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The War Diaries (1939-1940), Being and Nothingness (1943), Anti-Semite and Jew (1946),"Existentialism is a Humanism"(1946),"Materialism and Revolution"(1946), Notebooks for an Ethics (1947-1948), Search for a Method (1954), Critique of Dialectical Reason (1960), and "Notes on Ethics"(1964-1965) are representative examples.

战争日记(1939-1940)、存在与虚无(1943)、反犹太人和犹太教(1946)、存在主义是人道主义(1946)、唯物主义和革命(1946)、伦理学笔记(1947-1948)、方法论研究(1954)、辩证理性批判(1960)、伦理学笔记(1964-1965)就是其中的一些代表作。

As I mulled over my missing more than half of each lecture, I suddenly hit upon an idea: Why not leave every other line on my note paper blank? Then during the following period I could recall the lecture and fill in the missing portions.

我不停的琢磨那些被遗漏了一半以上内容的笔记,突然有了一个想法:为什么做笔记时不隔行记呢,这样我就可以在课下回想刚讲过的内容然后把笔记补全了。

Thirdly, the students' preferments of group of high quality note are better than the moderate group and low group.

笔记质量组在问题解决的阶段、策略和化学概念掌握情况等方面的表现都优于中等笔记质量组和低笔记质量组。

This study focuses on students' behavior and attitude related to taking notes in the chemistry study, and the relation between the quality of note and chemistry problem solving.

本研究关注处于化学学习过程中学生的笔记行为和笔记态度,以及其笔记质量与化学问题解决之间的关系。

In the last part ,there is a simple research on characteristics of hot poetic topics in the notes in Song Dynasty lengthwise and breadthwise.The four features are :first ,the colorful life ;second ,different ways ;third ,scrappily poetic ideas of the writers of notes ;forth ,synchronic and diachronic points .

结语部分,从纵向和横向的维度,对宋人笔记中诗学讨论热点的特征作了简单的考察,总结出宋人笔记中诗学讨论的四个特点:其一,涉及面广;其二,方法多样;其三,体现了笔记作者零金碎玉式的诗学观念;其四,具有共时性与历时性的特征等。

If a DEATH NOTE owner accidentally misspells a name four times, that person will be free from being killed by the DEATH NOTE.

若死亡笔记持有人在笔记写错某人的名字四次,不论是故意还是无意,那人将不能再被那本笔记杀死。

Firstly, the requires of curriculum content, thinking development level, intelligence structure and temperamental characteristic all more or less affect aspects of habit, content, format and usage of note-taking.

通过研究,作者得到以下结论:(1)课程内容的要求、学生的思维发展水平、智力结构和性格特点等都不同程度地影响了学生化学笔记的记录习惯、笔记内容、笔记格式和笔记利用情况等。

Golden Notebook, which is grouped into four notebooks, through black, red, yellow, and blue these four notebooks to symbolize the outside world and the subjective world, reflecting the multi-modalities spirits of dramatic personae Anna-----a perplex and agravic soul.

《金色笔记》由四本笔记构成,通过黑,红,黄,蓝四本笔记象征并不仅是外部世界,它的另一端同时又瞄准人的主观世界,旨在反映主人公安娜思想的多形多态—一个迷乱,失重的灵魂。

Tomb notes , Tomb Complete online notes provide Tomb Tomb notes notes 1 to 8, read the full text, including the seven stars Lu Wang, sea submersible sand, Qinling sacred tree, Genting Temple, marsh snake ghost, mystery returnees nest, Yin kulou, Qiong Shi Ying cage.

盗墓笔记,盗墓笔记全集在线阅读,提供盗墓笔记1到盗墓笔记8的全文阅读,包括七星鲁王、怒海潜沙、秦岭神树、云顶天宫、蛇沼鬼城、谜海归巢、阴山古楼、邛笼石影。

Fortunately the contents, including Darwin's first encounter with a giant Galapagos tortoise –"Met an immense turpin; took little notice of me"– were preserved on microfilm in 1969 and the public can now read them as English Heritage marks the anniversary by placing all 116,0000 words and 300 sketches and scribbles from Darwin's notebooks online .

所幸的是,该笔记本中的内容已于1969年被保存到微缩胶片上,其中包括达尔文首次遇到一只加拉帕戈斯巨龟时的纪录——&遇到一个大家伙,可它并没注意到我&。英国文化遗产协会为纪念《物种起源》发表150周年,已将达尔文笔记中包括1160000字和300幅草图的内容上传到达尔文笔记在线,因此公众现在可以在网上读到达尔文的笔记

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。