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Shen Yi has been living in America and Europe for many years. Her works are like a dairy of a traveler, a journey without origin or destination. She uses an old manual camera which gives the photos a lo-fi roughness, clarity and exposure. The untechnical nature of the photos provides them with the realist drama and glamour that Shen Yi craves. These blue scenes record what she has seen and thought. It is like time has been ground down into a fine powder giving us a feeling of its subjective nature.

对于徜徉欧美多年的沈怡来说她的作品有时更像是一个旅行者的日记,好像只有过程而没有起点和终点,她常常随身带一些简易的、旧的甚至自制的相机,作品也常常有着较低的清晰度、较粗的颗粒、失真的色彩、曝光不足以及各种低技术的弊病,但其中却有着沈怡所痴迷的那种戏剧感和魅力,那些偏蓝调子的风景定格了一些她在旅程中的所见和所想,如同把时间碾磨成粉末般有种荒诞的不真实感。

Thenardier: Welcome, Monsieur, sit yourself down And meet the best innkeeper in town As for the rest, all of 'em crooks: Rooking their guests and crooking the books Seldom do you see Honest men like me A gent of good intent Who's content to be Master of the house, doling out the charm Ready with a handshake and an open palm Tells a saucy tale, makes a little stir Customers appreciate a bon-viveur Glad to do a friend a favor Doesn't cost me to be nice But nothing gets you nothing Everything has got a little price!

Thenardier :欢迎您,先生,坐在自己下跌并满足最innkeeper在城里至于其他,所有的'时间骗子: Rooking他们的客人和crooking书籍很少看到诚实的男人和我一样阿代理的良好意图谁的内容是硕士房子,的收费的魅力准备握手和一个开放的棕榈油讲述了一个漂亮的故事,使小轰动顾客欣赏本viveur 乐意这样一个朋友帮忙不成本我很好但没有什么让您一切都有点儿价格!

During the early twentieth century, art underwent dramatic changes. Without blindly following the contemporary trends, Soutine selectively inherited the previous modernism art achievement and learned from the classical art works as well to solve specific problems that he faced. He created a strikingly expressive modern art language while embedding the charm and spirit of traditional art. His unique style has inspired and affected a great number of artists.

总之,在二十世纪初期艺术激变的时代,苏丁在接受现代主义艺术成果的同时,没有盲目追随潮流,而是认真地面对自己的问题,通过向古典作品的学习,创造了极富表现力的具有现代感的艺术语言,使传统艺术的精神、魅力在自己的作品中得到体现,由此他的艺术启示和影响了后来众多的艺术家。

Since the 1970's, with Frei Otto's soap-bubble experiments for the Munich Olympic Stadium, naturally evolving systems have been an intriguing area of design research; something that hasn't been lost on the team and their fascination with new building typologies and naturally developed structures.

七十年代以来,与弗雷奥托的肥皂泡沫实验的慕尼黑奥林匹克体育场,自然演变系统已经一个有趣的设计领域的研究;的东西,他们没有失去对球队和他们的魅力与新的建筑类型和自然形成的结构。

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