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Traditional Chinese literary concepts consist mainly of the broad-sense literary concept and the belles-lettres concept ,which are passed on to today even under the strong impact of modern Western literary theories.

中国传统文学观主要有杂文学观和纯文学观,这两种文学观在西方现代文学观的强烈冲击下,仍然得以延续。

The young critics favor critical explore relates to the artistic form and the old critics make a good success of the practice in folkloric criticism, anthropologic criticism, mythic archetypes criticism, psychoanalytic criticism, new criticism, book reviewing, etc.

沈从文、李健吾的创作式批评张扬批评的想象性,重视读者的地位;朱光潜、李长之的知识型批评讲究各艺术品类的通约性,是新文学话语产生的理论源泉;梁宗岱、叶功超的对话型批评引进了一些"新批评",也将中国文学精华译介到西方,创造了新的文学生态环境,一定程度上改变了人们看现代文学的方式;林徽因的批评张扬了批评的"女性"意识:新老京派都在新批评方面有所探索:前者侧重于与艺术形式有关的批评探索:后者则在民俗学批评、人类学批评、"神话一原型"批评、精神分析学批评、英美新批评、书评等的实践方面成绩显著。

Chen Du-xiu's literary thoughts mainly are as follows: initiating a new modern Chinese literature by breaking completely with traditional feudal literature; opening up a road for new literature by sweeping away the outdated conventions and corrupted customs in literatus and finishing all the decadent and conservative forces; persisting in the dominant position of vernacular Chinese in new literature, and at the same time he also points out that the struggles between the past and the present, old and new in literature revolution are a matter of principle which concerning the survival of our nation and advance of history.

陈独秀的文学主张主要是:坚决与传统的封建主义文学决裂,开创新的、中华民族的现代文学;扫荡文坛陈规陋习,冲荡一切腐朽保守势力,为新文学开拓道路;坚持白话在新文学中的主导地位;并指出文学革命中的古今之争、新旧之争乃是事关民族存亡、历史进退的原则问题。

From the mirror of modern newspapers and magazines, we can percipience abundant details between the newspapers and magazines media and the contemporary literature through progress of which from the expanding of thought realm to occurrence of contemporary literature.

从近代报刊这面镜子,可以洞见从思想文化领域的开拓到现代文学的发生过程中,报刊传媒与现代文学二者间纠结着的丰富的细节。

Modern Chinese literature (from the new literature formed during the May 4th Movement in 1919 to the socialist literature established after the foundation of the People's Republic of China in 1949), which was born and developed during great revolutionary storms, joins contemporary world literature as a further advanced and rational expression.

在革命风暴中诞生、发展、逐渐走向成熟的我国现代文学(从"五四"时期的新文学到新中国成立以来的社会主义文学),以其更先进、更合理、更美好的崭新姿态,前进在今日世界进步文学的前列。

The former such as 《The total catalogue of contemporary literature of China》, can reflect the general picture of the contenporary literature; and the latter, including annalistic catalogue and research catalogue written by oneself, can reflect the writer" s living and the developing course of creation, at the same time supply the writer" s biography and research materials, so they have academically supernal values.

前者如《中国现代文学总书目》,反映了现代文学的概貌;后者包括个人。著述编年目录和个人著述研究目录,能反映一个作家的生活、创作的发展脉络,提供一个作家的传记资料和研究资料,具有很高的学术价值。专题目录发展迅速、成果显著。

Channeling off the engendering of elaborate works of Chinese modern literature and mature of modern literary creation;...

引导中国现代文学精品的产生和现代文学创作的成熟;4。

The development and deep research on the contemporary literature of China is closely bound up with the neatening and mining of the contemporary literature.

中国现代文学研究的开展与深入,与现代文学文献的整理和挖掘息息相关。

Chapter five details the increasing alliance of literary theory and modern mass media, analyzing the long-term effects the newspaper and magazines\' being politicize, commercialized and pluralized on the prevalence and development of the literary theory.

第五章就现代传媒与现代文学理论逐渐联姻的现象,分析了当时的报刊杂志的政治化、商业化、多元化特点对文学理论的传播和发展产生的深远影响。

Accordingly, if categorizing the theoretical and written advocacies first put forward by Hu Shi, Chen Duxiu and the Zhous' brothers nicknamed 'two poles in the new literary world' in 1918 and studying the co-textual relations by referring to the texts before and after the year of 1918, not only can researchers easily find out the headstream of thinking in forming the modern literary traditions and the following disintegrated and vague constitutional logics in literary revolution, but also the successors are provided with more written and spoken resources for describing the possibilities of the occurrences of modern literature.

因此,如果我们能够对文学革命的首倡者胡适、陈独秀及后来被称为&新文坛的双柱&的周氏兄弟在1918年的理论倡导及文字撰述进行梳理,并参照在此前后的文本来探究其中的互文关系,将有利于我们考察现代文学传统形成的思想源流以及造成此后分化的或隐或现的文学革命的自身建构逻辑,亦能为后来者描述现代文学发生的多种可能性提供更多的言说资源。

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