舞台舞蹈

But it wasn't until the dancers stepped out on stage that evening that I really understood the Delphic dream.

但是直到当天晚上舞蹈选手登上舞台的那一刻，我才真正明白了特尔斐梦想。

How do music and dance figure in the construction of African American experience on stage?

在非裔美国人的舞台经验的建构中，音乐与舞蹈具有怎样的地位？

Roland Mouret, however, who enjoyed a brief spasm of fame thanks to his Cameron Diaz/Rachel Weisz-worn Galaxy dress before falling out with his backers, did something different: he took to the stage.

然而，罗兰·毛利特是个例外：他在与东家分手之后，把目光转向了舞蹈演出的舞台。此前，他曾因所设计的银河系列服装而闻名，卡梅隆·迪亚兹和瑞切尔·薇兹等好莱坞明星都穿着他的作品。

The final production is a combination of four arts:dancing,music,drama and painting.

最后出现在舞台上的芭蕾舞作品，是四门艺术——舞蹈、音乐、戏剧和美术的综合产物。

Nothing offstage was quite real to him:"We only lived when we danced," he said of himself and Fonteyn.

对他来说，舞台之外的东西没有什么是真实的。他对Fonteyn说：只有当我们舞蹈的时候，我们才活着。

Less traditional activities include the "world's largest open-shelf collection of science fiction" in English, model railroad club, and a vibrant folk dance scene.

一些比较新潮的活动包括"世界上最大的英文科幻小说开架收藏"，模型铁路俱乐部和一个充满活力的民族舞蹈舞台。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Interrogates elaborated "An Daiwu" origin and "An Daiwu" and local region culture relations by and its development and evolution; Then talks about "An Daiwu" to now the stagecraft influence; Finally elaborated me to the nationality folk dance culture development manner, lets our country the nationality folk traditional culture be able to develop

本问论述了《安代舞》的起源和《安代舞》与当地地域文化的关系以及其发展及演变；然后谈到《安代舞》对当今舞台艺术的影响；最后论述了我对民族民间舞蹈文化发展的态度，让我国的民族民间传统文化得以发展。

E.g., in order to do well in the hip-hop dancing, James Mark never suspended the practice even when his legs have been injured; the MCs even spent their precious nap time to practice the manuscript of the party; Leo not only performed a great show, but also helped a lot for the stagehand work.

梁思尧同学虽然有脚伤，但是为了表演好街舞，他仍然坚持练习；四位主持人刘颖、石翔文、李双宏、李蔚为了主持好整台节目，不惜牺牲每天中午宝贵的午休时间，勤加练习；杨壹麟同学不但出色的完成了舞蹈、合唱节目，而且还帮助老师维持舞台秩序，保证演出顺利进行。

Ikenoshita was organized by Kazufumi Nagano et al in January 1996, aspiring after a new vision of synergy of theater and terpsichorean art. We, Ikenoshita, started a series of performances of Shuji Terayama's early works in August 1996 and have worked to reveal unknown phases of Terayama's works.

池之下剧团于1996年由长野和文先生组织成立，剧团从戏剧和舞蹈两种艺术形式相结合的化学作用中获得灵感，并以此开始一系列的创作。1996年8月，池之下剧团开始运作一系列寺山修司的早期作品，并将其一些并不为人熟悉的作品通过舞台带给大众。1999年3月，剧团将范围扩展到所有寺山修司的作品，旨在将最真实的寺山修司呈现给观众。

I'm strongly against the death penalty — it's an eye for an eye.

我不赞成死刑——这是以牙还牙的报复行为。

And to get you the support you need, we're enlisting all elements of our national power: our diplomacy and development, our economic might and our moral suasion, so that you and the rest of our military do not bear the burden of our security alone.

并给你们所须的支援，我们正徵召国家所有各种的力量：我们的外交及发展，我们的经济力量与道德劝说，所以你们与其他军人不须要孤独地负起国家安全的责任。