查询词典 reality

The process of Lu Xun's literary creation is guided by a prodent mind accompanied by subjectivity. Since the reality lost its validity and substantiality in his view, it turned to be an absurd and grotesque world. So he rejected this reality with the very reality in which he lived. Lu Xun also employed various ironies in his works; so both in spiritual essence and creative practice, Lu Xun was an ironist.

鲁迅的创作过程是审慎的过程，创作主体意识时刻在场，因而其作品呈现出高度的创作者的主体性；鲁迅身处的现实在他眼中已经完全丧失了有效性、实体性，现实对他而言已成为一个荒谬怪诞的世界，鲁迅以他所身处的现实来反抗这个现实本身，因而他对现实的否定是彻底而绝对的，这正是反讽的人生态度；鲁迅在作品中大量地使用了各种反讽手法，所以无论从精神本质还是从创作实践来看，鲁迅都是一个反讽者。

If we think carefully, we understand that we often encounter such velocity in our everyday lives. The problem is that the logic of reality restricts our ability to feel it. In breaking through pre-existing relations of logic, Dante allows us to see that literary reality is sometimes more real than the reality of our lives.

仔细一想，这样的度也是我们经常在现实生活中可以感受到的，问题是现实的逻辑常常制止我们的感受能力，但丁打破了原有的逻辑关系后，让我们感到有时文学中的现实会比生活中的现实更加真实？

On the basis of Earth surface space using reference ellipsoid as height basis, map space using Gauss-Kruger projection plane as height basis, a viewpoint is proposed that map projection actually establishes corresponding relationship between the height bases of two different spaces above. From the viewpoint of projection and visible representation, the relationships among earth surface space, RS imagery space and map space are analyzed; the differences among different representations of earth surface space are identified theoretically; virtual reality is applied to the representation of land surface space, and a prototype of real 3D virtual reality system based on spatial information is developed. By means of digital simulation, virtual reality representation of land surface space in visual image space is realized.

在以参考椭球面为高程基准面表征地表空间、以高斯-克吕格地图平面为高程基准面表征地图空间的思想基础上，提出了地图投影实质上是建立两个空间的高程基准面之间关系的观点；从投影和可视表达的角度，分析了地表空间、遥感图像空间、地图空间之间的关系，从理论上区分了对地表空间的不同表达方式之间存在的差别；将虚拟现实技术应用于地表空间的表达，研制了空间信息三维虚拟现实系统原型，利用数字模拟技术在视像空间实现了对地表空间的真三维虚拟现实表达。

The main cause of his suicide was the severe conflict between his ideal and the reality; leaving from the reality, Ge Mai lived in a language Utopia, confused the reality and the dream, and the isolation, confusion, illusion and the self-closing was his spiritual state; there was a strong consciousness of death in his inner world which was irresistible to him and the "death" was the only way for him to get a new life.

理想与现实的剧烈冲突，是戈麦走向自杀的主要动力；与"现实"的疏离使他成为一个"厌世者"，他生活在语言的乌托邦之中，颠倒了现实与梦幻的关系，孤独、焦虑、幻想、封闭成为其精神状态；他的内心深处具有一种浓郁的死亡意识，死亡对他来说成了一种挡不住的诱惑，成为他获得"新生"的唯一途径。

In the future,network virtual community become more and more variously , more and more like reality.even better than reality for its excitiment and amusement.what realty have exist in fictity.what can not realise in realty is easy to do in fictity.you can marrige with your lover,you do business with your cooperation,you can speculation on stocks,you can make friends,you can do every thing you want unless some thing not allowed in law,which make the bound become more and more fuzzy betwen fictity and reality.people will mist easily between them for a long time.it is scareful to face such blurred phenomenon.so for those who have not enough ability to distinguish ,especiely youth and children,it is easy to lost themselves.

不久的将来网络虚拟社区会越来越全面。跟现实几乎一模一样，甚至比现实的东西还要全面刺激。现实中有的虚拟空间里都有，现实中无法实现的可以在社区里得到满足和实现。可以在虚拟社区里结婚生子，做生意，炒股票，交朋友等等。这样虚拟和现实的界限会越来越模糊，时间久了人们就会在两者之间迷离了，形成虚拟和现实的交错现象。有时候想想也挺可怕的。所以对于没有做够判断和分辨能力的人来说，特别是青少年和儿童，真的容易迷失自己。

The problem of the former is that China's contemporary art cannot achieve a real height in regard of cultural sense and spiritual expressions if it has not experienced the seedtime of modernism; while the latter's is that the interpretation of Vulgar Sociologism will overrun if the attention to the superficial reality is overemphasized-and that the so-called attention to the reality is nothing but the continuous reduplication of the symbols of reality.

前者的问题是，如果没有经历过现代主义的发展阶段，中国当代艺术不可能在文化意义、精神表达上具有真正的高度；后者的问题是，如果片面强调对表层现实的关注，则必然在庸俗社会学的阐释面前就范，而所谓的现实关注也无非是现实符号的不断复制而已。

Appearance in the simple sense of 'illusion', the false/distorted representation/image of reality ('things are not what they seem' platitudes)- although, of course, a further distinction needs to be introduced here between appearance qua mere subjective illusion (distorting the transcendentally constituted order of reality) and appearance qua the transcendentally constituted order of phenomenal reality itself, which is opposed to the Thing-in-itself

简单的&错觉&意义上的表象，即有关现实的虚假/被扭曲的表征/意象（如那个老生常谈：&事物并不是它们看上去的那个样子&）。当然还要进行深入的区分，即在下列两者之间进行区分：其一是作为纯粹主观错觉的表象（它扭曲了先验地构成的现实秩序），其二是作为先验构成的现象现实的秩序本身，它与物自体截然相对

The other side is the universal in the form of a tranquil essence; but it is for that very reason only something inner which, though not absolutely non-existent, still has no reality and can itself become a reality only by getting rid of the individuality which has arrogated reality to itself.

前一方面的普遍秩序，乃是一种静止的本质，但唯其如此，它是一种内在的东西；它并非什么都不是，但毕竟不是现实性；而且它只有扬弃了曾经自称为现实性的那个个体性，自己才能变成现实的。

It pains the reality of the age accurately analyses and animadverts the reality of the age rationally, apperceive the had of future bravely, and transcends the reality and as the in age logically.

只有&真正的哲学&才能体现出哲学的价值，即它能够正确地解释时代现实、理性地分析和批判时代现实、勇敢地洞察时代的未来趋势而合乎逻辑地超越现实和创造新时代。

He subverts those various symbolic images he intentionally selects in order to verify the detached relationship between image and reality that image is not the one of reality, and reality is not the one in image.

一是他有意识地选择各类象征性图片对之进行颠覆，意在确证图像与现实的梳离关系，图像并非现实的图像，而现实也非图像中的现实。

This is not an ordinary box, which is used as a background picture of the dialog box, very pretty.

详细说明：这可不是一个一般的对话框，它是用图片作为背景的对话框，非常好看。

Conceal me what I am,and be my aid for such disguise as haply shall become the form of my intent.

遮掩我的身份，帮助我，我的面具将成为我的目的。