查询词典 dare to

According to Marx's argument,"300 percent of profits and capital to dare to commit any offence", is now operating a number of Shaolin Temple, with many adventures on the nature of such risk exists in the nature of the two level, the economic level , Its operating costs and profits of easily arouse suspicion and controversy, in the cultural level, the excessive commercial invasion is likely to smear the cultural treasures, the impact on a country's cultural image.

如果按照马克思的说法，"有300%的利润，资本就敢犯任何的罪行"，现在少林寺的一些经营行为，很多就带有冒险性质，这种冒险性质存在于两个层面上，在经济层面上，它的经营成本和利润比例容易引起怀疑和争议，在文化层面上，商业的过度侵袭有可能为文化瑰宝抹黑，影响到一个国家的文化形象。

Old crossover arrogate to oneself changes to also dare to take a risk, grow in high speed and in the network game market with intense competition, he always is being driven ceaselessly reach those who heading royal firm to change.

陈天桥擅变也敢于冒险，在高速增长且竞争激烈的网络游戏市场里，他总是不断地在推动及领导着盛大公司的变革。

I do not dare to face up to at present own, but what have I been such am defeated I to remind oneself come the university the goal am frequently the near year learn from me to achieve my goal?

我不敢正视眼前的自己，我是那么的失败我常常提醒自己来大学的目的是什么可是近一年的学习我达到我的目的了吗？

After the establishment of the new power, she didn't only dare to give advice to the emperor directly, but also protect and encourage virtuous officials to give advice directly, relying on her political talent and foresight insight, which made the emperor take proper advice in time; Her most outstanding political view was to be on guard of the the royal relatives on distaff side to grab the power, which laid a solid fondation for the period's prosperity and stability.

开创帝业后，她又凭着自己的政治才能和远见才识，不仅敢于犯颜直谏，而且保护和鼓励忠臣直谏，使贞观年间唐太宗能够从谏如流；她最突出的政治见解就是防范外戚专权，这就为"贞观"时期的繁荣与稳定奠定了坚实的基础。

Any who dare to compose or bring forth or produce another creed for the benefit of those who wish to turn from Hellenism or Judaism or some other heresy to the knowledge of the truth, if they are bishops or clerics they should be deprived of their respective charges and if they are laymen they are to be anathematised.

任何谁胆敢撰写或带来或产生另一种信仰的利益，这些谁想谈谈从希腊或犹太教或其他一些异端的了解真相，如果他们是主教或神职人员，他们应该被剥夺各自收费如果他们是外行，他们将被anathematised 。

Not on the 3rd, the race between the two Billboard death, which is still home to silence a book read :"DEPARTMENT, and the group from time to time on the crime when the death. dare to horse-race result, satisfied and would like to perish in road race."

不到三日，所丢的马栓在榜文的杆子上，旁边还放了一封信，上面写到："马丢失了以后跑到他的马群里，没有及时禀报，这种罪过应该判处死刑，我愿意拿一匹好马来赎罪，并且把丢失的马奉献在这里。"

With in boy's consultation, understood many times many university students rent a room when outside live together or the weekend live together, has the relations, the boy simply does not have the life jacket, but did not know that other contraceptive method, requests the girl to take the contraceptive randomly, does not dare to disclose, only then buys the medicine to the small health care shop and the underground clinic or makes the stream of people, this is to girl's irresponsibleness.

在多次与男孩的咨询中，了解很多大学生在外租房同居或周末同居，发生关系时，男孩根本没有安全套，但也不知道其他的避孕方法，要求女孩乱吃避孕药，不敢声张，只有到小保健店和地下诊所去买药或做人流，这是对女孩的不负责任。

I can feel his standpoints and courage to the contemporary culture. But he is unable to use pungent language to criticize the tradition. He uses persuasive dreamland and seemingly sober state to face to it. In another aspect he has cut his ink language off the relations to traditional landscape paintings. Let the audiences in front of his works realize and moved, let the mark shape, kinking, variation objects appear repeatedly in his pictures, so that he subverts all requests in art to traditional pictures. Based on the above, I dare to conclude Liuming is not a "Chinese landscape painting painter", although on the "www. yanzhoucn. com" he insists on calling oneself "the renowned Chinese painting painter".

我能感受到刘鸣对当代文化所持有的立场和勇气，但他又无法用一种辛辣的语言去批判传统，他婉转地用梦境、用似醒非醒的状态去面对；而在另外一个层面，他揭然斩断了传统山水画与其艺术的关系，让观众在其作品前省悟和木讷，让符号状、扭结、变异的物体，在其画面上反复出现，彻底地颠覆了传统画论中对山水画的所有要求；基于上述，我敢断定刘鸣绝不是一个中国山水画画家，尽管他在 yanzhoucn.com 网页上坚持称自己为&著名国画家&。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Ah, I am also a July 28 of 月经, you should be able to test the bar, most of them are good pregnant, my cycle is 28 days there have been relatively quasi-dare to August 24, when not to, I on the test, then there are two lines to the hospital on the 26th good for blood to confirm the pregnancy, then a few days I am also a breast nipple pain, especially when touched, as well as the past two days on my left breast around the nipple long a few small granules of the small point that seems to look at this line is like a reflection of early pregnancy

真巧啊，我也是7月28号的月经，你应该可以测了吧，多半是好孕了，我的周期是28天，比较准所以本来敢8月24号来的，当时没有来，我就测了一下，有两条线，26号到医院去抽血确认好孕了，那几天我也是乳房乳头很痛，特别是碰的时候，还有就是这两天我左边乳房乳头周围长了几个小的颗粒状的小点，看网上说的好像这个也是孕早期的反映样

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。