太多,总是并非所有人都有创新型,也可以给你,但这次我有困难havein反过来说:与你,其实我和你说上两daysi还以为是很多,应该说,我与你,但当我出了电话,为你的时候我就后悔,但还是说你againhere希望你不怪我,我已经非常后悔胜利,我不知道我这一行动可以让我们之间附近thefriendship 没有好的胜利,我知道相异,我们正在进行的心脏有聪明的,但看上去像你以前说,我们之间的沟通真的是一件很困难的是verydifficult ,但在艰难的是,我也希望有哪个国家nomatter您的,或许工作,我在这里向所有希望我们couldhave的关系,彼此之间的友谊是不变的, knewfinally是好的。。。。。。。。。。。。。。

One suspects thegenuineness of the tear,the naturalness of the hu-mor;these ought to be true and manly in a man,as everything else in his life should be manly andtrue;and he loses his dignity by laughing or weep-ing out of place,or too often.

人们会怀疑这种眼泪的真假,这种幽默是否自然;一个人的眼泪和幽默都应该是真实的、诚恳的,就像他生活中的每一件事都应该是真实的、诚恳的一样;无论哭笑,如果不在其时或过于频繁,都会令人失去尊严。

In the end, underneath it all, real life was being reflected, a vision of which doesn't require its characters being frozen in amber after a fairy tale ending and allows life to go on, happily and unconventionally .

最后,在电影的最深层,真实的生活被反映出来。一个场景不需要角色们像童话故事结尾一样被冷冻在琥珀中,让生活快乐的,不落俗套的继续。

Are International human rights organization, such as "Amnesty International" and "Journalists without Border", only targeting China or are they just being used? Is there any possibility that we could engage a direct dialogue with them to improve relationships? Why has the famous German weekly, the mirror, been issued articles based on unscrutinizing research to smear the image of China? Does this have anything to do with the German government's policies towards China? How should China respond and adjust its foreign policy in turn? Why did some Korean netizens curse so viciously after China's Sichuan earth quake? We had been such big fans of Korean culture, but how do they treat us in return? Why do so many foreigners still believe that Chinese still wear robes and have queues? How to let more foreigners know what modern China really like? when some of our compatriots leave the country and behavior inappropriately, were these details responsible for our negative impressions by some foreigners or did they weight more on it? Look before you leap.

像&大赦国际&&记者无疆界&这样的国际人权组织是不是只针对中国,他们是不是被利用,我们有没有可能与他们直接对话传递信息改善关系;德国著名的《明镜》周刊为什么近段时间频发不基于严谨事实调查而有损于中国形象的封面文章,这和德国执政者的对华政策有何关系,中国在外交上如何应对和调整;韩国部分网民为什么对中国的四川大地震有如此狠毒的诅咒,我们曾如此&哈韩&,而韩国人对中国到底是怎样的态度;为什么还有那么多外国人认为中国人还是穿袍子留辫子的,怎样让更多的老外了解真实的当代中国;某些国人出国期间表现出不恰当的行为举止时,这些细节是不是也是某些外国人对中国负面印象的缘起或加重码……请三思而后行。

Our ambition is not to produce scenes as realistic as possible, but to visualize landscapes with symbolised objects, as on 2D maps.

我们的目标不是尽可能的作出像真实一样的效果,而是用符号对象看到地表,就像2D的地图一样。

It doesn't look like cut-out people on flat backgrounds - everything was absolutely realistic.

看起来不像人们在平面上的断电,看起来一切都是那么真实

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