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游手好闲

与 游手好闲 相关的网络例句 [注:此内容来源于网络,仅供参考]

Baudelaire's 19th century literary archetype the flaneur, the 'hero' of modernity who peregrinated the streets of a rapidly changing Paris, was characterised as a 'perfect idler' and 'passionate observer', always standing at a distance from society but inextricable from the teeming masses.

十九世纪文学中,波德莱尔所描述的&游荡者&是现代主义的&英雄&,他漫游在巴黎不断变化的大街小巷,被世人称为一个&完美的游手好闲者&和&激情的观察者&。他与社会保持着距离,可是不能完全脱离社会人群。

Outside a shuttered pub a bunch of loiterers listen to a tale which their brokensnouted gaffer rasps out with raucous humour.

已经撂下百叶窗的酒吧外面,聚着一群游手好闲的人,倾听着他们那个塌鼻梁的工头用急躁刺耳的沙声讲着妙趣横生的故事。

He is not a man who slouches about with his hands in his pockets.

他不是那种整天游手好闲的人。

Let us not weary of repeating, and sympathetic souls must not forget that this is the first of fraternal obligations, and selfish hearts must understand that the first of political necessities consists in thinking first of all of the disinherited and sorrowing throngs, in solacing, airing, enlightening, loving them, in enlarging their horizon to a magnificent extent, in lavishing upon them education in every form, in offering them the example of labor, never the example of idleness, in diminishing the individual burden by enlarging the notion of the universal aim, in setting a limit to poverty without setting a limit to wealth, in creating vast fields of public and popular activity, in having, like Briareus, a hundred hands to extend in all directions to the oppressed and the feeble, in employing the collective power for that grand duty of opening workshops for all arms, schools for all aptitudes, and laboratories for all degrees of intelligence, in augmenting salaries, diminishing trouble, balancing what should be and what is, that is to say, in proportioning enjoyment to effort and a glut to need; in a word, in evolving from the social apparatus more light and more comfort for the benefit of those who suffer and those who are ignorant.

我们应当不厌其烦地反复提出:要最先想到那些没有生计的痛苦民众,为他们减少困难,让他们得到空气和光明,爱护他们,扩大他们的视野,使他们感到灿烂辉煌,用种种形式为他们提供接受教育的机会,为他们提供劳动的榜样,而不是游手好闲的榜样,减轻他们个人负担的压力,增加他们对总目标的认识,限制穷困而不限制财富,大量创造人民共同劳动的天地,象布里亚柔斯①那样,把一百只手从四面八方伸向受压迫和软弱无力的人,为这一伟大职责运用集体的力量,为所有的胳膊开设工厂,为所有的才能开办学校,为所有的智力设立实验室,增加工资,减轻惩罚,平衡收支,也就是说,调整福利与劳动之间和享用与需求之间的比重。总之,要使社会机器为受苦和无知的人的利益发出更多的光明和更多的温暖,使富于同情心的人不忘记这些,这是人间友爱的第一义务,使自私自利的人懂得这些,这是政治的第一需要。①布里亚柔斯,神话中的巨人,是天和地的儿子,有五十个头和一百只手。

As Walter Benjamin had once said,"Streets are the abodes for the Flaneurs."

本雅明说:&街道成了游手好闲者的居所。&

Bludging: not working, being lazy

游手好闲:不工作,懒散的

The white prisons, the sidewalks swarming with maggots, the breadlines, the opium joints that are built like palaces, the kikes that are there, the lepers, the thugs, and above all, the ennui, the monotony of faces, streets, legs, houses, skyscrapers, meals, posters, jobs, crimes, loves… A whole city erected over a hollow pit of nothingness.

纽约!那些白色的监狱、挤满蛆的人行道、排队等候发救济食品的人们、修筑得像宫殿一般的下流去处,那儿有的是犹太人、麻风病人、杀人犯,而最多的是游手好闲的人。

These are beings of the great neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分;不事生产,食人之力,一无所长,有一点地产,一点戆气,一点小聪明,在客厅里是乡愚,到了茶楼酒馆又以贵人自居,他们的常用语是&我的草场,我的树林,我的佃户&,在剧场里叫女演员们的倒彩,以图证明自己是有修养的人,和兵营中的官长争辩,以图显示自己深通韬略,打猎,吸烟,打呵欠,酗酒,闻鼻烟,打弹子,看旅客们下公共马车,坐咖啡馆,上饭店,有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇,一毛不拔,奇装异服,幸灾乐祸,侮蔑妇女,使自己的旧靴子更破,在巴黎模仿伦敦的时装,又在木松桥模仿巴黎的时装,顽冥到老,游手好闲,毫无用处,但也不碍大事。

These are beings of the GRE at neuter species: impotent men, parasites, cyphers, who have a little land, a little folly, a little wit; who would be rustics in a drawing-room, and who think themselves gentlemen in the dram-shop; who say,"My fields, my peasants, my woods"; who hiss actresses at the theatre to prove that they are persons of taste; quarrel with the officers of the garrison to prove that they are men of war; hunt, smoke, yawn, drink, smell of tobacco, play billiards, stare at travellers as they descend from the diligence, live at the cafe, dine at the inn, have a dog which eats the bones under the table, and a mistress who eats the dishes on the table; who stick at a sou, exaggerate the fashions, admire tragedy, despise women, wear out their old boots, copy London through Paris, and Paris through the medium of Pont-A-Mousson, grow old as dullards, never work, serve no use, and do no great harm.

他们全是那一大堆无用人群的组成部分;不事生产,食人之力,一无所长,有一点地产,一点戆气,一点小聪明,在客厅里是乡愚,到了茶楼酒馆又以贵人自居,他们的常用语是&我的草场,我的树林,我的佃户&,在剧场里叫女演员们的倒彩,以图证明自己是有修养的人,和兵营中的官长争辩,以图显示自己深通韬略,打猎,吸烟,打呵欠,酗酒,闻鼻烟,打弹子,看旅客们下公共马车,坐咖啡馆,上饭店,有一只在桌子下面啃骨头的狗和一个在桌子上面张罗的情妇,一毛不拔,奇装异服,幸灾乐祸,侮蔑妇女,使自己的旧靴子更破,在巴黎模仿伦敦的时装,又在木松桥模仿巴黎的时装,顽冥到老,游手好闲,毫无用处,但也不碍大事。

You got hobos, nobos, gentlemen loafers.

无家可归的流浪者,有家不愿回的人游手好闲的假绅士

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