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Chapter Ⅴ is about the relationship between Empson's analytical explanation of Shakespeare's poetic effects and the scientific movement appeared in literary criticism in 1930s. In 20th century, influenced by development in natural science, New Critics, headed by Richards, devoted themselves to transferring literary criticism from literary enjoyment to scientific study.

第五章讨论了燕卜荪用分析的方法来阐释莎剧的诗意与30年代文学批评中出现的科学主义思潮的关系。20世纪受自然科学发展的影响,以新批评为主流的批评家们在瑞恰兹的推动下,致力于将文学批评从一种艺术欣赏变成科学研究。

For Greenberg,Formalist criticism is not only a method to analyze and comb the development of Modern Art,but also suggests his critical thought and reflection as a critic of the Western modern culture,which could be achieved exactly in the historical perspective and cultural awareness.

对于格林伯格而言,形式主义批评不仅是一种分析和梳理西方现代艺术发展与流变的方法,而且其背后还潜藏着他作为一名批评家对西方现代文化进行的批判性反思,而这种反思恰恰是在具有历史和文化意识的视角中才得以实现的。

Fourthly,"literal criticism" that critics relied on has had its disadvantage of singleness. Exhibitions have become another stage for them to make their art opinions known. And the way that an exhibition speaks them out meets the needs of the visual era better compared with literal expression.

其四,批评家原来依赖的"文本批评"逐渐显出单一的劣势,展览成为他们宣传艺术主张的又一重要途径,而且展览的叙述方式比文本表达更容易适应图像时代的需求。

Beginning by suggesting that Sui Sin Far/Edith Maude Eaton (1865-1914) readily fits none of the categories recent critics have established within Chinese American literature, this essay situates her as a regionalist writer whose work demonstrates her struggle against mainstream representations of the Chinese in the late nineteenth-century American press and who achieves artistic form and a strategy for helping her readers see differently through her use of the English language in Mrs. Spring Fragrance.

本文从一开始便主张水仙花/伊顿(Sui Sin Far/Edith Maude Eaton)(1865-1914)无法纳入批评家在华裔美国文学里所建立的现成的范畴,本文赋与她地域文学作家的地位,她的作品展现出她在抗拒十九世纪晚期美国出版界对中国人的主流再现,而且她透过在《春香夫人》中英文的使用获致艺术形式及一种能帮助读者达到不同看法的策略。

Wang Meng is not only a famous writer of contemporary China, but also a literary critic with profound insight and judgment. He is the representative of "authorly scholar".

王蒙是中国当代著名作家,也是一位具有深刻艺术鉴赏力和判断力的文学批评家,是作家学者化的典型代表。

So it is reasonable that we study his rhetoric theory .here. The second chapter mainly summeraize the knowledge and main viewpoints of past dynasties criticist about his poems thetorical art.

第二章主要是站在接受诗学的立场上,梳理历代文学批评家对李白诗歌修辞艺术特色的认识,并概括出他们的主要观点。

Especially the western commercial operation mode brought into China changed the role that critics played in the past. They emerged with their new identity of "art directors" or "intellectual emcees".

尤其西方的商业操作模式逐渐传入中国,促使新形势下批评家的作用发生转变,开始以&艺术总监&、&学术主持&的身份亮相。

The art enabling the critic to admire what he can't appreciate, and to appreciate what he doesn't like.

使批评家赞叹他不欣赏的东西,欣赏他不喜欢的东西的一种艺术。

Many reputed curators and critics are also happy to participate in its academic programmes and events.

许多知名的艺术策展人、批评家也乐于参与其中的学术项目。

Hanru is regarded as one of the most innovative curators and critics on the contemporary art scene today.

Hanru 今天被视为在同时代的艺术现场上的最创新的馆长之一和批评家。

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从有历史以来,英国,在此地早期居住的是凯尔特人,已经被征服了三次。

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