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narrating相关的网络例句

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与 narrating 相关的网络例句 [注:此内容来源于网络,仅供参考]

In the Plain ,Wu Manling ' s female consciousness is submerged in the political ideology,while San Ya and Kong Suzhen ' s female consciousness are hidden in class awareness. Wan Yi in Narrating keeps her female awareness in national consciousness,Yu Mi, In Yumi, has her sororal sense in the form of power awareness. In Qingyi, Xiu Yanqiu ' s female awareness appears in the sense of fatalism. Female conscousness in most of his novels seem to become a collective conscious.

平原》中吴曼玲的女性意识淹没于政治意识,三丫、孔素珍女性意识淹没于阶级意识,《叙事》中婉仪的女性意识淹没于民族意识,《玉米》中的玉米姐妹的女性意识淹没于权力意识,《青衣》中筱燕秋的女性意识淹没于宿命意识,其很多小说女性意识似乎成为一种集体无意识。

Namely, behavioral externalizition and measurable behaviral result with reference to the teaching aim narrating strategies clearly stated in Middle School Geographic texthook under the principle of "taking a simplified view in where it should be simplified, and taking an overelaborate view in where it should he overelaborated."

即以地理课程标准中的目标陈述为重要参考,行为动词外显化、行为结果可测化,同时结合三大目标陈述技术优势,采取灵活处理、&宜简则简,该繁则繁&的原则。

Its dialogue is always together with the figures' actions. Also, the off-screen voice narrating means that the ongoing dialogues are confrounted with the inner monlogue, which expressed a deep phycological mind as well as a deep culture meaning.

同时,其人物对白往往简洁精炼,具有方言味和口语化特色,与影像艺术所追求的台词效果极为接近;而且,作者也很好地移用了画外音的影视技巧,通过外在对话与人物内心独白的对峙、外在对话与他人旁白的对峙,传达出人物的深层心理,也揭示了人性以及文化的深度,一箭双雕,耐人寻味。

This article firstly describes the survival situation, discussing the concept of "what is the documentary","what is the columnized survival" and the relation between documentary and columnized survival. It narrates the development of documentary with columnized survival from three stages, analyzing the characteristic of current-trend on selected topic, plebification of narrating angle and the diversification of performance.

这篇论文首先描述了中国纪录片栏目化生存的整体状况,对&什么是纪录片&、&什么是栏目化生存&、&纪录片与栏目化生存的关系&这三个问题进行概念界定与理论探讨,并以&节目化生存&、&栏目化生存&以及&走向频道化&三个发展阶段叙述了纪录片栏目化生存的发展历程,分析概括出创作选题主流化、叙述视角平民化、表现手法多元化等生存特征。

Pushkin writes down (1821),"prisoner"(1822)"cause ocean ""dirk "(1824th) rank of sheet, long poet having written a group of "south poem ", including "Caucasian to capture "(1822),"robber brother "(1822),"tear spring that Bach Qiesala leans on"(1824),"puncture vine ridge "(1824) four sheets romantism narrating.

他追求自由的思想更明确,更强烈了。普希金写下《短剑》(1821)、《囚徒》(1822)《致大海》(1824)等名篇,还写了一组&南方诗篇&,包括《高加索的俘虏》(1822)、《强盗兄弟》(1822)、《巴赫切萨拉依的泪泉》(1824)、《茨冈》(1824)四篇浪漫主义叙事长诗。

Pushkin writes down (1821),"prisoner"(1822)"cause ocean ""dirk "(1824th) rank of sheet, long poet having written a group of "south poem ", including "Caucasian to capture "(1822),"robber brother "(1822),"tear spring that Bach Qiesala leans on"(1824),"puncture vine ridge "(1824) four sheets romantism narrating.

普希金写下《短剑》(1821)、《囚徒》(1822)《致大海》(1824)等名篇,还写了一组&南方诗篇&,包括《高加索的俘虏》(1822)、《强盗兄弟》(1822)、《巴赫切萨拉依的泪泉》(1824)、《茨冈》(1824)四篇浪漫主义叙事长诗。

The Tibetan nationality tradition folk literature andwriter literature have whose oneself narrating tradition, the Tibetan nationality society"story" word in tradition hits construction and Smriti being accomplishing self's socialideology right, and commends the charm appearing proper let nationality narrate.

藏族传统民间文学和作家文学有其自身的叙事传统,藏族社会在传统的&故事&言说中完成着自身的社会意识形态的建构与传承,并且彰显着民族叙事特有的魅力。

In the systematize methods, the dissertation deviates the methods of history that testing and narrating of data, particularly takes the audiovisual language as the entrance, displays the style of 1930's film stereoscopically, Thus, it also digs out some new training of thought for the analyzing on film's history.

在具体的研究方法上,本文力避传统的史料考证和记载的研究模式,多从影片的视听语言入手,将三十年代影片风格做一个&立体化&的呈现,也算是对电影史的研究探索一点新的思路。

In contents, they described the personal life and private experiences of females; while in form, they always adopted the narrating form of new-type memoir or new-type biography, with a free, loose and tousy struction.

从内容上讲,她们描写的是女性个人生活、私人体验;从形式来讲,她们的文本多采取新回忆录或新传记式叙述故事,结构自由、散漫、凌乱。

Therefore, there are seldom macro and sublime subjects in his creations; on the contrary, there are more about bagatelle and trivialness of life, like the picture here that seemed like a party of friends. Liu Xiaodong had taken a common scene as the narrating theme here.

所以,有时候我们不会在他的作品中看到脱离生活的宏大叙事,反倒都是一些不起眼的,或者说没想到能在艺术作品中出现的场景,甚至有时候就是在一种街头巷尾的闲逛视角中关注到的各个阶层平民百姓最百无聊赖的生活。

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生活于水中或湿地的蕨类;从新生代生存至今;有时归于石松目之中。

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