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Jung raised the theoretically valuable synchronistic principle, which reveals an acausal versatile correlation between things.

荣格在《易经》的影响下提出了具有重大理论价值的&同时性原理&,这是一种与因果律完全不同的普遍性联系。

Temenos, the: The plane of the collective soul within

众梦之界:星界内聚集着的灵魂的平面,就像荣格的理论那样,无意识地聚集在一起。

Temenos, the: The plane of the collective soul within Astral Space, likened to the concept of the Jungian collective unconscious.

众梦之界:星界内聚集着的灵魂的平面,就像荣格的理论那样,无意识地聚集在一起。

The origin of transpersonal psychology in modern psychology can be traced back to William James and Carl Gustav Jung.

它继承了许多古老文化传统特别是东方宗教哲学的遗产,并从现代物理学中吸取营养,以抗拒长期在心理学中占统治地位的还原论,它在心理学中的起源可以追溯到詹姆斯和荣格等人的思想。

But we can take for granted - I suppose - that only the deepest and longsighted motivations of a personality, that could be compared to the undercurrents of the sea flowing in the deep under the waves of the surface - that is to say what is generally called the destiny of a person or Jung called his "personal myth"- can take that decision.

但是,我以为—我们完全可以理所当然地认为,只有人格最深层次和最远见卓识的动机,如同在水面波涛之下的深海潜流,就是人们所谓的个人命运或者如荣格所说的&个人神话&,才能做出决定。

Browsing the English Wikipedia (by the way, I strongly object 维基— a transliteration of wiki used in Wikimedia projects — to be registered as a trademark in Taiwan) and came across an article titled "psychological shadow"– a construct in Jungian psychology, which is an opposite of ego, the hidden, abominated dark side.

前些日子浏览英文维基百科(顺便说一下,卡库尔强烈反对维基在台湾注册为商标),遇到一篇条目标题为&心理阴影&——心理阴影是荣格分析心理学中的,与人自我相对,人隐藏、憎恶的黑暗一面。

The overpassing is an expressional form of sublimated action at Sigmund Freud, too. Its academic found ation is Jung's Libido Conversation Law's.

超越同样是弗洛伊德意义上的升华作用的一种表现形式,其学理基础则是荣格的力比多守恒原理。

LiuXie's "origin of Tao"theory was based upon the exploration on literary origin of Chinese traditional cudture,while Jung's prototype-criticism emphasized the general resemblance of human's cultural mentality,which was parallelled with LiuXie's idea.

然而,荣格的原型说立足于宗教观念,从神的形象中归纳出原型;而原道说则是在人与自然的诗意关系的基础上,构建人类精神文化的基本形态。

At times I feel as if I am spread out over the landscape and inside things, and am myself living in every tree, in the plashing of the waters, in the clouds and the animals that come and go, in the procession of the seasons.

荣格有时把自己就看成是一片风景,他说,我就活在每一棵树里,每一道涟漪里;活在飘泊不定的浮云和来来往往的动物里,还有四季的递嬗之中。

In Jung's writings the archetypes are not inherited by individual human beings.

荣格的著述里,那些原型不是通过人类的个体而得以传承的。

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In her eyes, because that is the doorway toher heart * the place where love resides.

女人的漂亮必須從她的眼睛中去看,因為那是她心靈的窗戶和愛居住的地方

I will send some postcards to you.

我会向你发送一些明信片。

Of aesthetics and the definiteness of its content and leads to its immaturity and decline .

它的不确定,直接影响美学学科定位乃至研究内容的确定,导致美学学科的不成熟和衰微。