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消遣

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Material technological basis and spreading style of visual culture are producing visual products, promulgating "virtual reality", dispelling "aesthetic distance", deconstructing people's subjectivity and imagination, gradually depriving existing condition and space of traditional culture, dispelling the aesthetic style of watching quietly, and constructing modern entertaining style.

视觉文化的物质技术根基和传播应用形式在制造视像产品、传播"虚拟现实"、消解"审美距离"、解构人的主体性和想象力的过程中,逐步剥夺了传统文化艺术的生存条件和生存空间,进而消解了静观这种传统的审美方式,建构起消遣这种现代的接受方式。由此,使人类由静观的审美时代进入到了消遣的娱乐时代。

You certainly need a change of pace.

你实在是需要消遣消遣

The farmer can work alone in the field or the woods all day, hoeing or chopping, and not feel lonesome, because he is employed; but when he comes home at night he cannot sit down in a room alone, at the mercy of his thoughts, but must be where he can "see the folks," and recreate, and, as he thinks, remunerate himself for his day's solitude; and hence he wonders how the student can sit alone in the house all night and most of the day without ennui and "the blues"; but he does not realize that the student, though in the house, is still at work in his field, and chopping in his woods, as the farmer in his, and in turn seeks the same recreation and society that the latter does,though it may be a more condensed form of it.

农夫可以一整天,独个儿地在田地上,在森林中工作,耕地或砍伐,却不觉得寂寞,因为他有工作;可是到晚上,他回到家里,却不能独自在室内沉思,而必须到"看得见他那里的人"的地方去消遣一下,用他的想法,是用以补偿他一天的寂寞;因此他很奇怪,为什么学生们能整日整夜坐在室内不觉得无聊与"忧郁";可是他不明白虽然学生在室内,却在他的田地上工作,在他的森林中采伐,像农夫在田地或森林中一样,过后学生也要找消遣,也要社交,尽管那形式可能更加凝炼些。

In this Place also I had my Grapes growing, which I principally depended on for my Winter Store of Raisins; and which I never fail'd to preserve very carefully, as the best and most agreeable Dainty of my whole Diet; and indeed they were not agreeable only, but physical, whole-some, nourishing, and refreshing to the last Degree.

我的乡间别墅正处于我泊船的地方和我海边住所的中途,因此每次去泊船处我总要在这里停留一下。我常去看看那条独木舟,并把船里的东西整理得井井有条。有时我也驾起独木舟出去消遣消遣,但我再也不敢离岸太远冒险远航了,唯恐无意中被急流、大风或其他意外事故把我冲走或刮走。然而,正在这时我生活却发生了新的变化。

If you think that these pastimes are simply whimsical diversions, think again.

如果你认为这些消遣活动仅仅是随性的消遣,不防在考虑下。

Give me a key to lockThe door to the secret paradiseThere are so many queuing upAnd I won't let them inLook at themThey are cheekyThey are never worthy to be savedSometimes I feel, oh yes, I could doAlmost everything I wantedAnd it makes me cryLay your heart, lay your soulUpon my magic carpetNow we are flyingTo venus just to kill some time for tea, OK?

有时我想 oh 是的我应搬到流星都消失的地方带着我们所有的希望他们是如何忍受的 oh 不是承受愚蠢人类的希望所以我需要帮助我将得到给我一把钥匙去锁上秘密天堂的门排队的人如此之多我不会放他们进来的看看他们他们是无耻的他们从不值得被救恕有时我觉得 oh 是的我几乎可以做任何我想做的事这让我想哭把你的心你的灵魂放在我的魔地毯上现在我们正在飞翔去金星喝茶只是为了消遣些时间对吧记住投降你没有什么可做的事情,因为爱情只是个玩笑你知道的就像一个小小的魔术盒一个小小的魔术盒把你的心你的灵魂放在我的魔地毯上现在我们正在飞翔去金星喝茶只是为了消遣些时间对吧记住投降你没有什么可做的事情,因为爱情只是个玩笑你知道的就像一个小小的魔术盒一个小小的魔术盒你什么都做不了因为爱情只是个玩笑你知道的就像一个小小的魔术盒一个小小的魔术盒

I just want to relax myself and see the beautiful sceneries in Yunnan.

我只是想消遣消遣,顺便看看云南美丽的风景。

I just want to relax myself and see the beautiful sceneries in Guilin.

我只是想消遣消遣,顺便看看桂林美丽的风景。

I just want to relax myself and see the beautiful sceneries in Shenzhen.

我只是想消遣消遣,顺便看看深圳美丽的风景。

I just want to relax myself and see the beautiful sceneries in Kunming.

我只是想消遣消遣,顺便看看昆明美丽的风景。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。