查询词典 opera buffa

In my thesis, it outlines the background and process of the story, the style and feature of Merimee and the the script which abridged and developed contents and characters. The second aims at the musical analysis of the opera "Carmen" by Bizet, mainly according to the order of the opera and attaching the important music scores. The third is the character analysis of Carmen, the heroine of the opera, and Escamillo, the toreador which has been enriched and magnified by the author of the script. And the focus is the analysis, understanding and figure of the toreador which I have performed. In the last part of the thesis, it tells the scene of the opera and the relationship with the figures of the roles in the opera. And it also compares a variety of famous singers who has performed the toreador and puts on some of my points of view.

文中概述了小说产生的历史背景及经过、梅里美的风格特色及脚本对原作情节上、人物设置上的增删及发展等；其次为对出诸比才天才手笔的歌剧《卡门》音乐的分析，基本上按幕顺序论述并附重要的谱例；第三个重点是对剧中女主人公卡门及由脚本作者丰富、放大了的斗牛士埃斯卡米欧的人物性格分析，而把重点放在作者学习过的斗牛士形象的剖析、理解和塑造上；最后简要地阐述了歌剧场景与人物形象塑造的关系，前者对后者所可能产生的帮助，并对不同歌唱家所演绎的斗牛士形象作了比较和评价，提出了自己的看法。

Charles Francois Gounod (1818—1893) is one of the great French opera composers in the nineteenth century. In his operas he insisted the tenet that thoughts of roles should be expressed by the music that was plain and truehearted. He created the kind of opera named"lyric opera", which broke through the"grand opera"in France in the period of 1830s and pointed out the direction of the French opera.

夏尔·弗朗索瓦·古诺(Charles Francois Gounod，1818——1893)是19世纪中、下叶法国的一位杰出的歌剧作曲家，在歌剧创作中他强调用朴实真挚的音乐语言来表达人物情感，他创作出一种被称之为"抒情歌剧"的歌剧类型，打破了自19世纪30年代以来形成的大歌剧浮华夸张风格的传统，为法国歌剧的发展指明了道路。

The dramatist and musical characters and the perfect combine between music and drama are the purports. The thesis is divided into three parts: the preface, four chapters and the conclusion. In the preface it is explained that what in this thesis is expounded and what kinds of study about the opera there are in Chinese and in the other area of the world. The first chapter is a summary about Gounod and his"Faust", which is the typical work in lyric operas. In the second chapter analysis on drama, the character and figures of the roles in the opera is made, and the characteristic of the plot ,the creation of opera and framework is put together. In the third chapter the music in the opera is studied, and the characteristics are put together on the base of particular analysis on typical passage of aria chorus ensemble. In the last chapter, perfect combine between drama and music is presented by study on Faust's character and psychology,and it is discussed that music implied the plot. And the conclusion is a whole comment of the opera and it's musical characteristics

更多论述。全文由引言、四个章节、结论等几个部分组成：引言是关于论文的选题、国内外研究现状的陈述，指明笔者选题的意义以及国内外学者对此课题的研究程度；第一章是对抒情歌剧作曲家古诺以及抒情歌剧的典范之作《浮士德》的一个总体上的概述；第二章从人物性格与戏剧情节、戏剧结构、戏剧创作等方面对歌剧《浮士德》进行分析，归纳其戏剧特点；第三章是对歌剧《浮士德》音乐特点的研究，通过对咏叹调类、重唱类、合唱类唱段中有代表性唱段的具体分析，总结其在音乐创作方面的主要特点；第四章从音乐刻画人物的性格与心理、音乐暗示戏剧情节的发展等方面，论述了歌剧《浮士德》在戏剧与音乐方面的完美结合；结论是对歌剧《浮士德》的整体论析。

Mozart opera in "the marriage of figaro", the broad resonance absorption of the italian opera, singing the german and austrian drama, opera and french hi english folk opera and many other factors, pay attention to the combination of recitativo and aria and layout, and hi put opera quartet as the main theater of conflict, and promote the development of the story, and reveal contradictions and conflicts.

莫扎特在创作歌剧《费加罗的婚礼》中，广泛吸收了意大利谐歌剧、德奥歌唱剧、法国喜歌剧和英国民谣歌剧等诸多因素，注重宣叙调与咏叹调的组合与布局，并把重唱作为喜歌剧中戏剧冲突的重头戏，推动剧情发展，揭示矛盾冲突。

Among the Italian opera composer, even though no Bellini Rossini, Verdi then Historiography of the high-status, but with his unique musical language with the concept of the opera maintains the Italian lyric opera tradition, the impact of the Italian opera Development, to defend him in the tradition of Italian opera, based on the establishment of a distinctive artistic personality characteristics.

在众多的意大利歌剧作曲家中，贝利尼尽管没有罗西尼、威尔第那么高的史学地位，但他以他特有的音乐语言与歌剧观念维护着意大利歌剧的抒情传统，影响着意大利歌剧的发展，在捍卫意大利歌剧传统的基础上，建立了自己个性鲜明的艺术特色。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

This paper mainly for the "Habanera" in Carmen's features and characters in the image of opera analysis, and to Bizet's opera "Carmen" in the selections,"Habanera Dance" as the starting point of the opera "Carmen" the composer's life and creative than just a brief introduction to the characteristics, but also the opera "Carmen" creative background to the analysis to a deeper understanding of "Carmen" this work.

本论文主要是针对《哈巴涅拉》的音乐特色及其歌剧中卡门的人物形象进行分析，并且以比才的歌剧《卡门》中的选曲《哈巴涅拉舞曲》为切入点，对歌剧《卡门》的作曲家比才的生平及其创作特点进行了简单的介绍，还对歌剧《卡门》的创作背景进行来了分析，从而更深层次的理解《卡门》这部作品。

Based on Mozart's opera genius, this paper used the methods of researching on "19 Mozart Piano Sonatas", as well as the three major Mozart opera scores:"The Marriage of Figaro","Don Juan" and "The Magic Flute" and DVDS. Through a comparative analysis between his opera and piano sonatas I can find a large number of elements of his opera, such as aria, recitativ, quartet, chorus, decorative colorature and strong conflicts of paragraphs from the summary Mozart's Piano Sonatas in a dramatic factor.

基于莫扎特的歌剧天才，本文立足于对《19首莫扎特钢琴奏鸣曲》的乐谱研究，以及对莫扎特三部重要歌剧：《费加罗的婚礼》、《唐璜》、《魔笛》的总谱及音响资料的剖析，对这种体裁进行比较分析，可以从他的钢琴奏鸣曲中找出大量具有歌剧咏叹调、宣叙调、重唱、合唱、花腔装饰以及强烈戏剧冲突性段落，从中总结出莫扎特钢琴奏鸣曲中所具有戏剧性的因素。

Stage play, opera and Longjiang opera are famous both at home and abroad for their particular charmings, The show of the Opera "Truilus and Cressida" put on in Harbin marked the first time of Shakespeare's play for opera performance in Asia.

话剧、歌剧和独具魅力的龙江剧饮誉中外，歌剧《特洛伊罗斯与克瑞西达》是亚洲首次把莎剧搬上歌剧舞台。

With their ingenious opera creation and prominent theoretical exploration, they enriched Chinese ancient opera creation and its theory, made ineffaceable contribution to the development of Chinese ancient opera, held a lofty position in the history of Chinese opera and possessed extremely important research value.

越中曲家以独具特色的戏曲创作和卓尔不凡的理论探索，丰富了中国古代戏曲创作和理论的宝库，为古代戏曲的发展作出了不可磨灭的贡献，在中国戏曲史上占据崇高的地位，具有极其重要的研究价值。

The French are not suggesting a new EU treaty, but they have plenty of other wheezes.

法国人并不是在建议签署一个新的欧盟条约，但他们有许多其他的阴谋。

This letter was written by my brother.

这封信是我弟弟写的。