现实主义的

Hunger, as a root of physical want, makes Mo Yan's writing become sensory with a personal colorful style. As Mo Yan said himself, he wanted to create a kind of "stomach perforation" work based on harsh realism. After some analysis and research, I found that there was a kind of writing style in abjection, sensory imagination, and instinctive bounce in his creation, which forms a kind of hunger satisfied/swell, absurd/violent, reincarnate/magical illusional narrative aesthetics.

而「饥饿」作为生理匮乏的根源，使莫言的创作开展出一种极具个人色彩感官式的书写，诚如莫言自陈的想写出立基於严酷现实主义「胃穿孔」的作品，经分析与研究后，发现在他的创作中确实以一种贱斥化观点、官能式想像及本能式跃动的书写特色，形成一种饱餍肿胀、荒诞暴力、轮回魔幻的叙述美学。

They have given depth and strength to American literature, and accelerated the forming of High Romantics.

19世纪中后期，罗曼蒂克作家使故事变得尽可能地有趣的和有吸引力，在现实主义作家强调对个性的人物塑造的同时，罗曼蒂克文学的基调是他们对形式的乐观向前产生怀疑。

Secondly, the article rereads"Lu ling's narration", observing how this narration with a modernist tendency transcends the traditional realism. Then taking A Moneybag's Daughters and Sons as a special case. the author elaborates on Luling's writing style and uncovers the essence of Luling's narrative passion.

其次，本文对&路翎式叙述&予以重新解读，考察这种带有现代主义倾向的小说叙述怎样对传统现实主义实现了某种突破和超越，并以《财主的儿女们》为个案从思想和美学两方面阐述路翎的个人化写作特征，最后分析路翎小说的叙述激情的本质。

Inheriting the tradition of Russian realistic literature, Bunin is bold to put forth new ideas in his novel writing in which novelettes and short stories take the most dominate position with Arseniev's Life as the only novel.

在继承了俄罗斯现实主义文学的优秀传统的同时，在小说创作上进行了大胆的艺术创新，小说以中短篇小说为主，《阿尔谢尼耶夫的一生》是唯一的一部长篇。

During the period marked by the Yuanmingyuan artist community, mainstream contemporary art was dominated by political pop and pseudo realism; these two huge influences directly or indirectly affected the artistic disposition of young artists coming to Beijing in pursuit of dreams.

在圆明园画家村时期，当代艺术的主流形式是政治波普和玩世现实主义，这两种形式的强大影响力，直接或间接的改变了许多来北京寻梦的年轻艺术家的艺术态度。

This article from the "Queen Mab" is the ideal embodiment of Shelley's writing, the narrative of the poet Shelley, as the world's "legislators," the inevitability of social change as an abstract spiritual or universal spirit of nature, but also wrote "Mak cloth Queen "was the immortal works of art in society, discusses the" Queen Mab "is the realism and romanticism, and the organic combination of magnificent poem literary styles, Bifeng sharp, emotional thick.

本文从《麦布女王》是雪莱理想化身写起，叙说了雪莱视诗人为世界的&立法者&，把社会变革的必然性看成是抽象的自然精神或宇宙精神，又写了《麦布女王》是当时社会中不朽的艺术杰作，论述了《麦布女王》是现实主义与浪漫主义有机的结合体而且长诗文采瑰丽，笔锋犀利，情感浓烈。

Li jieren"s "long river novel", the very child of both "local" and "world cultures, not only reserves national foundation, but also accepts the model of foreign literature and the French realistic writing ways in the 19th century.

李劼人的&大河小说&就是在&乡土&与&世界&双重文化视域下创造的硕果，既固守了民族的根基，又接受了外国文学的模式和法国十九世纪的现实主义创作方法。

Joyce imitated Ibsen's naturalistic brand of realism in Dubliners, A Portrait of the Artist as a Young Man, and especially in his play Exiles.

乔伊斯模仿易卜生的自然主义的品牌中的现实主义都柏林，画像艺术家的青年，尤其是在他的发挥流亡者。

Ukiyo-e has far-reaching influence on impressionists and post-impressionists of France in the middle and the last of nineteenth century.

日本浮世绘版画对19世纪中后期法国印象派、后印象派艺术家产生了深远的影响，这一影响在西方艺术由现实主义向现代主义的转型过程中发挥了十分重要的作用，浮世绘版画不仅为欧洲绘画风格的演变提供了一条可选择的道路，而且帮助前卫艺术家们将他们的&反叛理论&付诸实践。

Being a contemporary realistic artist, Xu paints in his own way the portraits and the subject matter of the Cultural Revolution with a layer of historical color. He rediscovers history from within the new value system. The thinking and value behind these artworks lead to the artist's special practices.

作为一个当代现实主义画家，徐唯辛以自己的画笔，为文革题材和人物肖像涂上了一层历史的色彩，作者在新的价值体系中去发现历史，作品背后的思考和价值观反映出艺术家自己的方法论。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。