查询词典 ding

After ten years development, Blue Horizon Hotel Group has focused on the operation of restaurant and set up its unique corporate culture, core competitive advantages and a series of famous subsidiaries as Blue Horizon International, Blue Horizon,Zhong Ding Lou , Heavenly Water Luxury Resort and SPA etc.

十余年来，蓝海人心无旁骛专心于酒店餐饮的经营，建立了自己独特的企业文化、经营理念和核心竞争力，并打造了"蓝海国际"、"蓝海"、"钟鼎楼"、"水云轩"等一系列知名子品牌。

There is another scenario with Ding, he wouldnt be the first child star to implode.

丁俊晖另有难言之隐，他不应该成为第一个爆发的孩子

Be that the nose smells secondly , have unique fragrant smell, inadmissibility to miscellaneous taste having rotten fermentation; Our mouth tastes , general queen bee thick fluid products has just a little ding-dang to have acid, unsmooth, Xin , piquancy, and aftertaste summary are sweet , that entrance has that feeling , the product being able to not leave foreign substance, if being that quality is low fine and smooth is meeting remaining residue.

其次是来闻一下，有独特的芳香气味，不允许有腐败发酵的杂味；最后，当我们口尝，一般蜂王浆制品略带有酸、涩、辛、辣味，且回味略甜，入口有细腻之感，不会留下杂质，如果是品质低的产品则会余下残渣。

On mid and vast land, ding Lei believes to have the virgin land with incult Netease.

在中部广阔的土地上，丁磊相信有网易未开垦的处女地。

The advice comes from information written by Jenny Ding of Intermedia Technology Development Group in Britain. This anti-poverty group is now called Practical Action.

这些建议来自于由Jenny Dean所写的信息，她属于一个叫做Intermedia Technology Development Group 的英国组织。

"The Second China Paper Packaging Industry corrugated packaging and printing exhibition-cum-high-level strategic seminars, and the second session of the China Paper Packaging Industry Color Printing and Packaging Exhibition and high-level strategic seminars, and the second session of the China Paper Boutique Packaging Industry Printing and Packaging Fair "in 2009 October 15 to 17 successfully held in Ningbo, show reached an unprecedented scale in more than 15,000 square meters, including Bost, Germany, BHS, Hubei Jingshan, this chang, Xu Heng ironwork, Yiu Branch, Yu-pang, 10000 Alliance, Shengding, Tokyo, Dexter, victory Albert, German steel, Grand View, open up, good friends, music Huang, big pine, sea power, Qatar, Ding Long, Branch Shenglong North Korea and Chang, Kam Sheung Hing, Ji Xing, Eiffel, Shengyuan, etc. are more than 160 domestic and international famous brand supplier exhibitors, fully demonstrated, including pre-press plate-making systems, tile lines, water-based printing slotting machine, slitting machine , cross-cutting machine, rotary die cutting machine, platen die-cutting machine, folder gluer, laminating machine, UV coating machine, Laminator, UV inkjet equipment, carton color box proofing equipment, including a variety of corrugated boxes, color box printing and packaging equipment, has attracted more than 9,600 industry carton color box packaging and printing business professionals to visit the exhibition, access to the industry wide acclaim, becoming in 2009 the second half of the paper packaging industry, the annual communication, making friends, dealing a big gathering.

"第二届中国纸包装工业瓦楞纸箱包装印刷展览会暨高层战略研讨会、第二届中国纸包装工业（宁波彩盒印刷包装展览会暨高层战略研讨会、第二届中国纸包装工业印刷包装精品交易会"于2009年10月15日至17日在宁波成功举办，展会规模达到了空前的15000多平方米，包括博斯特、德国BHS、湖北京山、今昌、旭恒铁工、耀科、誉邦、万联、盛鼎、东京文洪、胜利伟业、德钢、宏景、开拓、佳友、音皇、大松、海力、卡达、鼎龙、科盛隆、朝昌、锦上兴、冀星、埃菲尔、盛源等国内外160多家国内外著名品牌供应商参展，充分展示了包括印前制版系统、瓦线、水性印刷开槽机、纵切机、横切机、圆压圆模切机、平压平模切机、糊盒机、覆膜机、UV 上光机、裱纸机、UV喷墨设备、纸箱彩盒打样设备等在内的各种瓦楞纸箱、彩盒印刷包装设备，吸引了业内9600多名纸箱彩盒包装印刷企业专业人士前去参观，获得业内人士的广泛好评，成为2009年下半年纸包装行业内一年一度的交流、交友、交易的大聚会。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

All John's kith and kin came to his wed ding.

约翰所有的亲戚朋友都来参加他的婚礼。

Recordings on Naxos include Korngold's Violin Concerto and Ding Shande's Long March Symphony.

此外拿索斯公司曾发行余隆指挥的科恩格尔德小提琴协奏曲和丁善德《长征交响曲》。

Clock stage is the city sign building of Huang of thin pieces of wood used for writing on in ancient China, 100 come for years it that is faithful and Qing Cheng's ding always is warning citizen of Huang of thin pieces of wood used for writing on in ancient China it seems that, do not want laches forever, deduced the pioneering spirit of this city romantically.

时钟台是札幌的市标建筑，100多年来它那忠实而又清澄的钟声似乎总是在提醒着札幌市民，永远不要懈怠，浪漫地演绎了这个城市的开拓精神。

For every one of my New Year resolutions, I have been a backslider for years.

说到我的新年决心，我每年都做

With empathy and focus on a feeling level, we can all relate to the common ground of mutuality of emotions.

有了同情心和感觉上一级的重点，我们都可以涉及到相互的情感共同点。