查询词典 opera buffa

This essay selects the Queen's image in the Gloriana as the study object, through analysis of the libretto and opera music to strive to be comprehensive and detailed to show the drama queen of the arts to shape the characteristics of the image to explore the Britten's Musical-Dramatic techniques, and hope that further study for the academic writing Britten opera, especially in the opera characters to provide help to shape.

本文选取《格洛里阿纳》中的女王形象作为研究对象，通过对歌剧脚本和歌剧音乐的分析，力求全面、细致的展现剧中女王形象塑造的艺术特点，探究布里顿音乐戏剧手法，希望为学界进一步研究布里顿歌剧创作，特别是在歌剧人物形象塑造方面提供帮助。

This paper is focused on analyzing the histrionic of Opera Aida, as well as the application of music in the opera, which serves as a channel to explore the opinion of Verdi s opera.

威尔第灵活运用人声的各种演唱形式塑造人物形象并揭示矛盾冲突，对当代中国歌剧创作具有现实的借鉴意义。

The most important among them are: opera The Devils of Loudun (1968-69), Utrenya (1970), cantata Cosmogonia (written in 1970 for the United Nations), De Natura Sonoris No.2 (1971), Canticum Canticorum Salomonis (1973), Magnificat (1973), his second stage work Paradise Lost, Te Deum (1979/80), Requiem (1984), opera The Black Mask(1986), opera King Ubu (1991), Benedicamus Domino (1992), Seven Gates of Jerusalem (1996), Credo (1998) besides six symphonies, two violin concertos, two cello concertos and a viola concerto and many chamber music works.

从60年代以来，潘德列茨基创作了大量作品，其中最重要的有合唱与管弦乐作品《最后审判日》、《乌特伦亚》、《宇宙演化》、《所罗门之歌》、《圣母颂》、《感恩赞》、《波兰安魂曲》、《耶路撒冷的七座门》，歌剧《劳敦的魔鬼》、《失乐园》、《黑面具》、《乌布王》，管弦乐《声音的性质》以及六部交响曲、两部小提琴协奏曲、两部大提琴协奏曲、中提琴协奏曲和大量室内乐作品。

Regardless of its short-term popularity, operetta manifested a trend from serious opera to popular opera, and played a significant role in connecting traditional opera with musical.

它的流行时间虽然不长，但从整个歌剧的历史来看，轻歌剧却体现出歌剧艺术由严肃到通俗的发展趋势，起着连接传统歌剧和20世纪音乐剧的桥梁作用。

However, opera libretti (only one opera score, the Opera pastorale from 1701 survives ) enable the movements of the court to be reconstructed and we find performances in Casale, Venice and Genoa.

然而，歌剧利布雷蒂（只有一个戏分，从1701 歌剧院田园生存），使法院的流动，重组，我们发现在卡萨莱，威尼斯和热那亚演出。

Meanwhile, European opera is a highly developed mixture of music and drama, it shares the symbolism of music which differs from drama and provides the stage form of space and time of European opera a fresh feature of expressionism--another aspect of opera.

但歌剧作为音乐与戏剧的最高的综合形式，音乐本身的虚拟性特征使歌剧的时空表现有别于话剧而显现出一定的表现性风格。

During 50 years after coming into being in Chinese film, Traditional opera film living space is less , is in authigene state basically, system that the theory and aesthetics creating laws at the same time since Chinese motion picture technique , the artistic media restricting , traditional opera film creation do not form one package to traditional opera film study.

在中国电影诞生后的50年间，戏曲电影的生存空间较小，基本处于自生状态，同时由于中国电影技术、艺术手段的限制，戏曲电影创作没有形成一整套对于戏曲电影创作规律的理论和美学研究的体系。

After pointing out the connotations of the two theories, the author puts a stress on clarifying their gains and losses. The author thinks that,""Drama-Poetry Theory"" enlightened some playwrights' drama-creating, but it didn't intactly reveal the ousia of opera;"" Yue-Ousia Theory""explored the question of Opera origin , but it still didn't work out the ousia structure of Chinese traditional opera.

在阐明这两种学说各自的内涵之后，着重辨析了它们各自的得失，指出：&剧诗说&虽能在一定程度上指导戏曲创作实践，并启示了一种对于戏曲艺术的诗性领悟方式，但并未完整地揭示出戏曲艺术本体，也没有准确地把握到戏曲艺术精神；&乐本体说&虽然深入地探讨了戏曲本源问题，揭示了戏曲艺术的精神命脉和审美定性，但由于未能贯彻历史的、发展的、辩证的观点，仍未能准确完整地把握到戏曲的本体结构。

Gérard Mortier , the head of the Opéra National de Paris, who spoke on filmed opera at the recent annual meeting of Opera America, a trade organisation, is the most vocal of the cinemacast opponents.

巴黎国家歌剧院的主管Gérard Mortier在最近的歌剧美国协会（Opera America，一个商业组织）的年度会议上就歌剧电影化发表了意见，他是影院播映的最强反对者。

Gérard Mortier , the head of the Opéra National de Paris, who spoke on filmed opera at the recent annual meeting of Opera America,??

巴黎国家歌剧院的主管Gérard Mortier在最近的歌剧美国协会（Opera America，一个商业组织）的年度会议上就歌剧电影化发表了意见

Who? I never heard of him, Paul said, before asking teammate James Posey if he had heard of him.

赛后，科比说，他一直都是一名非常出色的射手，今天他打得很棒。

When I joined the company, I rotated around the different sections.

我加入这个公司时，轮换过几个不同的部门。