艺术批评家

Besides, people are still quite interested in the role he played in Aestheticism Movement.

有一位批评家曾说："工尔德是他自己创造出的最好的一件艺术作品。"

Most critics, however, contend that My Antonia (1918) represents her topof writing career.

批评家认为威拉·凯瑟"内布拉斯加小说"系列中最伟大的要算《我的安东尼娅》(1918)，它代表着凯瑟创作艺术的高峰。

Variety of art forms, the only non-art standards, critics of "aphasia."

多样的艺术形式、非唯一的艺术标准、批评家的"失语"。

Graduate of the University of Zurich, Bice Curiger is an art historian, critic, and curator.

库莱格毕业于苏黎世大学，库莱格是一位艺术史家、批评家和策展人。

An Austrian critic criticized Brod's viewpoint of connectin g the castle's ruling directly with mercy which is a religious concept in the postscript of the first edition of The Castle. In doing so, Brod gave a precedent to those critics who want to find religious symbols and other symbols in the novel and comprehend Kafka's illusion by theological explaining. In translating art images directly into the languages of theology, philosophy and psychology, it was certain that Brod would lower the value of Kafka's art.

奥地利批评家海因茨·波里策批评布罗德在《城堡》第一版后记中"把城堡的统治直接同慈悲这个宗教概念联系起来的"论点，为那些"想在这部作品中寻找宗教的和其他的象征，并给予神学的解释来理解卡夫卡的幻想"的批评家开了一个先例；布罗德"将艺术的图像直接翻译成神学的、哲学的和心理学的语言"的做法，必然会使其"艺术价值变得平淡"。

Not only the galleries had their own artistic styles, but also the participating artworks were world famous, such as "The Thinker" by Auguste Rodin,"Scenery of Fontainebleau" by Pierre-Auguste Renoir,"The Girl in Corsetry" by Picasso,"Crossing the River" by Luo Zhongli,"Water Village" by Chen Yifei, which surprised the art field and attracted many art collectors, critics and art enthusiasts from China and abroad to celebrated the magnificent artistic grand banquet.

不仅参展画廊各具特色，参展作品更具有世界一流水平，比如罗丹的雕塑《思想者》、雷诺阿的《枫丹白露景色》、毕加索的《穿紧身衣褡的读书女子》、罗中立的《过河》、陈逸飞的《水乡回望》纷纷亮相艺博会，立刻引起了艺术界的轰动，许多艺术收藏家、批评家、艺术爱好者慕名而来，参观者更是络绎不绝，共飨美术盛宴。

Let us imagine a coming generation with such intrepidity of vision, with such a heroic penchant for the tremendous; let us imagine the bold stride of these dragon-slayers, the proud audacity with which they turn their back on all the weaklings' doctrines of optimism in order to "live resolutely" in wholeness and fullness: would it not be necessary for the tragic man of such a culture, in view of his self-education for seriousness and terror, to desire a new art, the art of metaphysical comfort, to desire tragedy as his own proper Helen, and to exclaim with Faust

今日的艺术已显出这种普遍的困难：他们徒然依赖一切伟大创造时代和创造天才作为榜样；人们徒然搜集全部"世界文学"放在现代人周围以安慰他；人们徒然使人置身于历代艺术风格和艺术家中间，以便一一命名，象亚当给走兽命名那样；然而，读者始终是饥肠辘辘，"批评家"则愁眉苦脸，没精打彩，象亚历山德里亚的学者们那样，他们毕竟是图书馆员和校勘者，可怜让书上尘埃和误刊错字弄得失明。

And this book exactly revealed the Taine's ideology and philosophy of art impressed by the natural science of the 19 Century to us readers.

艺术哲学》是法国批评家丹纳的杰作，这部书反映了他最主要的理念--任何艺术和艺术品都是由当时的环境，时代和民族性决定的，他的这一理论受到了19世纪自然科学的影响。

According to the writer, Li balances literary critics w...ith other artistic categories, and appreciates critical works from the height of aesthetics. From Li's brand-new perspective, critique is not only"independent"but also"artistic", which is of remarkable significance as regards its implication in the revolutionary changes of literary criticism. The 2nd chapter"literary criticism is a form of discovery", literarily refers to Li Jianwu stressed that critic main body consciousness to text permeating, and his claims on critics'subjectivity and capabilities in aesthetic judgments. The writer concludes Li's ideas as the three following aspects:"critique is self-discovery","critique is the discovery of the writer's mind", and"critique is the discovery of humanity in literature", and gives full illustration one by one.

他把文学批评放在了与其他艺术品类平等的位置，并且从审美的高度衡量文学批评，认为批评是&独立的批评&，也是&艺术的批评&，其意义非常深远，具有文学批评革命性的改变这一意味在里面；第二章&文学批评是一种发现&指的是李健吾强调批评家主体意识对文本的渗入，要求发挥批评家的主体作用和审美判断能力，笔者将此概括为：&批评是自我的发现&、&批评是作家心灵的发现&、&批评是作品中人性的发现&三个方面，并一一进行阐释；第三章重点论述李健吾文学批评的模式。

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系，尽力全面地描述苏丁在当时所面对的艺术环境，对其所受到的影响及面对的问题有所认识；第二部分分别从风景、静物、人物三个方面，从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下，借助古典艺术以形成其独特的表现性语言的过程；第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析，指明其&富于直觉的表现主义&的特质，并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。