查询词典 contexts

Coding and non-coding sequences are expected to have very different patterns of sequence changes because of the following characteristics of coding sequences: biased codon composition, higher conservation, absence of stop codons and frameshifts, higher fraction of synonymous than nonsynonymous substitutions, higher frequency of substitutions corresponding to changes of chemically similar amino acids, higher proportion of mutable contexts.

我们可以预期可转录的序列及不可转录的序列会有相当不同的序列改变特徵，因为可转录的序列有以下特色：偏颇的密码子组成，较高的保存度，有终止密码子和移码的出现，相较於异义取代有较高比例的同义取代，较高的频率出现化学结构相似的胺基酸取代，较高比例的可变之前后序列。

This looser usage is the result of the imprecision that usually attaches to the use of the verb in most nontechnical contexts.

这一较宽泛的含义是非技术性文章使用这一动词的不精确性而带来的结果。

In recent years it has come to be used in nontechnical contexts with the more general sense of "to obtain access to, usually by technological means," as in You can access your cash at any of 300 automatic tellers throughout the area.

近几年它已被运用于非技术领域，从而有更广泛的意义&通常是通过科技手段来取得，&如你可以通过使用整个地区的300个自动取款机中任何一个取得现金。

Allomorphs : the same morpheme in different contexts may take different phonological or orthographical forms.

表示相同意义的词素在不同的环境中可有不同的变体，这叫做词素变体。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The paper chooses the second person to make a comparison and analyzes their pragmatistic meaning and transformation in different contexts.

本文选择&你&与&您&这一对同一&人称&领域的代词进行对比，解析其不同语境中的语用意义及其变异。

I hope to contribute towards debates about queer studies' relevance in cross-cultural contexts, and how we can best theorise identity politics and processual change in the age of globalization.

我希望本文对这样一些争论有益：即在跨文化背景下酷儿研究的实用性，以及我们怎样才能最好地在全球化时代建立关于身份政治和过程转变的理论。

Researchers directly observed two competitive contexts between differently sized male redback spiders in real time.

研究人员亲自实时观察了在两种竞争环境下的体积不等的雄性赤背蜘蛛（拉丁学名：Latrodectus hasselti）。

For audit opinions to be believ-able in specific contexts they must be logically explainable and retraceable and testable.

Clifford在1879年曾说：「任何人在任何地方对任何事的信任，如果是建立在证据不足的基础上，那他的信任就一定是错误的信任。

The article begins with the establishment of the ETUR and its disputation, argues the rationality of the use of explanation context here, then analyses the different explanations of the ETUR and educes three different explanation contexts, as epistemological, ontological and semasiological, considering the reference, meaning and its extended meaning in quantum mechanics as the elements of explanation context.

文章首先从能量-时间不确定关系的提出、关于其的争论等入手，论证了对其作解释语境考察的合理性，而后基于物理学家们所做出的不同种解释进行分析归纳，指出△E和△t的指称、△E·△t≥/2的意义及其意义在量子力学中的延伸作为解释语境的构成要素共同构成了对于ETUR的三种不同解释语境，即认识论的解释语境、本体论的解释语境、语义学的解释语境。

He tendered his resignation to the Prime Minister.

他向首相递了辞呈。不适合

International economy and trade,Nanking 210044

国际经济与贸易，南京 210044