民族和国家

The nation state of early modern Europe, however, did not rise out of the divergence of the burgher class and the feudal power.

市民阶级政治思想家从基本的人类理性出发，抽象并论证出独立的、个体人的自然本性和基本权利，进而引申出新时代的国家权力观念、民族共同体观念、民主与共和观念和契约权利观念等人类社会共同体生活的一般理性准则，从而不仅为近代民族国家的确立和发展创设了有利的社会舆论氛围和新价值导向，同时还在理论上规定了近代民族国家的政治思想框架。

With the progress and development of man kind, the application of stones exhibits respective regional and national culture in different countries and nationalities. For application of stones, China is one of the earliest country with a long history and is an indivisible part of Chinese national culture.

随着人类文明的进步与发展，石材的应用在不同的国家和民族形成了各自的地域文化和民族文化；中国是世界上应用石材最早的国家之一，有着悠久的历史，是中国民族文化不可分割的一部分。

The establishment, maturation and perfect of the rule of ethnologic law are very helpful to carry out ethnical equality, to eliminate the discrimination which has a long historical background, to enhance the national harmony and unity, to stabilize the society, to make communication and cooperation from one to another.

民族法治的建立、健全和完善，有利于对民族平等权利的实现，消除历史上形成的对少数民族的歧视，增强民族团结和民族互助，增强社会的安定和中华民族的凝聚力，增加民族地区与国家、民族地区与其他地方之间以及少数民族与汉族之间的交流、团结、信任与合作。

They are Song and Dance Ensemble, Mongolian Drama Troupe, Ethnic Symphony Orchestra, Mongolian Youth Chorus, Mongolian Ensemble, Wild Horse Horse-head Fiddle Ensemble, Center for Films and TV Plays, Stage Art Production Center, Artistic Creation Center and Performance and Exchange Center.

内容： 内蒙古民族歌舞剧院内设歌舞团、蒙古剧团、民族交响乐团、蒙古族青年合唱团、蒙古乐团、野马马头琴乐团、影视剧中心、舞美制作中心、艺术创作中心、演出交流中心等12个职能机构，有国家一级演员51人、国家二级演员140人，主要任务是从事民族歌舞和蒙古剧的创作和演出，促进交响乐、蒙古族合唱艺术和以马头琴为代表的民乐等各类民族艺术的全面繁荣和发展。

First of all this article discusses the scientific definition and appellation of transnational ethnic groups at the angle of political anthropology, then focuses attention on the restrictions and influence upon transnational ethnic groups imposed by the theories, principles and ideas such as 'the unchangeableness of the existing political boundaries',' the supremeness of state sovereignty',' competitions of the overall strength among nation-states',etc.;the author holds that these theories, prin...

文章首先从政治人类学的角度探讨了跨界民族的科学界定和称谓，随后集中探讨了"现行政治疆界不变"、"国家主权高于一切"、"综合国力较量"等理论、准则、理念对跨界民族的制约和影响。笔者认为，在一般情况下，它们不仅决定着跨界民族的民族过程取向，而且已成为解决跨界民族问题的前提，并成为目前国际关系中的一些基本原则。文章最后以非洲大陆为例，就如何正确解决跨界民族问题提出了一些对策。

The national cohesion force, is the accumulation of national tradition and national culture, is one kind of spiritual strength which agglomerates in the populace, is one of factors which constitutes national synthesis strength.

民族凝聚力，是民族传统、民族文化的积淀，是围绕国家和民族生存发展的历史命运在民众中积聚起来的一种精神力量，是构成国家综合实力的因素之。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

They are Song and Dance Ensemble, Mongolian Drama Troupe, Ethnic Symphony Orchestra, Mongolian Youth Chorus, Mongolian Ensemble, Wild Horse Horse-head Fiddle Ensemble, Center for Films and TV Plays, Stage Art Production Center, Artistic Creation Center and Performance and Exchange Center.

内蒙古民族歌舞剧院内设歌舞团、蒙古剧团、民族交响乐团、蒙古族青年合唱团、蒙古乐团、野马马头琴乐团、影视剧中心、舞美制作中心、艺术创作中心、演出交流中心等12个职能机构，有国家一级演员51人、国家二级演员140人，主要任务是从事民族歌舞和蒙古剧的创作和演出，促进交响乐、蒙古族合唱艺术和以马头琴为代表的民乐等各类民族艺术的全面繁荣和发展。

The reconstruction of the nation-state in Somalia is a systematic multilateral project: the ethnic reconciliation and the restoration of the domestic peace constitute the premise of its realization; the appropriate interventions offered by the international community make up a necessary condition; and the positive involvement of its neighboring countries and the organization of IGAD is also a very important factor.

索马里民族国家的重构是一项需要多边参与的系统工程，要推进索马里民族国家的重构，实现民族和解、恢复国内和平是基本前提，国际社会的合理干预是必要条件，而周边国家和伊加特组织的积极介入也是重要因素。

They were characterized by vivid racial elements, the adoration of force and the trend of revanchism, all of which obviously reflected a tension between nationalism and liberalism. It can be attributed to the radical political context and the ideal context affected by the blend of traditional ethnic consciousness and the external theories of state and nationalism, both of which lead to the tension between nationalism and liberalism in modern China.

本文从民族话语的传播媒介和作为话语构建主体的知识分子的分化与组合入手，分析拒俄事件中知识分子对民族主义的学理性阐释，对民族共同的敌人的塑造以及民族集体记忆的搭建和民族情绪的渲染，归纳其民族话语建构中种族因素突出，强力崇拜和复仇主义倾向明显的集体主义种族民族主义特质，进而由知识分子深陷的激进政治语境、边缘化过程中的群体特质，以及传统族群意识与外来进化理念、人种学说、国家观念、民族主义理论交汇而成的观念语境出发，结合经世致用与道德取向的知识人传统，探讨知识精英民族话语建构中种族民族主义倾向掩盖自由主义价值追求的缘由。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。