艺术作品

The development of Chinese calligraphy is not the result of the logic of itself, and the birth of styles is not the product of the so-called theory of "art for art's sake".

本文认为中国书法艺术的发展并不只是书法艺术自身逻辑的演绎，而艺术作品风格的产生也不是"为艺术而艺术"的产物。

The paper illustrates the thinking process of Hedger s interpretation on thinking for existence and thinking for arts and points out that his enlightening thinking and questing has led the art philosophy to a new theoretical dimension.

文章简要梳理了海德格尔存在之思与艺术之思互释的思路历程，指出"转向"时期的重要著作《艺术作品的本源》和对荷尔德林诗的阐释，是海德格尔从存在去规定艺术和用艺术来阐释存在的尝试，体现了海德格尔存在论的艺术本质观和文艺批评观。

The daily life and art are inclining to integrate, which has reversed the traditional concepts of art aesthetic.

本文通过对哲学家杜威的美学理论："艺术即经验"的分析入手，引用一些具体的，不同时期的艺术作品的分析比较，探讨日常生活的经验在艺术活动中的作用和状态，艺术与生活的联系，以及对艺术经验与日常生活经验之间的连续性和交互作用的认识。

The swift and violent development of the modern science and technology makes western societies generally enter consumption society, The consumption society supports the goods going to aesthetic and aesthetic going to goods at the same time,all of this has created unprecedented democratic era of arts and aesthetics, on the other hand even enable the most important aesthetic target --Art ,suffering all kinds of economical bulling and losing elite characters and self-disciplining,especially because consumerism stresses the artistic works whether having symbol value ,whether using marketing technology,and whether concerning to economy reciprocate.The pop art have became the mainstream of the art form of our time.

现代科学技术的迅猛发展使西方社会普遍进入消费社会，消费社会同时支持商品的审美化与审美的商品化，这一方面创造了前所未有的艺术、审美之民主时代，另一方面也使最重要的审美对象——艺术，受尽经济霸权主义的欺凌而丧失了精英性与自律性，特别是消费主义讲究艺术商品对符号价值的追求、对营销技术的使用、对经济回报的关注，使得流行艺术成为时代艺术形式之主流，从前那个只关心艺术作品之艺术性的美学传统已经被既关注艺术性又关注消费性的&新美学原则&代替。

Chapter 2 mainly discusses the commonness of the group, and studies the necessities of their creation commonness and how the assigned sculptures became the main way of the commonness emerging. Chapter 3 is mainly about the creation individuality of the group, and explores the characteristics and the development of their individuality. Chapter 4, from the angle of feminie study, discusses the feminie quality and femenie spirit in the works of the eight sculptresses. Finally, the writer tries to sum up the significance and value of the group study.

论文的第一章介绍了女雕塑家群体的概况，分析了群体形成的原因，并概括了群体的总体特征；第二章主要研究女雕塑家群体的艺术创作共性，分析了影响她们艺术创作共性的必然因素，由此探讨了任务性雕塑如何成为她们艺术创作共性显现的主要途径；第三章主要分析女雕塑家群体的艺术创作个性，探讨了她们艺术创作个性的特征和创作个性发展的多方面途径；第四章是从女性的角度来考察，讨论了她们艺术作品中的女性品质和女性精神；最后，本文总结了女雕塑家群体研究的意义和价值。

Kui Wu Dong, founder of the art Guild has become the capital of a beautiful scenic art, from last year as a free public service to the public opening of the Art Guild has received some workers, artists, students, military personnel, public and the community to visit and related arts organizations, Dong Wu Kui first the first visit to the central leaders on Arts Guild, said:"After decades of our time and energy on building the arts Guild Hall is to use the brand to a cultural platform. architecture for building" a harmonious society "and" harmonious economy,"" a harmonious community "played a lead role of Arts Guild is the main arts, painting circles for greater returns, so that more artists can display their works of art out so that they can revive the traditional Chinese culture, Chinese culture and history of several thousand years orderly inheritance, more brilliant spectacular!"

吴东魁先生创办的艺术会馆目前已成为京城一道亮丽的美术风景线，从去年作为一个免费向公众开放的公益性艺术会馆已接待了有工人、艺术家，学生、军人、市民等社会各界的参观人员及相关艺术机构，吴东魁先生一次给中央领导人参观艺术会馆介绍时说：&我们历经数十年的时间及精力建这个艺术会馆就是想用会馆这个品牌来构架一种文化平台，为构建&和谐社会&、&和谐经济&、&和谐社区&起到一牵头作用，艺术会馆主要是对艺术界、绘画界抛砖引玉，让更多的艺术家能够把自己的艺术作品展现出来，这样才能够振兴中国的传统文化，让中国几千年的文化历史有序地传承，更加辉煌壮观&！

Through discourse re-writing, graphic paintings forms the thinking into this artistic context. By the study on two paintings with similar style, this paper aims to examine the space constructed from the paintings. The goal is to know how the appreciators digest and re-form the image when paintings are deemed as the language of space re-presentation. Furthermore, the investigation on how characters in paintings and artists per se make their influences, and how they connect with each other by the paintings will be made at the same time.

摘要 平面绘画作品藉由论述的再书写纪录，建立这场艺术文脉的思考，笔者藉由两组画面组成类同之艺术作品为研究对象，旨在探讨画面中所形构成出来的空间，当作品的画面作为空间再现的语言时，是如何透过观众观赏后的消解与重组影像，而画面里人的角色以及艺术家本身的角色如何介入影响，又如何的在画面中被连结成关系。

Through introducing the works of literature and art, including poetry, prose, fiction, music, movie, art and drama, especially the works of the contemporary era, we want to show the expansive world of literature and all human lives for students.

通过介绍文学艺术作品，尤其是现当代文学艺术作品，包括诗歌、散文、小说、音乐、电影、美术和戏剧，向学生展示广阔的文学艺术世界及芸芸众生，用美学的眼光去分析判断各种不同的人生观、世界观及价值观。

In recent years, Beijing asked to cite the success of art and cultural center to organize, plan and through the postal sector has published a country "artists of Chinese Painting and Calligraphy Stamp Prestige Edition"- traditional Chinese version,"Chinese Painting and Calligraphy artists Stamp Prestige Edition"- calligraphy version , which contains a contemporary Chinese painting circles, famous artistsé·¨Liang years, Shu-Fang Hsiao, Huang Jun, Qin Lingyun, Lou division white, the Arab-Israeli elderly, soup Wenxuan, Qi Gong, Xie Bing-yan,×, Yang Kai, Kwok election, Feng Yong, Wang Xuezhong, Qian Shaowu, Li Duo, Shen Peng,±etc. More than 60 artists painting and calligraphy works of art stamps, by art lovers and philatelists and collectors of praise.

近几年来，北京托举文化艺术中心成功地组织、策划并通过国家邮政部门印制了《中国书画艺术家作品邮票珍藏版》——国画版、《中国书画艺术家作品邮票珍藏版》——书法版，其中包含了当代国画界、书法界著名老艺术家梁树年、萧淑芳、黄均、秦岭云、娄师白、阿老、汤文选、启功、谢冰岩、黄苗子、杨仁恺、郭仲选、冯其庸、王学仲、钱绍武、李铎、沈鹏、刘炳森等60多位艺术家的书画艺术作品邮票，受到美术爱好者及集邮爱好者的好评及收藏。

In setting up the system of authorship protection of folk literary and artistic works, the protection range should not be too broad like "Bangui Agreement", not too narrow owing to their languages.

我国对民间文学艺术作品著作权保护进行制度设计时，划定的保护范围，既不能像《班吉协定》那样过于宽泛，也不应当仅限于语言形式的民间文学而使之过于狭窄；以物质形态固定并已出版的民间文学艺术作品，不应排斥于保护范围之外；未形成作品的民间素材，一旦形成整理本则应纳入保护范围。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。