浪漫主义

Brahms , who was living in the late period of Romantic music , maintained the classical ideality well and followed the histrionic and oneness of sonata or symphony .

而生活在晚期浪漫主义时期的勃拉姆斯仍旧沿袭奏鸣曲和交响曲的戏剧性和统一性，维系着古典主义的理想，却在19世纪被定论为浪漫主义时期牛保守的，落后的"古典主义者"。

Ardent love of country was characteristic of the movement ,individualism,optimism,ingenuousness,emotion were its bywords.

强烈爱国是浪漫主义运动的特性，个人主义、乐观主义、直率，感情用事是浪漫主义运动的代名词。

John Keats, a British Romantic poet of the 19th century, was one of the most outstanding representatives of the Romantic Movement.

19世纪初英国浪漫主义诗人约翰·济慈是浪漫主义运动的典型代表，其诸多诗篇堪称为英国诗歌史上乃至世界文学宝库中的精品。

This article uses the poems written by Samuel Taylor Coleridge (1772-1834), an important Romantic theologian in the history of European Christian thoughts and one of the Lake Poets key figures, as examples to discuss the relationship between Passive Romantic and Aesthetic Theology. It tries to explain this topic by analyzing the countless ties existing between Passive Romanticism and Western Christian Theological Aesthetic, both in style as well as in substantial contents.

本文以欧洲基督教思想史上的浪漫主义神学家、英国"湖畔诗人"的重要代表人物柯勒律治的诗歌及相关作品为例，从不同的角度分析消极浪漫与神学美学的关联，并由此提出：消极浪漫主义与西方基督教神学美学无论在其表现形态、内容构成，还是所蕴涵的内核上，都有着千丝万缕的关联。

The work was popular with its deep emotion and created quite a sensation among the audience by its characteristics and power of poetic picture and fresh simplicity.Through the portrayal of the rise of the European romantic music and artistic songs and the introduction of Schumann's life and about the composer Cham...更多isso, this paper examines the background of the creation of the divertimento Frauenlieb und leben op.42. It give an analysis of the combination of music and poetry, full of the musical style of romanticism, stressing the expressiveness of piano and connection between music and daily life, bearing the air of German folk music and showing the bright artistic features.

论文通过阐述欧洲浪漫主义音乐的兴起与艺术歌曲的产生和舒曼生平简介以及对词作者沙米索的情况介绍，考察了声乐套曲《妇女的爱情与生活》创作背景；分析了这部声乐套曲与诗融为一体，充满浪漫主义的音乐风格，歌曲旋律与钢琴伴奏完美结合，突出丰富的钢琴表现力；重视音乐与生活的联系，而且具有德国民歌的气息，呈现出鲜明的艺术特色；在套曲的演唱研究方面，论文通过对演唱中德语元音的发音和辅音的发音分析，介绍了在演唱中发音的常见问题，并提出自。。。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

In part five, it mainly discusses the romanticism historiography of "History is resurrection", put forward by Jules Michelet. Through observing his personal experience, and closely-knitted relations between his times and the forming of his historical ideology, it states his political democracy tendency of romanticism historiography ideology, and meanwhile analyzes his unique angle of view on history from nature.

第五章主要论述米什莱的"历史即复活"的浪漫主义史学思想，通过对他的个人经历、他所处的时代与他的史学思想的形成之间的密切关系的探讨，阐明他的浪漫主义史学思想的政治民主倾向，同时分析他通过自然来反观历史的独特的视角。

Chapter 2 "Organic Theory: Theoretic Establishment About Aesthetic Utopia" studies the contention about poetry and science among the British romanticist, inquires into the sharp opposites between poetry and scientific reason in the time of British modernization. In this opposites , The British Romanist has established aesthetic theory with the centric of organic theory instead of mechanical theory.

第二部分"有机论：审美乌托邦(来源：091909ABC论文网www.abclunwen.com)的理论构建"主要从英国浪漫主义诗人中爆发的诗与科学的争论开始，探讨英国现代化初期诗与科学理性之间的尖锐对立，在这种对立和融合中，英国浪漫主义诗人构建起了以有机论为核心的美学理论，以此来取代机械论的美学体系。

He is in the first sense a Romanticist, for all those Romantic features revealed in the subjects of his poetry as well as methods of creating poetry.

他首先是一位浪漫主义诗人，其诗歌在创作、素材等方面集中体现了众多浪漫主义特点。

Section two:" Hardy, the romanticist " mainly analyzes romanticists' profound influence on Hardy's lierary creation, and thus there is a strong sense of romantic consciousness contained in Hardy's nature poetry.

第三章从三个部分切入，对哈代一些自然诗进行了剖析，比较了哈代自然诗与浪漫主义诗歌的相似之处，意在揭示浪漫主义在哈代自然诗中的体现。

Methods: Five patients with parkinsonism or dystonia were assigned to general anesthesia using an modified endotracheal tube.

本实验依照人体实验之相关规定进行，五位患有帕金森氏症或肌张力异常的病人接受神经立体定位手术。

If you can benefit from this book, it is our honour.

如果您能从本书获益，这将是我们的荣幸。