错觉的

But all grown persons ineffably distrust one another. In courtship, I grant you, there is a passing aberration which often mimics tenderness, sometimes as the result of honest delusion, but more frequently as an ambuscade in the endless struggle between man and woman.

长大后的人们只好身不由己地怀疑彼此…在求爱的时候，我得承认，那短暂的不符常理的行为经常被误认为是温柔的体现，有时是真正出现了错觉导致的，但更多的时候，是源于男人和女人之间那场永无止境的伏击战。

Here, gentlemen, is our difficulty: When we plead our cause before the law-makers and savants of the republic, they can not take in the idea that men and women are alike; and so long as the mass rest in this delusion, the public mind will not be so much startled by the revelations made of the injustice and degradation of woman's position as by the fact that she should at length wake up to a sense of it....

先生，这就是我们困难之所在。当我们面对共和国的议员和学者，爲我们的事业辩护队他们无法接受男人和女人是相像的观点。只要这些人都处于这种错觉之中，那么公共舆论对于所揭示出的妇女地位的不公正和低下所表示的惊讶，将比不上对妇女终于觉醒、并且意识到这一不公正事实所表示出的惊讶。

As a result of the tension between these two tendencies, the book reviewer has to balance a reassuringly authoritative display of his opinion/attitude with a concernto be accepted by the reader as true or accurate and to show appropriate consideration for the reader on an interpersonal level. All these constitute the complexity of interpersonal meaning of EABR.With various modal expressions, such as modal auxiliaries, modal adjuncts, metaphors of modality, the reviewer tries to mitigate his opinion to claim different degrees of certainty so as to make his writing convincing as well as revealing; He addresses readers as "you" to exclude them from his group and make himself prominent.

书评作者通过各种情态表达(情态动词、情态附加成分、人际语法隐喻等)造成不同程度的确定与不确定，从而使书评既有可信度又体现了对书作者和书评读者的尊重；当书评作者称呼读者为"you"时，他／她突显自己的权威地位，对读者施加影响，给读者一种文章为他而写的错觉，书评作者或者使用'we'在篇章世界中形成把读者向里拉的拉力，使之卷入到书评的语篇情景之中，积极主动地参与到话语活动中来，从而更容易接受书评作者的观点；书评作者直接引用所评之书的内容，从而使书评语言有力，说服性强。

This thesis will expound this central subject under discussion by the following aspects: The first part of this thesis fully taps the characters of image that shows different schematic style from film and painting by using methods of comparative study and theoretical study and by using methods of contemporary visual culture, such as: iconology, theories of style, semiotics, morphology and so on.

围绕着这个中心议题，论文将以下几个方面进行论述和探讨：第一个部分是通过对动画影像进行比较性甄别，利用比较研究、理论研究以及图像学、风格学、符号学、形态学等当下视觉文化使用的诸多研究方法，充分挖掘影像所显示出来的与电影、绘画等图式风格完全不同的品格特性，并进行归纳与总结，揭示动画品格显现出来的影像风格之图式本性、叙事符码的符号学资质、幻动性的观影错觉以及戏谑性的叙事效果，深入、立体、全面地考察动画的品格形态。

This thesis will expound this central subject under discussion by the following aspects:The first part of this thesis fully taps the characters of image that showsdifferent schematic style from film and painting by using methods of comparative study and theoretical study and by using methods of contemporary visual culture, such as: iconology, theories of style, semiotics, morphology and so on.

围绕着这个中心议题，论文将以下几个方面进行论述和探讨：第一个部分是通过对动画影像进行比较性甄别，利用比较研究、理论研究以及图像学、风格学、符号学、形态学等当下视觉文化使用的诸多研究方法，充分挖掘影像所显示出来的与电影、绘画等图式风格完全不同的品格特性，并进行归纳与总结，揭示动画品格显现出来的影像风格之图式本性、叙事符码的符号学资质、幻动性的观影错觉以及戏谑性的叙事效果，深入、立体、全面地考察动画的品格形态。

The consecutive Full Moons are all shown atthe same scale, so unlike the famous Moon Illusion the change inapparent size seen here is real.

这些连续的满月都是用相同的视角去拍摄，因此，图片中月球大小的变化是月球视角真实的变化，而不是著名的月球错觉现象。

Inclined or not, the design effectuates queer optical illusion but never in dramatic visual distortion. It is a rich, ever linking labyrinth abstract device frequently used by the Dutch Op Art artist Escher.

有意或无意，但绝不是像扭曲视觉般的戏剧化，设计出现奇幻的错觉，荷兰视觉艺术家埃舍尔经常应用的抽象机制，制造丰富的、诡异的、永远连贯的迷宫效应。

Most of us are so lost in our delusions that we actually believe them to be permanent, and when the illusion we've created reveals itself in its true colours, we suffer the most unbearable agonies.

我们中的绝大多数是如此地迷失在我们的错误幻象中，以至于我们确信这些幻象是永恒的。当我们创造的错觉显露了它真实的色彩时，我们感觉到最难以承受的痛苦。

Secondly, the incisors grow faster, then the beginning of next to no longer permanent, in the "free" environment will, of course, a large growth, but within the next two years to grow permanent incisors on the natural limits; the most important point is that "parents feel that the incisors are the wrong impression", after the permanent teeth will not grow up stereotypes, so on the child's little face, mouth does not match, it appears to "Super", as the children grow up day by day face, bone development, facial development, such as children and adults will face the size of incisors is coordination of the match,"So we say that time will the children from 'ugly duckling' change 'Swan'."

其次，门牙长得快，这时旁边的恒牙都没开始长，在&无拘无束&的环境下当然会生长得大一点，但两年内旁边恒牙长出就自然限制了门牙；最重要的一点是，&觉得门牙大都是家长的错觉&，恒牙定型后不会再长大，所以放在孩子的小脸、小嘴中不匹配，才显得&超级大&，随着孩子脸形一天天长大，骨头发育、面部发展，等孩子成年时门牙就会和脸形大小十分协调、般配了，&所以我们说时间会让孩子由'丑小鸭'变'天鹅'&。

Besides the traditional fields of aviation medicine such as high altitude hypoxia, acceleration tolerance, flight illusion, etc., the emphasis of research work should be placed even more on the pilot selection, health care, aeromedical training and aviation ergonomics in the future, and on the establishment of the integrated and systemic aeromedical support measures, so as to provide entirely physiological protection to the pilots working in severe environments, and to optimize the ergonomic design of man-machine interface for improving human capabilities in flight.

未来军事航空医学研究在重视高空缺氧、加速度耐力、飞行错觉等传统问题的同时，应更加关注飞行人员选拔、健康维护、航空医学训练、航空工效等热点问题，并建立航空综合系统的卫勤保障措施，力求为处于严酷环境中的飞行人员提供全面的生理防护和高效的卫勤保障，并优化人机界面工效学设计，充分发挥人的因素作用。

I'm strongly against the death penalty — it's an eye for an eye.

我不赞成死刑——这是以牙还牙的报复行为。

And to get you the support you need, we're enlisting all elements of our national power: our diplomacy and development, our economic might and our moral suasion, so that you and the rest of our military do not bear the burden of our security alone.

并给你们所须的支援，我们正徵召国家所有各种的力量：我们的外交及发展，我们的经济力量与道德劝说，所以你们与其他军人不须要孤独地负起国家安全的责任。